May : ( 1 ) : : May Day : ( 2 ) : : May Day : ( 3 ) : : Sara Teasdale : : May Poems : : Months Poems : :

Sara Teasdale (1884 – 1933) was a Missouri-born poet afflicted with poor health from birth. She loved one man but married another, divorced, lost her best friend to suicide, and eventually committed suicide herself. : : Teasdale’s work was characterized by its simplicity and clarity and her use of classical forms. : : A majority of her poems are about love and beauty, and she won the first Pulitzer Prize for poetry in 1918. There are some similarities to be drawn between Sara and Emily Dickinson; both were reclusive, both wrote intensely personal poetry that frequently focused on nature, both knew unrequited love.
“The wind is tossing the Lilacs” : Sara Teasdale , from the Poem ” May” :
Apple tree branch with flowers on the background of the wooden wall of the house.
Apple Trees Blossoms : In Apple Orchard/ Garden
Apples on trees in orchard in fall season
“The new leaves laugh in the sun” : Sara Teasdale from her Poem , ” May”: Live cuttings at grafting apple tree in cleft with growing buds, young leaves and flowers. Closeup. growing new leaves in Full Sunlight of Spring & Summer to nourish the tree and its Fruits Apples till The Season of Fall.
Winter Wonderland – First Snow. Hand drawn vector illustration of first snow covering trees, woodpecker, apples. : “I go a wintry way,
For love that smiled in April
Is false to me in May.” : Sara Teasdale From her Sad Poem ” May ”
Winter Wonderland – First Snow. Hand drawn vector illustration of first snow covering cute painted birdhouse, trees, woodpecker, apples.

* May
By Sara Teasdale : : : :

The wind is tossing the lilacs,
The new leaves laugh in the sun,
And the petals fall on the orchard wall,
But for me the spring is done.

Beneath the apple blossoms
I go a wintry way,
For love that smiled in April
Is false to me in May.

* * May Day By Sara Teasdale. : : : : A delicate fabric of bird song
Floats in the air,
The smell of wet wild earth
Is everywhere.

Red small leaves of the maple
Are clenched like a hand,
Like girls at their first communion
The pear trees stand.

Oh I must pass nothing by
Without loving it much,
The raindrop try with my lips,
The grass with my touch;

For how can I be sure
I shall see again
The world on the first of May
Shining after the rain?
*** May Day : : By Sara Teasdale : :



The shining line of motors,
The swaying motor-bus,
The prancing dancing horses
Are passing by for us.

The sunlight on the steeple,
The toys we stop to see,
The smiling passing people
Are all for you and me.

“I love you and I love you!”–
“And oh, I love you, too!”–
“All of the flower girl’s lilies
Were only grown for you!”

Fifth Avenue and April
And love and lack of care–
The world is mad with music
Too beautiful to bear.

— Sara Teasdale

“May “, A Love Poem About low pitched Lamentations on meeting with falsehood’ and sad nature of love conveying that it can be dying soon even if , may it be, Born in unrestrained time of merrymaking Month Of May. : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : The first 3 lines open up the picturesque Spring showing its emergent signs, before the Worldviews of the Speaker,The wind is tossing the lilacs, 1
The new leaves laugh in the sun, 2
And the petals fall on the orchard wall,” 3 : : But for the Speaker , she “is done with the Spring” , as she announces in line 4. : : She is walking a “wintery way” owing to the passing of her April love. : ” Beneath the apple blossoms 5
I go a wintry way, 6
For love that smiled in April” 7 : ( lines 5 To 7 ) : : The blossoms of an Apple Tree is pleasurable , but here, it doesn’t amuse her. : May be her experiences for true “love smiling in April”, she has longed to , has played false, on its disclosure as to be found as untrue , incorrect and not genuine nature of love. : : She feels let down by her April Love within the short span of a month only which is in contrast to the merrymaking garlanding promises, sung aloud in other poems of May. She meets with the sad wintery way instead of new ( promising married ) life and new beginning. : : Her tone of sadness, very serious, nervous, and hurt feel , as she puts this in a gathering talks which vibrates off , of the old time love making terminable in to the sadness. : : : :

Pyrus ussuriensis ‘Mountain Frost’ : The Flowering Pear 🍐 Ussurian Pear 20×30 feet spread ×hight : The hardiest of the ornamental pears, smothered in clouds of showy white flowers in spring, good fall color and symmetrically upright-oval shape; sparse fruit production makes for lower maintenance, very resistant to fireblight.
Acer rubrum, the red maple, also known as swamp maple, water maple, or soft maple, Red Sunset maple is most abundant and widespread deciduous Native trees of eastern and central North America. : :Needs full sunlight. height Max around 30 m (100 ft). Its flowers, petioles, twigs, and seeds are all red to varying degrees; best known for its brilliant deep scarlet foliage in autumn. its rapid growth, ease of care, bright flowers and fruit, its production of maple syrup, and beautiful fall color. : :
A. rubrum leaf in the autumn, top, compared to striped maple, which turns yellow, and sugar maple, which tends to orange. : :
“Red small leaves of the maple
Are clenched like a hand,” : Sara Teasdale in her poem ” May Day.

