Autumn : T E Hulme : : Moon Poems : :

T.E. Hulme in 1912 : English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the ‘father of imagism’.
Bust of T. E. Hulme by Jacob Epstein
Lieut. T. E. Hulme in uniform. An artilleryman in 1914 and served with the Honourable Artillery Company and later the Royal Marine Artillery in France and Belgium.Hulme wrote “War Notes”, written under the pen name “North Staffs”, and “A Notebook”in ” New Age” Magazine which contains some of his most organised critical writing. He was wounded in 1916. Back at the front in 1917, he was killed by a shell while deep in thought at Oostduinkerke near Nieuwpoort, in West Flanders.
Healthy , Happy , Successful Irish Farmer
Ruddy Moon like a red faced Healthy Happy Successful farmer

Autumn : : BY T. E. HULME ( 16 September, 1883 – 28 September, 1917 aged 34 ) : : : :
A touch of cold in the Autumn night— 1
I walked abroad, 2
And saw the ruddy moon lean over a hedge 3
Like a red-faced farmer. 4
I did not stop to speak, but nodded, 5
And round about were the wistful stars 6
With white faces like town children. 7

“Autumn”, A 7 lines Short Poem By an imagist Poet and critic , and a formal initiator of the Imagist Poetry in English in the literary movement of Modernism , T E Hulme ( 16 September, 1883 Endon, Staffordshire, Britain – 1917 aged 34,
Oostduinkerke, West Flanders, Belgium ) is About The Moon Viewing in the cold 🥶 Autumn night ❄️ during a Walk . The word “abroad”is suggestive of his ‘stepping outside’ of the town for a short period of time and walking along the countryside – where he views the “Ruddy Moon” shining with a reddish glow that must have understandably reflected in ‘Earth’s Atmosphere’ from the last sunrays of the Sunset, : The Ruddy moon is compared with red-faced farmer ( healthy and happy successful farmer in his endeavours to agriculture, his living ) and wistful stars with white-faced children. It is understood by The Poet Speaker that Autumn is a time of harvesting and an ending phase in the crops taken in the fields , before conversion in to humus turned with the humified soil so that a new crops can be grown in the same fields. Hence he doesn’t have to stop there to speak , simply nods and goes on further for noticeable images. Only The Moon and Stars have impressed him as he has not captured earthy images in this short imagist Poem.

The Modernist Poet does not have to converse in any rhymed expression or with rhetoric remarks on his observations. He just “nods” , in his agreement, that is , bend his head forward. : He also observes the “wistful stars “around the scene and plainly says ,”With white faces like town children” Meaning, The sad – looking (” wistful”) stars are as white as the ‘pallid’ faces of the town children deficient in colour ( looking pale and wussy ) A Modernist Poet does not have to compare the Village life and Urban life beyond plain understatements overlooking unnecessary magnification. Human observation and experiences among the Natural World has many known notions in commonality. The noteworthy impressions faced by The imagist Poet does not have to surpass their portrayal in the excelled rhetorics or with exceeding level in excellence. : : : :

Moonrise : Gerard Manley Hopkins : : Moon Poems : :

Gerard Manley Hopkins, Born at Stratford, Essex, England, on July 28, 1844 – is regarded as one the Victorian era’s greatest poets. He was raised in a prosperous and artistic family. He attended Balliol College, Oxford, in 1863, where he studied classics.In 1864, Hopkins first read John Henry Newman’s Apologia Pro Vita Sua, which discussed the author’s reasons for converting to Catholicism. Two years later, Newman himself received Hopkins into the Roman Catholic Church. Hopkins soon decided to become a priest, and in 1867 he entered a Jesuit novitiate near London. At that time, he vowed to “write no more…unless it were by the wish of my superiors.” Hopkins burnt all of the poetry he had written to date and would not write poems again until 1875. He spent nine years in training at various Jesuit houses throughout England. He was ordained in 1877 and for the next seven years carried his duties teaching and preaching in London, Oxford, Liverpool, Glasgow, and Stonyhurst.

In 1875, Hopkins began to write again after a German ship, the Deutschland, was wrecked during a storm at the mouth of the Thames River. Many of the passengers, including five Franciscan nuns, died. Although conventional in theme, Hopkins poem “The Wreck of the Deutschland” introduced what Hopkins called “sprung rhythm.” By not limiting the number of “slack,” or unaccented syllables, Hopkins allowed for more flexibility in his lines and created new acoustic possibilities. In 1884, he became a professor of Greek at the Royal University College in Dublin. He died five years later from typhoid fever. Although his poems were never published during his lifetime, his friend poet Robert Bridges edited a volume of Hopkins’s Poems, which first appeared in 1918.

In addition to developing new rhythmic effects, Hopkins was also very interested in ways of rejuvenating poetic language. He regularly placed familiar words into new and surprising contexts. He also often employed compound and unusual word combinations. As he wrote to in a letter to Bridges, “No doubt, my poetry errs on the side of oddness…” Twentieth century poets such as W. H. Auden, Dylan Thomas, and Charles Wright have enthusiastically turned to his work for its inventiveness and rich aural patterning. : : : : ( From poets.org : For Educational Purposes only ) The most significant “instinctive turn” in Hopkins’s early poetry occurs in “Il Mystico” (1862), in which older, more traditional religious ideals replace his Keatsian dream visions. “Il Mystico” anticipates that general move that Hopkins, like Tennyson, made from the imitation of Keats to a more explicitly Christian Romanticism, a conversion which enabled him to fulfill his own prophecy for Keats:
Moonrise Beaumaris : Crescent Moon in White Of The Morning

Moonrise : : Gerard Manley Hopkins ( 1844 –
1889 ) : : : ;
I awoke in the Midsummer not to call night, in the white and the walk of the morning:
The moon, dwindled and thinned to the fringe of a finger-nail held to the candle,
Or paring of paradisaïcal fruit, lovely in waning but lustreless,
Stepped from the stool, drew back from the barrow, of dark Maenefa the mountain;
A cusp still clasped him, a fluke yet fanged him, entangled him, not quit utterly.
This was the prized, the desirable sight, unsought, presented so easily,
Parted me leaf and leaf, divided me, eyelid and eyelid of slumber.

— Gerard Manley Hopkins

“Moonrise”, A Moon Poem By Gerard Manley Hopkins is About It’s not one of Gerard Manley Hopkins’s best-known poems. Here is “Moonrise on June 19 , 1876” composed in the jaunty ( stylishly dashing ) ‘sprung rhythm‘, that is , in Poetic rhythm imitating ‘rhythm of Speech’ which Hopkins invented as a way of trying to return English verse to the older traditions of Anglo-Saxon and Middle of English.. . Hopkins is observing the crescent moon in the sky one midsummer’s night which is actually in the white opening day light during an Early Morning Walk. : : “in the white and the walk of the morning: 2
The moon, dwindled and thinned to the3 fringe of a finger-nail held to the candle,”4 ( lines 2 To 4 ) : The moon became smaller (“dwindled”: loosing some substance in her image being observed ) and thinned to the “fringe”: her outside boundary or surface ) of a finger nail ( that is Crescentic 🌙 image of ( probably waning 🌖🌘 ) Moon ( yet not Round ) : : The imagery becomes overspread with Christian References as often found in Hopkins readings as he was a Jesuit. : : The image, that of the ‘paring of paradisaïcal fruit’, cites the fruit of the ‘Tree of Knowledge‘ in the Garden of Eden, which, although it could have been an apple yet it may be named as a banana ( the fruity wordplay on ‘pear’ in ‘paring’ that helps the imagery in the poem. : rather than naming the fruit as a banana ) : : There is also a knock over of Shakespeare’s pleasant version of love and life : his A Midsummer Night’s Dream? : Here , “I awoke in the Midsummer not to call night” has a Meaning that there is No Scope or a time for dreaming. It was an early morning walk. : : In the line , ” .. drew back from the barrow of dark Maenefa , the mountain” The Poet is referring a ‘wheelbarrow’ , a cart for carrying small loads on the mountain used in Wales, where Hopkins was living at the time.: : “A cusp still clasped him, a fluke yet fanged him, entangled him, not quit utterly.” : A “cusp” refers to an end point formed by the Two Arcs ; a “fluke” is a parasitic flat worm ( with suckers to attach to a host ) “yet flanged him”( ejected its poison ) , “entangled him”( As if entrapped him )”not quit”: ( didn’t give up and didn’t go away ) “utterly” ( that is completely.) : : Then Hopkins concludes about the Moonrise he observed, in the line , :
“This was the prized, the desirable sight, unsought, presented so easily,
Parted me leaf and leaf, divided me, eyelid and eyelid of slumber” : : He was so much moved by the worth having prized sight of the Moonrise Presented to him by Nature, so easily , during his routine of Morning Walk that his two separate eyelids , would love to stay opened for longer because they have tended to be restful in quiet and tranquil ; asleep with shut eyes : His consciousness of the World gets suspended in a quiescent state of a slumbrous Morning alongside the Moonrise in the white and not dark. : : : : ‘જુઓ ને પેલા ઉગતા પ્હોરે ચંદ્ર 🌙 ઉગ્યો છે સાગર તીરે’ – વિ જયરાજ : : ::

“Moonrise”, A Moon Poem By Gerard Manley Hopkins Information Appreciation and poem Analysis Presented by V Jayaraj Pune India August 30 , 2023 : : : : : : : :

The Moon was but a chin of gold : Emily Dickinson : ( 1 ) : : Musical Video 1 : ( 2 ) : : Song Video 2 : ( 3 ) : : Moon Poems : :

* Poem 737 ; :

Emily Dickinson ( 1830 – 1886 ) American Poet , Massachusetts/New England , 19 Th Century Poet in imagist style of poetry.
Lune – Deluxe : From llunacollection.com

“The Moon was but a chin of gold”: : Moon Poem By Emily Dickinson ( 1830 – 1886 )

The Moon was but a Chin of Gold
A Night or two ago –
And now she turns Her perfect Face
Upon the World below –

Her Forehead is of Amplest Blonde –
Her Cheek – a Beryl hewn –
Her Eye unto the Summer Dew
The likest I have known –

Her Lips of Amber never part –
But what must be the smile
Upon Her Friend she could confer
Were such Her Silver Will –

And what a privilege to be
But the remotest Star –
For Certainty She take Her Way
Beside Your Palace Door –

Her Bonnet is the Firmament –
The Universe – Her Shoe –
The Stars – the Trinkets at Her Belt –
Her Dimities – of Blue –

** lyrics based on the poem : : : : : : : : : : : : : : :

The Moon was but a Chin of Gold
A Night or two ago
And now she turns Her perfect face
Upon the World below –

Her Forehead is amplest Blonde
Her cheek – a Beryl hewn –
Her Eye unto the Summer Dew
The likest I have known–

And what a priv’lege to be
But the remotest Star
For Certainty she takes her way
Beside your palace door

The Moon was but a Chin of Gold
A Night or two ago
And now she turns Her perfect face
Upon the World below –

Her bonnet’s the firmament
The Universe – Her shoe
The stars – the trinkets at her Belt
In her sea of blue

And what a priv’lege to be
But the remotest Star
For Certainty she takes her way
Beside your palace door
— Based On Emily Dickinson’s Poem, ” The Moon Was But A Chin Of God ” : Click HERE In BELOW to listen to the Musical Video 1 Composition in PIANO 🎹 : : For the Lyrical Song adopted as above, by Visiting You Tube