” May Day” is Traditionally A Season of Poles and Ribbons, May can be Merry and Romantic events.

“A delicate fabric of bird song 1
Floats in the air, 2
The smell of wet wild earth 3
Is everywhere.” 4 : : Stanza 1 : lines 1 To 4 : :

“Red small leaves of the maple 5
Are clenched like a hand, 6
Like girls at their first communion 7
The pear trees stand. 8 : : Stanza 2 : : lines 5 To 8 : :

The First Two Stanzas adorn “the May Day” with the beautiful imageries of the Springtime , like : “A delicate fabric of bird song floats in the air” ; while , the wild earth is wet “spreading its wet smell everywhere” in the forest, and in the human habitats too. Teasdale describes small Ruby Red coloured leaves of Red maple tree(s) which look like closed or squeezed tightly together, holding like a hand ✋ : like girls at their first communion , that is celebrating the holy sacrament commemorating ( marking ceremony ) thelast supper’ by consecrating bread and wine ( holy rite of pass down ) among the fellow Christians. And here ” The pear trees stand” Meaning uprightly showy White flowers of the pear trees are spreading the whiteness quietly covering over the place of beauty in Nature, alongside the brilliantly Red Maples , clinching with its hand like fists , opened in leaves , symbolic of Vibrancy and sustainability in the Springtime May Day of the summer.: : : :

Lip shape printed on the wet glass with orange drops on black background with moving orange drops | lip care concept
“Oh I must pass nothing by
Without loving it much,
The raindrop try with my lips,”: From”May Day ” Poem by Sara Teasdale.

Close up on lips covered by water drops
Beautiful girl holding grass. : : From “May Day” ” Oh I must pass nothing by
Without loving it much,
The raindrop try with my lips,
The grass with my touch; ” Sara Teasdale.

“Oh I must pass nothing by 9
Without loving it much, 10
The raindrop try with my lips, 11
The grass with my touch; 12 : : Stanza 3 : : lines 9 To 12 : :

For how can I be sure 13
I shall see again 14
The world on the first of May 15
Shining after the rain?” 16 : : Stanza 4 : : lines 13 To 16 : :

The Speaker , herein 3 Rd & 4 Th Stanzas, gives the turn to the outcome of spending a time in Nature that caused to wake up her conscious as relative to her own thought process which is an aftermath of the “May Day”, she has viewed and described with beautiful imageries of Springtime : The waves of her thought process, as she moves forward. As she then has decided to pass by, without loving the beautiful imageries that have started arousing the yearning with the deeper meanings behind what she has viewed in her visit in wilderness of the Springtime Nature. This is so , because nothing she has observed affects her. : : She emphasizes this by further “Touch Modality”: like , ” The raindrops try with my lips”( line 11 ) and ,”The grass with my touch” ( line 12 ) : : Here , the Heavenly objects of “The Raindrops” & the Earthly Objects of “The grass” are the Natural Forces that have come upon her cutaneous senses which , when she perceives them through a brief contact with her lips, and hands , have attempted but have failed to tinct her emotions and ‘self within’. This is the miserable failure of the Natural Forces of ‘touch’, same way as that of the ‘sight’ on “May Day” of the Springtime which would not enable her locate the emotions for love and beauty. There is a touch of sarcasm here in her expressions. : : : :

She knows that the May Day” is Traditionally A Season of Poles and Ribbons and can be Merry and Romantic pleasure. Yet, she has no desire to look at it intently or feel it with senses of touch. She gives a reasoning for her negation , in Stanza 4 : : She is not convinced that the happy world she is aware of As On 1 St Day of May , that is “May Day” will come for her again as a happy day of garlanding. It is definitely not occuring that for sure her love will come home again as before for she is in no way, feels assured of seeing again “Shining after the rain ?” ( line 16 ) : : Meaning , the Rain , an another force of nature will not make her “May Day” clear and obvious to shine , in the aftermath when the Sun ☀️ shines , yet will not ensure a nice smoothening and turning her face shiny. : : The ” May Day” Poem ends conclusively with this last line ( 16 ) of an emphatic notes of Melancholy which bit her experience miserably in having a feeling of happiness as from an intense emotions. She has no May Day of shining with joy. : : : :