Waxing Moon : Image Of Setting Crescent Moon At Sunrise. The Moon could be seen in image(s) comparable to , a canoe, a banana, a finger nail, a smile, and the letter “C. : A comma. A fish hook. A hammock and So On. Think of few more , from your side , dear reader.. .

https://youtu.be/y92ZsejBTZk?si=kVXcCl-Emoyiw3Sd

And Song Video 2 From October ( All ) County Chorus On October 9 , 2012 , You Tube Link Given HERE In BELOW : :

https://youtu.be/rBfnyI2tLDU?si=–ppjMtUaVh_acmy

” The Moon Was But A Chin Of Gold” Written in 1863 , ( and published in 1896 collection Poems: 3 Rd Series, edited by Mabel Loomis Todd. In Johnson’s The Complete Poems of Emily Dickinson (1955),, ), A mindful “Moon Poem” By Emily Dickinson is About Thinking of new way(s) to observe the world each time one looks at a Natural Phenomenon. The moon personified as a smiling woman is looking down at the Earthen World constructed on a smaller scale. This Way to Elevating the Full Moon and various Celestial Objects makes imagination of a reader evocative with the imageries invoked before him / her. : : Afterall , The Moon is A Queen Goddess comparable to several of the images that a human mind is capable of inventing images of God / Goddesses right from the evolutionary Phases of Mankind On the Earth. : : : :

To Dickinson, A “chin of gold” meant perhaps that the moon she observed was a small sliver arc and not in full round , and the universe as ‘Her Shoe’. : “Bonnet ( that is , a hat tied under Her Chin ) is the Firmament –” ( that is , the imaginary sphere on which the Celestial bodies appear to have been projected as The crescent faced Moon ) : Hence the Poem she wrote is her brilliance expected only with her unusual mindful way of describing friendly conversant things around her. : : She worships Goddess Moon with profound love and admiration.: As it was offered to Goddess alone , her worship should be recognised as , ” LATRIA ( lu’tri-u ) : : The Moon’s image is very slowly emerging from the darkness, with first a chin and then the forehead and lips like a face coming into view, is Her route of travel and Dickinson’s use of ‘gold’ and ‘amber’ ( hinting at the residual sunlight as well as some Earthlight too reflected on Moon, which provides the moon with its ‘Moon Light‘ ) shows the moon seem ‘Treasure – Worthy‘ , and Rare ‘Artful‘ Value. Moreover , The moon never parts her yellowish orange 🧡 coloured Amber lips to smile.: : “Chin” is a mentum – A protruding part of lower jaw. How many times for N Number of People could have really observed his or her Own Chin , and for that matter , of Others around him / her ! ? Interestingly, A gymnast or a person fond up to performing exercise pulls up himself / herself up on a horizontal bar untill his / her chin is levelling with the bar:: Here in this Poem , “crescentic arc” of The Goddess Moon is compared to Her “Chin“, and Full Moon 🌝 to A Perfect Woman’s Beautiful Face. : Forehead is “of Amplest Blonde” and cheek is “Beryl hewn.” : : “Forehead” is defined as “Blonde” in order to imply how the dim rays of the Sun illuminate the surface of the moon. Therefore, “Amplest Blonde” implies the orange sunlight, making the moon’s “Forehead” appear “Blonde”. : The phases of Moon are schematised as the first launching ( of appearance in a month ) in much much of small manner yet gradual slowing in the unveiling face of a woman. The Curved Shaped Arc is A Crescent of the 🌙 🌘 first quarter and the last quarter of The Moon which is comparable to the shape of anything that resembles to this Arc.: A “Chin of Gold” describes the climbing traveling of the moon in the night sky. It is the prototype of perfection even with solitariness in climbing ., femininity, and pride. : : The word “Beryl hewn” describes the pale Yellow 💛 colour (blue 💙 colour for the clouds ) of the moon’s golden color during sunset so that The moon is Crescentic Jewel of Gold. : : The Formal garb ( gaab ) / dress of occassion while climbing the night skyand the features of appearance draw the colours from The Heaven , The Sky , The Stars and The Earth. The Goddess Moon wears a magnificent belt that has stars for trinkets. In this way, the poet describes the moon’s great , awesome and stupendous dress. “Her Dimities – of Blue – ” Meaning , the blue 🔵 colour of The strong fabric in a raised pattern of the dress of The Goddess Moon in the dark of the Sky where She shines gorgeously wearing blue coloured dress that has drawn blue colour from the Blue Sky. : : With these images , The Poet creates the beauty and the gorgeous features of The Moon. : : : : “The Moon was but a Chin of Gold”, A Moon Poem By Emily Dickinson Information Appreciation and poem Analysis Presented by V Jayaraj Pune India August 29 , 2023 : : : : : : : :

August Waning Crescent Moon : Photo By Virginia White : : Compare With following Valuable / Precious 💞💕
Lluny Jwellery Collection : Image From llunacollection.com
Chin up : Or Take it On A Chin i. e. undergo failure. Or defeat in describing a beautiful Goddess.Moon & accept it. : CHIN Of GOLD
Super -Lua : Goddess Luna : Image From llunacollection.com
Earth may have ghost moons, but we’ve yet to see the smoking gun

Curtsinger/National Geographic/Getty

Earth may have a pair of “ghost moons”, translucent clouds of dust that orbit along with our moon. These clouds, which could be up to 100,000 kilometres across, were predicted in 1951, and new pictures seem to show they exist.

The Earth-moon system has a set of five gravitational balance points, where the gravitational forces from Earth and the moon balance out. At these spots, called Lagrange points, objects can get caught, never being pulled down to … ( Read Further more by visiting New Scientist.com – Website Or Chin up to guess the comparable image of describing Moon you would see from now onwards. Or else , be amused with Emily Dickinson’ s Poem posted HERE.

Hymn to the Moon : Lady Mary Wortley Montagu : : Moon Poems : :

Fantacy Castle and lamp lights And The Moon , overlooking “The Queen of Night” : ” silver deity of secret night “( Wortley Montague )

Hymn To The Moon : : By Lady Mary Wortley Montague (
Written in July, in an arbour


Thou silver deity of secret night, 1
Direct my footsteps through the woodland shade; 2
Thou conscious witness of unknown delight, 3
The Lover’s guardian, and the Muse’s aid! 4
By thy pale beams I solitary rove, 5
To thee my tender grief confide; 6
Serenely sweet you gild the silent grove, 7
My friend, my goddess, and my guide. 8
E’en thee, fair queen, from thy amazing height, 9
The charms of young Endymion drew; 10
Veil’d with the mantle of concealing night; 11
With all thy greatness and thy coldness too. 12

Mary Wortley Montagu,
od Charlese Jervase, po roce 1716.

— Lady Mary Wortley Montague : From allpoetry.com : For Educational Purposes only.

“Hymn To The Moon”, A 12 lines , Short ‘Moon Poem’, By Lady Mary Wortley Montague ( 1689 – 1762 ) written during her travel in Europe , Asia and Africa , ( who is known for her writing , better known for her steely satires , as well as for introducing ‘Smallpox’ inoculation to Britain, half a century before Edward Jenner developed vaccination against the disease. ) is About A Hymn , That is , A Song of praise To The “Goddess Moon” , a powerful “goddess” hailed as “fair Queen of amazing hight with greatness and coldness” ( lines & 12 ) and “silver deity of secret night” 🌃 as in ( line 1 ) providing light at night-time which help to guide the poet’s Speaker ‘s way through the woods : ” Direct my footsteps through the woodland shade.” as said in ( line 2 ) : : She is on her way to some hidden / secret romantic meeting with a secret lover which is referred as ‘unknown delight’ ( line 3 ) and as the moon referred as “Lover’s guardian” ( line 4 ) in her rendezvous . : : However , while referring to art and poetry for the moon is as “Muse’s aid” ( line 4 ) : artist’s source of inspiration ; and for the “tender grief confide” ( line 6 ) which is thus in -trusting to the moon , the aforesaid romanticism gets even off. ( Muse : 9 daughters of Zeus and Mnemosyne are protector of Art & Science , As per Greek Mythology ) : :

Like a Poet, The moon is also feminine being tender/ soft and like attentive lover is silent and trusty or dependable companion and guide for her as she says in lines 7 & 8 ) : “Serenely sweet you gild the silent grove, “7 : as if covering “grove” ( a meeting place of bushes/ wood ) with leaf 🍀 hence “gilded sweetly” ;
“My friend, my goddess, and my guide.” 8 . The charming Endymion is the shepherd from Greek mythology who was loved by Selene, the goddess of the moon like Roman Luna. Here , she says ( in lines 8 To 12 ) , “fair queen, from thy amazing height, 9
The charms of young Endymion drew; 10
Veil’d with the mantle of concealing night; 11 : ( concealing cover of blanket of night )
With all thy greatness and thy coldness too.”12 : :

With how sad steps, O moon : From Astrophil and Stella : Sonnet ( 31 ) : : Sir Philip Sidney : : Moon Poems : :

how sad steps, O moon, thou climb’st the skies; 1
How silently, and with how wan a face. 2
What, may it be that even in heavenly place 3
That busy archer his sharp arrows tries? 4
Sure, if that long-with-love-acquainted eyes 5
Can judge of love, thou feel’st a lover’s case; 6
I read it in thy looks; thy languished grace 7
To me, that feel the like, thy state descries. 8
Then, even of fellowship, O moon, tell me, 9
Is constant love deemed there but want of wit? 10
Are beauties there as proud as here they be? 11
Do they above love to be loved, and yet 12
Those lovers scorn whom that love doth possess? 13
Do they call virtue there ungratefulness? 14

“With how sad steps, O moon”From Astrophil and Stella : Sonnet ( 31 ) , Written in Early 1580 s By Sir Philip Sidney ( 1554 — 1586 ) is About The Poet Speaker’s unrequited love for Penelope Rich ( nee Devereux , married to Lord Robert Rich ), who was offered to him as a potential wife a few years before. Sidney turned her down, Yet, realised that he was actually in love 💕 with her. 😘 : : Sidney is addressing the moon in the aforesaid Sonnet 31 , as a potential fellow-sufferer from Cupid’s cruel arrows. :

Notes for each of the lines Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India August 27 , 2023 : : : :

To the Moon : Percy Bysshe Shelley : : Moon Poems : :

To The Moon : : By Percy Bysshe Shelley ( 1792 – 1822 ) : : : :

And, like a dying lady lean and pale,
Who totters forth, wrapp’d in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky east,
A white and shapeless mass.


Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,
And ever changing, like a joyless eye
That finds no object worth its constancy?

“To The Moon” A 12 lines Short Lyrical Poem , By the greatest second-generation Romantic poets along with John Keats and Lord Byron , Percy Bysshe Shelley ( 1792 – 1822 ) is About the moon climbs the night sky without any Companion and gets fatigued. : The Poem contains Shelley’s Romanticism reflective of the World and attestable ident with the world around or beyond from where it is observed, and thereupon the misconceived emotions alloted contemptibly to nonhuman objects. In some available 6 lines version the 1 St Stanza is omitted. : : : :

Notes for each of the 12 lines Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India August 26 , 2023 : : : :

Darkness Poems : By Various Poets : :

#

* : : Storm Fear by Robert Frost :

When the wind works against us in the dark,
And pelts the snow
The lower chamber window on the east,
And whispers with a sort of stifled bark,
The beast,
‘Come out! Come out!’—
It costs no inward struggle not to go,
Ah, no!
I count our strength,
Two and a child,
Those of us not asleep subdued to mark
How the cold creeps as the fire dies at length,—
How drifts are piled,
Dooryard and road ungraded,
Till even the comforting barn grows far away
And my heart owns a doubt
Whether ’tis in us to arise with day
And save ourselves unaided.