“May” And “May Day” : Three May Poems By Sara Teasdale Information Appreciation and poem Analysis Presented by V Jayaraj Pune India February 14 , 2023 : : : : : : : :

Barbara Allen : Joan Baez : : May Poems : : Months Poems : :

Song lyrics published 1840 in the Forget Me Not Songster : :

Barbara Allen : : By Joan Baez : :
‘Twas in the merry month of May
When green buds all were swellin’
Sweet William on his death bed lay
For love of Barbara Allen
He sent his servant to the town
To the place where she was dwellin’
Saying, “You must come to my master, dear
If your name be Barbara Allen”
So slowly, slowly she got up
And slowly she drew nigh him
And the only words to him did say
“Young man, I think you’re dying”
He turned his face unto the wall
And death was in him wellin’
“Goodbye, goodbye to my friends all
Be good to Barbara Allen”
When he was dead and laid in grave
She heard the death bells knellin’
And every stroke to her did say
“Hard-hearted Barbara Allen”
“Oh, mother, oh, mother, go dig my grave
Make it both long and narrow
Sweet William died of love for me
And I will die of sorrow”
“And father, oh, father, go dig my grave
Make it both long and narrow
Sweet William died on yesterday
And I will die tomorrow”
Barbara Allen was buried in the old churchyard
Sweet William was buried beside her
Out of sweet William’s heart there grew a rose
Out of Barbara Allen’s, a briar
They grew and grew in the old churchyard
Till they could grow no higher
At the end they formed a true lover’s knot
And the rose grew ’round the briar
Source: Musixmatch
Songwriters: Joan Baez As adopted From Traditional Folk song : Various Texts and Versions : : : :

“Barara Allen”(Child 84, Roud 54) , A Traditional Folk song Of Love story Of POP GENRE : : 17 Th Century Unknown writer’s
( Broadside ballad, folksong ) By Joan Baez ,released in September , 1961 , is About how the eponymous ( relating to or bearing the name of an eponym ( for whom something is named ) character denies a dying man’s love, then dies of grief soon after his untimely death. : : CLICK HERE In BELOW to enjoy the Joan Baez released Song , With Live Video : :

https://youtu.be/8OEVNkhQCl8

And A Narrative Lyrics Video : :

https://youtu.be/nrKha0alSf0

The ballad generally follows a standard plot, although narrative details vary between versions.

A servant asks Barbara to attend on his sick master.
She visits the bedside of the heartbroken young man, who then pleads for her love.
She refuses, claiming he had slighted her while drinking with friends.
He dies soon after and Barbara hears his funeral bells tolling; stricken with grief, she dies as well.
They are buried in the same church; a rose grows from his grave, a briar from hers, and the plants form a true lovers’ knot.

Notes on Each of the lines of the poem Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India February 13 , 2023 : : : :

The Merry Month Of May : Thomas Dekker : ( 1 ) : : Narrative Video Song ( in Govan Ring / From Zem – Spieva ) : Karol Plicka : ( 2 ) : : May Poems : : Months Poems : :

The Merry Month Of May
Celebrating the New Month round the “May Pole”, the Old English custom, the erecting of somewhat phallic poles on village greens for the local maidens to dance around

The Merry Month of May : Thomas Dekker : :
O, the month of May, the merry month of May,
So frolic, so gay, and so green, so green, so green!
O, and then did I unto my true love say,
Sweet Peg, thou shalt be my Summer’s Queen.

Now the nightingale, the pretty nightingale,
The sweetest singer in all the forest quire,
Entreats thee, sweet Peggy, to hear thy true love’s tale:
Lo, yonder she sitteth, her breast against a brier.

But O, I spy the cuckoo, the cuckoo, the cuckoo;
See where she sitteth; come away, my joy:
Come away, I prithee, I do not like the cuckoo
Should sing where my Peggy and I kiss and toy.



O, the month of May, the merry month of May,
So frolic, so gay, and so green, so green, so green;
And then did I unto my true love say,
Sweet Peg, thou shalt be my Summer’s Queen.

“The Merry Month of May” A May poem By Thomas Dekker (c. 1572–1632), ( an English Elizabethan dramatist and pamphleteer ) is a part of Dekker’s play , “The Shoemaker’s Holiday”, first performed in 1599. In Ernest Rhys’s 1887 publication of Dekker’s work, he titled the poem The First Three-Men’s Song.