*

** : : The Rime of the Ancient Mariner : : Part I Of VII : : by Samuel Taylor Coleridge :
x



It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The Bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
May’st hear the merry din.’

He holds him with his skinny hand,
‘There was a ship,’ quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropt he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

‘The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The Sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—’
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

And now the STORM-BLAST came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And forward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As if it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white Moon-shine.’

‘God save thee, ancient Mariner!
From the fiends, that plague thee thus!—
Why look’st thou so?’—With my cross-bow
I shot the ALBATROSS.

#

*** : : The Ballad of Reading Gaol , Stanza 10 Of 109 Stanzas : : by Oscar Wilde He does not die a death of shame

On a day of dark disgrace,

Nor have a noose about his neck,

Nor a cloth upon his face,

Nor drop feet foremost through the floor

Into an empty place

#

*V : : The Raven , Stanza 1 : : by Edgar Allan Poe. Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

Only this and nothing more.”

#

V : : The Vampire : : by Conrad Aiken ( 1899 – 1973 )
She rose among us where we lay.
She wept, we put our work away.
She chilled our laughter, stilled our play;
And spread a silence there.
And darkness shot across the sky,
And once, and twice, we heard her cry;
And saw her lift white hands on high
And toss her troubled hair.

What shape was this who came to us,
With basilisk eyes so ominous,
With mouth so sweet, so poisonous,
And tortured hands so pale?
We saw her wavering to and fro,
Through dark and wind we saw her go;
Yet what her name was did not know;
And felt our spirits fail.

We tried to turn away; but still
Above we heard her sorrow thrill;
And those that slept, they dreamed of ill
And dreadful things:
Of skies grown red with rending flames
And shuddering hills that cracked their frames;
Of twilights foul with wings;

And skeletons dancing to a tune;
And cries of children stifled soon;
And over all a blood-red moon
A dull and nightmare size.
They woke, and sought to go their ways,
Yet everywhere they met her gaze,
Her fixed and burning eyes.

Who are you now, —we cried to her—
Spirit so strange, so sinister?
We felt dead winds above us stir;
And in the darkness heard
A voice fall, singing, cloying sweet,
Heavily dropping, though that heat,
Heavy as honeyed pulses beat,
Slow word by anguished word.

And through the night strange music went
With voice and cry so darkly blent
We could not fathom what they meant;
Save only that they seemed
To thin the blood along our veins,
Foretelling vile, delirious pains,
And clouds divulging blood-red rains
Upon a hill undreamed.

And this we heard: “Who dies for me,
He shall possess me secretly,
My terrible beauty he shall see,
And slake my body’s flame.
But who denies me cursed shall be,
And slain, and buried loathsomely,
And slimed upon with shame.”

And darkness fell. And like a sea
Of stumbling deaths we followed, we
Who dared not stay behind.
There all night long beneath a cloud
We rose and fell, we struck and bowed,
We were the ploughman and the ploughed,
Our eyes were red and blind.

And some, they said, had touched her side,
Before she fled us there;
And some had taken her to bride;
And some lain down for her and died;
Who had not touched her hair,
Ran to and fro and cursed and cried
And sought her everywhere.

“Her eyes have feasted on the dead,
And small and shapely is her head,
And dark and small her mouth,” they said,
“And beautiful to kiss;
Her mouth is sinister and red
As blood in moonlight is.”

Then poets forgot their jeweled words
And cut the sky with glittering swords;
And innocent souls turned carrion birds
To perch upon the dead.
Sweet daisy fields were drenched with death,
The air became a charnel breath,
Pale stones were splashed with red.

Green leaves were dappled bright with blood
And fruit trees murdered in the bud;
And when at length the dawn
Came green as twilight from the east,
And all that heaving horror ceased,
Silent was every bird and beast,
And that dark voice was gone.

No word was there, no song, no bell,
No furious tongue that dream to tell;
Only the dead, who rose and fell
Above the wounded men;
And whisperings and wails of pain
Blown slowly from the wounded grain,
Blown slowly from the smoking plain;
And silence fallen again.

Until at dusk, from God knows where,
Beneath dark birds that filled the air,
Like one who did not hear or care,
Under a blood-red cloud,
An aged ploughman came alone
And drove his share through flesh and bone,
And turned them under to mould and stone;
All night long he ploughed.

#

V* : : Gretel in Darkness : : by Louise Glück



This is the world we wanted.

All who would have seen us dead

are dead. I hear the witch’s cry

break in the moonlight through a sheet

of sugar: God rewards.

Her tongue shrivels into gas



Now far from women’s arms

and memory women, in our father’s hut

we sleep, are never hungry.

Why do I not forget?

My father bars the door, bars harm

from this house, and it is years.



No one remembers. Even you, my brother,

summer afternoons you look at me though

you meant to leave,

as though it never happened.

But I killed for you. I see armed firs,

the spires of that gleaming kiln come back, come back



Nights I turn to you to hold me

but you are not there.

Am I alone? Spies

hiss in the stillness, Hansel,

we are there still and it is real, real,

that black forest and the fire in earnest.



Brief Biography of Louise Glück

Compare this Story to other renditions:

The Gingerbread House – John Ower

Hansel and Gretel – Jacob and Wilhelm Grimm



#

V** : : The Dark : : by Carol Ann Duffy


If you think of the dark
as a black park
and the moon as a bounced ball,
then there’s nothing to be frightened of
at all.

(Except for aliens…)

#

V * * * : : The Darkling Thrush : : BY THOMAS HARDY
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter’s dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.

The land’s sharp features seemed to be
The Century’s corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.

At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.

So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.

#

Moonset : Carl Sandburg : : Darkness Poems : :

Carl Sandburg ( 1878 – 1967 ) , Illinois

84. Moonset : By Carl Sandburg( 1878–1967 ) , Illinois : : Cornhuskers, 1918. : : : :

LEAVES of poplars pick Japanese prints against the west. 1

Moon sand on the canal doubles the changing pictures. 2

The moon’s good-by ends pictures. 3

The west is empty. All else is empty. No moon-talk at all now. 4

Only dark listening to dark. 5

“Moonset”, A 5 lines ‘Darkness’ Poem By Carl Sandburg is About a fresh look at The Moon. : : The “moonset” moon·set ˈmün-ˌset is having atleast two meanings , as per Merriam Webster : :
1
: the descent of the moon below the horizon
2
: the time of the moon’s setting ( in the West ) : According to Forbes, the best time to view a supermoon, or any full moon, is at moonrise or at moonset, when the moon is closest to the horizon.
—Claire Reid, Journal Sentinel, 20 July 2023 : Percy Bysshe Shelley penned in his Poem “To the Moon” stating that she was tired of constantly traversing the sky and staring at the earth. The Moon provides some source of light during an ultimate darkness which then becomes illuminated. ; Many view its light as calming and gentle. A light in the darkness is a symbol of hope , and redemption that’s saving from some harm or unpleasantness to bring Peace of minds. . The Moon represents hope and care – taking besides her importance of staying bright no matter how darkness of 🌃 Night 🌑 seems intense and even haunting and fearsome. She has to draw her light from the Sun , and even from the Earth reflecting Sunlight towards her. Thus The Moon inspires the Humans be a beacon for Others. Everything in the darkness of Night too can be a source of giving guidance and taking care. : : The Moon , Earth’s Only Natural satellite can be looked at in her climbing the sky wearily with brightness increasing 🔅 🔆 or decreasing 🔆 🔅 while appearing in the Earth’s Sky in her waxing 🌔 🌒 and 🌘 🌖 waning : phases of changing on each day and ultimately ending the nighttime as her long time or short time journey with a pale appearance of “Moonset”always in the West. The Poet Speaker says here, “The moon’s good-by ends pictures. 3

The west is empty. All else is empty. No moon-talk at all now. 4

Only dark listening to dark. 5 : : lines 3 To 5 : : : : The above Poem , ” Moonset” is almost ‘un -poetic’ in its imageries in lines 1 To 4 none of which is befitting any of the ‘Poetry’ reading . The poem’s image in line 5 ,”Only dark listening to dark” is conspicuously attention – getting imagery. This should lead reader think 🤔💬 in what way A 🕶️ darkness without a ray of light or hope can be of some Guidance to some man in depression or desolation that is symbolically represented by the Dark 🌑🌑

“Moonset” , A darkness Poem By Carl Sandburg, Information Appreciation and poem Analysis Presented by V Jayaraj Pune India August 24 , 2023 : : : : : : : :

I wake and feel the fell of dark, not day : Gerard Manley Hopkins : Sonnet : : Darkness Poems : :

Photo by Hulton Archive/Getty Images : : British Jesuit and Poet : Gerard Manley Hopkins ( 1844 – 1889 ) one of the greatest poets of the Victorian era but his style was so radically different from that of his contemporaries. His best poems were not accepted for publication during his lifetime, and his achievement was not fully recognized until after World War I. : Estranged from his Protestant family when he converted to Roman Catholicism. Upon deciding to become a priest, he burned all of his poems and did not write again for many years. His work was not published until 30 years after his death when his friend Robert Bridges edited the volume Poems. : The attitudes of Christina Rossetti and Hopkins toward art and religion have destined them to share much the same fate at the hands of twentieth-century readers. Like Hopkins, Christina Rossetti often reveals a Keatsian attraction to the life of sensations, especially to nature. Hopkins’s wide variety of responses to nature, especially in the 1860s and 1880s, ranging from strong attraction to its beauty to belief that this beauty must be denied on religious grounds, is congruent with the range of Christina Rossetti’s responses. Hopkins’s most famous Welsh sonnet, “The Windhover,” reveals for him the Book of Nature. : Hopkins was subject to melancholy all his life, but his “terrible pathos,” as Dixon called it. The sense of coldness, impotence, and wastefulness evident in Hopkins’s religious poetry of the 1860s is an important feature. Hopkins’s sonnets of desolation are generally considered his most modern poems. The ultimate result of God’s withdrawal from the soul and the consequent darkness is often the temptation to despair, that loss of all hope which is the state of the damned in Dante’s Inferno. This despair, the temptation resisted in the opening of Hopkins’s “Carrion Comfort,”: Eventually, Hopkins, like Dante, was granted a glimpse of Paradise. Hopkins’s sonnet of 1888, “That Nature is a Heraclitean Fire and of the comfort of the Resurrection,” is apparently a direct reply to “No worst, there is none”: the question in the earlier poem, “Comforter, where, where is your comforting?”: ”As Dante put it, “The inborn and perpetual thirst for the godlike kingdom bore us away…. It seemed to me that a cloud covered us, shining, dense, solid and smooth; like a diamond smit by the sun.”Hopkins concludes in his poem with similar imagery: “I am all at once what Christ is, since he was what I am, and / This Jack, joke, poor potsherd, patch, matchwood, immortal diamond, /Is immortal diamond. : : ”I wake and feel the fell of dark, not day” is A Darkness Poem / of alarming black hours of insomnia discussed HERE In BELOW as A Sonnet :

I wake and feel the fell of dark, not day’
By Gerard Manley Hopkins : (1844 – 1889) : : ::
I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light’s delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.

I am gall, I am heartburn. God’s most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.

— Gerard Manley Hopkins : From : Poems and Prose (Penguin Classics, 1985) : From : poetryfoundation.org : For Educational Purposes only.

“I wake and feel the fell of dark, not day”Written in the 1880s while living in Ireland having a time in depression.. . Hence , A Darkness Poem By Gerard Manley Hopkins is About A Painful suffering in dark while understanding Part , persona and purpose of God in his partitive life ( less than the whole ). The Sonnet follows Consistent Rhyme of ABBAABBA CCDCCD. : : The “years like black hours spent” ( lines 2 & 6 ) because of his depression while all alone in soul searching 🔍 🔎 ‘sleepless night’ with a constant feeling in, “yet longer light’s delay”( line 4 ) : : Hopkins’s depression is related to his religious role as a Jesuit priest ; he feels as if his prayers have been going unanswered, like “cries countless, cries like dead letters sent To dearest” ( lines 7 & 8 ) which are returned as unopened. : His depression and unlikely consideration by the “dearest” / ‘God’ become oppressive sorrows pressing him like with “heartburn” as expressed in ( line 3 ) : “This night! what sights you, heart, saw; ways you went!” ( line 3 ) into the “blood brimmed curse “( line 11 ) . The Spirituality in his Jesuitical efforts in going near to God & with gaining His helping lights of His Heaven / Paradise with Biblical ways he continues to pray, will keep him ready to bear baking heat to turn out in to a Genuine Self Worthy Of Life. The “lost are like this , and their scourge to be ” ( line 13 ) inspires an inhospitable “worse life” for Others who are non – believers. The Poet Speaker sees that “scourge” of life of those Non – Believer’s “lost” souls are to be causing a dreadful misery and fear of ruining. Such lost souls will be “sweating 🥵 selves; ” : that is , they will face eternal yet “worse” ( punishment ) in the abode of Satanic Evil force of the darkness : a Hell of pain and turmoil with the blazing inferno. : : : :

Quatrain 1 : : ” I wake and feel the fell of dark, not day. 1
What hours, O what black hours we have spent 2
This night! what sights you, heart, saw; ways you went! 3
And more must, in yet longer light’s delay” 4 : : lines 1 To 4 : : : :

About painful 😖 suffering 😣 during a sleepless night while all alone in the “dark” waiting for the light. The Poet Speaker addresses his own heart 💜 recalling a number of “sights” and “ways”/ places he and his heart have seen, as in the line, ” This night ! what sights you , heart ❤️ , saw ; ways you went ! ” ( line 3 ) Meaning , what has been done or how it happens to a place or point of conditions , ” And more must”( line 4 ) they have had passed through / “black hours we have spent ” ( line 2 ) which have proved dark way of his mind and dark emotions of his hearty internals. It has been like moving in an unilluminated area of deficient gloom and a sorry state of ” black hours” in “dark “, that is depression in ” yet longer light’s delay”( line 4 ) . That has been a day -in day- out for an indefinite number of succeeding day(s) / “mean life” ( line 6 ) when, “I wake and feel the fell of dark, not day. 1
What hours, O what black hours we have spent” 2 : : He exclaims over the night 🌃 the “fell of dark” as if by delivering a blow, that has disposed to inflict pain and suffering 😣 😢 : : : :

Quatrain 2 : : “With witness I speak this. But where I say 5
Hours I mean years, mean life. And my lament 6
Is cries countless, cries like dead letters sent 7
To dearest him that lives alas! away.” 8 : : lines 5 To 8 : : : :

About A “lament” ( lah-mint ) that is an expression of grief as painful suffering of “years of life” which has provided in “countless cries”( line 7 ) : here a religious artist ( a Jesuit by vocation, and a Poet ) shed tears because of sadness and pain ( and not in protest or opposition ) : : It’s A lament ( lu’ment ) in grief and sorrow when we might plead God to help someone move through their grief or solve a Puzzle that we have. The Poet Speaker has lamented in this sense but all his “cries” have met with the same end ,”like dead letters sent” ( line 7 ) with his mindful and hearty prayers 🙏 To God and they remained unanswered in the sense he has always received his “letters” returned to him as unopened. He finds it and says, “Alas ! his dearest lives away.”( line 8 ): God has never responded with His Ray of Hope “light” : The Poet Speaker presents his personal religious jesuitical testimony to “years .. meaning life” ( line 6 ) of his lamented prayers as he says, ” “With witness I speak this. But where I say” ( line 5 ) 🙏🤲🙏 🤲 ! ! ! ! ( In following Octave.. . )

Octave : : ” I am gall, I am heartburn. God’s most deep decree 9
Bitter would have me taste: my taste was me; 10
Bones built in me, flesh filled, blood brimmed the curse. 11
Selfyeast of spirit a dull dough sours. I see 12
The lost are like this, and their scourge to be 13
As I am mine, their sweating selves; but worse.” 14 : : lines 8 To 14 : : : :

About “heartburn” ( line 9 ) state of intense resentment : A heartburning sensation which irks the Poet Speaker who says, “I am gall”( line 9 ) , Meaning , he is feeling a bitter anger 🤬 and “ill will” his self accepted ‘priestly ordain’ : God’s most deep decree” ( line 9 ) : A binding command viewed as coming from God. : The angry bitterness in his self has admitted that since he has not been shown a ray of light he wished in his lifelong prayers he is now an unblessed soul in suffering. Therefore , he is unsaved and damned with severity of some punishment. He is burdened with his blameworthiness that has gone through all his body as said in line ,” Bones built in me , flesh filled , blood brimmed the curse. ” ( line 11 ) ❣️ ❣️ Meaning , His all body is completely filled with resentment and the angry bitterness with his self. : : It is filled as much as possible to become a dull lump of bone and flesh : A “sour dough” fermented with “Selfyeast of spirit” an intensifier, a fermenter as exemplified in ( line 12 ) : : Hence , he says, “I see” what he will say in turn of Volta , The last Two lines of the Sonnet. : : : :

VOLTA : : “The lost are like this, and their scourge to be 13
As I am mine, their sweating selves; but worse.” 14 : : lines 13 & 14 : : : :

About The Believer’s / Jesuitical Religiosity V/S Non – Believers – the Others. The Poet Speaker’s ” mine” has to still have a FAITH In HIM : The God Almighty , sees his painful darkness will not be doomed , whereas Others / Non – Believers are “lost “souls in their own darkness, as he sees. : His Selfyeast of spirit, that is , his spirituality in his efforts of going near to God & His Heaven / Paradise with whatever ways he continues to pray will keep him ready to bear the heat of baking to turn him out in to a Genuine Self worthy for Life.: ( An identifiable memory of An EATABLE BREAD of last supper !? ) ; Whereas the “scourge” of life of those Non – Believer’s “lost” souls are to be causing a dreadful misery and fear of ruining. Such lost souls will be “sweating 🥵 selves; ” : that is , they will face eternal yet “worse” punishment ( in the abode of Satanic Evil force ) of the darkness which is A Hell of pain and turmoil with the blazing inferno. : : ( May be noted that In Christianity , A Hell is paved with good intentions. ) : : : :

“I wake and feel the fell of dark, not day” , A Darkness Poem By Gerard Manley Hopkins Information Appreciation and poem Analysis Presented by V Jayaraj Pune India August 23 , 2023 : : : : : : : :

The Dark Forest : Edward Thomas : : Darkness Poems : :

The Dark Forest : : By Edward Thomas ( 1878-1917 ) London , England : : : : : : :

Dark is the forest and deep, and overhead
Hang stars like seeds of light 2
In vain, though not since they were sown was bred
Anything more bright. 4

And evermore mighty multitudes ride
About, nor enter in; 6
Of the other multitudes that dwell inside
Never yet was one seen. 8

The forest foxglove is purple, the marguerite
Outside is gold and white, 10
Nor can those that pluck either blossom greet
The others, day or night. 12

— Edward Thomas

“The Dark Forest “A 12 lines in 3 Quatrains / Stanzas ( in simple rhyme scheme of ABAB CDCD EFEF ), ‘Darkness Poem’ By A Nature Poet Edward Thomas is About “The forest” at night, above whose “overhead , that is , deep(ness) of trees , “hang stars”which shine like “seeds of light”. Through whatever that occupies all around , and throughout Thomas depicts the disconnexion that split up the living from the dead.. . One group , the living picks marguerite flowers in the light/day while the others pick purple foxglove in the deep, darkness of the forest. The distinguished life and death is also located through the Starlight in the sky. : : Life in the dark forest mirrors life in the light. The “mighty multitudes” on both sides sustain without disturbance or interference as said in the line, “ride about not enter in;”( line 6 ) for their inability to reach across or enter into the side they don’t belong to which is understood in ” Never yet was one seen” ( line 8 ) : : “The forest foxglove is purple, the Marguerite / Outside is gold and white”, are the most haunting lines 9 & 10 : : : :

Quatrain 1 : : ” Dark is the forest and deep, and overhead 1
Hang stars like seeds of light 2
In vain, though not since they were sown was bred 3
Anything more bright. 4 : : lines 1 To 4 : : : :

About The stars like “seeds of light” in the sky as they look tiny from a distance , not that their breed was tiny : “not since they were sown was bred ” ( line 3 ) : Under any circumstances, ( for ) “Anything”( they look ) more bright” ( line 4 ) : : Thus , The tiny looking distant and hanging yet very bright 🤩 ⭐✨ Stars are Vibrantly Shining with full of 🧬 life. Hence a very fine simile : ” seeds of life” : : The seeds were “sown.. In vain”( line 5 ) because nothing brighter or more lively has been born since their planting / breeding. And nothing “more bright” has been engendered or begotten from the stars. : : : :

Quatrain 2 : : ” And evermore mighty multitudes ride 5
About, nor enter in; 6
Of the other multitudes that dwell inside 7
Never yet was one seen. ” 8 : : lines 5 To 8 : :::

About “Death”meaningfully implied in lines “nor enter in; 6
Of the other multitudes that dwell inside 7
Never yet was one seen. ” 8 : ( lines 6 , 7 & 8 ) : : This refers to those who have entered into the woods, or death, and are never seen again by those outside. : The inside and outside are the two different metaphorical “multitudes”/ ‘large gathering of People’ distinguished in the sides of life and of death. The dark deep forest is thick / impenetrable. In the 1 St World War in which Thomas also took part going to the front line of war(s) : Many People belonging to One battalion / multitude at the front “ was never seen”: May be , Thomas wanted to pinpoint at them but not clearly.. . He has changed this expression as ,”Never yet was one seen. “In line 8 : : : :

Quatrain 3 : : ” The forest foxglove is purple, the marguerite 9
Outside is gold and white, 10
Nor can those that pluck either blossom greet 11
The others, day or night. 12: : lines 9 To 12 : :::

About The Two distinguished World of living People and the dead People. They both reflect similarities. : Outside the forest, there are “gold and white” marguerite flowers while inside there is purple foxglove. They are unable to go from one side to another side. There is no crossover pathway existing in the impenetrable woods. Just as one flower can’t grow on the side it doesn’t belong to, people can’t “pluck either blossom 🌸 greet” ( line 11 ) . : “The others, day or night”( line 12 ) . The living and the dead remain distinct. The lines 9 & 10 are the most haunting lines. : The “foxglove”inside are the plants of the genus ,’Digitalis’ , here the variety of purple flowers 💜 ; whereas , “Marguerite” outside is white flowers ( of the tall plant of the genus Chrysanthemum , for instance moon Daisy or white Daisy ) : : : :

“The Dark Forest” , A Darkness Poem By Edward Thomas , Information Appreciation and poem Analysis Presented by V Jayaraj Pune India August 22 , 2023 : : : : : : : :

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