The poem is included within Act 3 Scene V of the play. : : Thomas Dekker , for the first time , originally coined the term , ” The Merry Month Of May”, which has been accepted by many Poets and Writers till Our time in English language.

Click HERE In BELOW to enjoy “The Mary Month Of May” , Narrative lyrical Video Song adopted From The Poem by the same title written by Thomas Dekker , In Govan Ring , Film Excerpts From Zem Spieva : The Earth sings by Karol Plicka. : : : :

https://youtu.be/SFtvKrHHgXE

Notes for each of the 4 Stanzas Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India February 12 , 2023 : : : : : : : :

May Night : Sara Teasdale : : May Poems : : Months Poems : :

Sarah Trevor Teasdale , ( Born August 8 , 1884 – January 29, 1933 Aged 48 , at New York City US) Notable works : Flame and Shadows , Love Songs. Sara Teasdale was an American lyric poet. She was born Sarah Trevor Teasdale in St. Louis, Missouri, and used the name Sara Teasdale Filsinger after her marriage in 1914. In 1918 she won a Pulitzer Prize for her 1917 poetry collection Love Songs.
Sara Teasdale, 1907 Missouri History Museum Photograph and Print Collection. Portraits n38637. Teasdale’s second collection, Helen of Troy and Other Poems, was published in 1911. It was well received by critics, who praised its lyrical mastery and romantic subject matter . From 1911 to 1914 Teasdale was courted by several men, including the poet Vachel Lindsay, who was truly in love with her but did not feel that he could provide enough money or stability to keep her satisfied. She chose to marry Ernst Filsinger, a longtime admirer of her poetry, on December 19, 1914.

Teasdale’s third poetry collection, Rivers to the Sea, was published in 1915. It was and is a bestseller, being reprinted several times. In 1916 she and Filsinger moved to New York City, where they lived in an Upper West Side apartment on Central Park West.

In 1918 she won a Pulitzer Prize for her 1917 poetry collection Love Songs. It was “made possible by a special grant from The Poetry Society”; however, the sponsoring organization now lists it as the earliest Pulitzer Prize for Poetry (inaugurated 1922). Filsinger’s constant business travel caused Teasdale much loneliness. In 1929, she moved interstate for three months, thereby satisfying the criterion to gain a divorce. She did not wish to inform Filsinger, only doing so at her lawyers’ insistence as the divorce was going through. Filsinger was shocked. After the divorce she moved only two blocks from her old home on Central Park West. She rekindled her friendship with Vachel Lindsay, who was now married with children.

In 1933, she died by suicide, overdosing on sleeping pills. Lindsay had died by suicide two years earlier. She is interred in Bellefontaine Cemetery in St. Louis. I Shall Not Care
“WHEN I am dead and over me bright April

Shakes out her rain-drenched hair,
Tho’ you should lean above me broken-hearted,
I shall not care.
I shall have peace, as leafy trees are peaceful

When rain bends down the bough,
And I shall be more silent and cold-hearted
Than you are now. ” A common urban legend surrounds Teasdale’s suicide. The poem “I Shall Not Care” was speculated to be her suicide note because of its depressing undertone. The legend claims that her poem “I Shall Not Care” (which features themes of abandonment, bitterness, and contemplation of death) was penned as a suicide note to a former lover. However, the poem was actually first published in her 1915 collection Rivers to the Sea, a full 18 years before her suicide : : : : : : : : :A New York Times Book Review contributor, writing about the 1917 edition of Love Songs, asserted that “Miss Teasdale is first, last, and always a singer.” : : In ‘Saturday Review of Literature’ Louis Untermeyer, reviewing Strange Victory shortly after the poet’s death, commented on Teasdale’s development writing, “must be ranked among her significant works,” that its “beauty is in the restraint” of its “ever-present though never elaborated theme.” Reviewing the 1984 collection Mirror of the Heart: Poems of Sara Teasdale, Choice, J. Overmyer voiced similarly its “simply stated thoughts are complex… and reverberate in the mind.” In the twenty-first century Teasdale has received attention from scholars such as Melissa Girard, who argues that aspects of Teasdale’s poetry have been neglected or overlooked, including her anti-war poetry from World War I.

May Night : By Sara Teasdale ( 1884 – 1933 ) : The spring is fresh and fearless
And every leaf is new,
The world is brimmed with moonlight,
The lilac brimmed with dew.

Here in the moving shadows
I catch my breath and sing–
My heart is fresh and fearless
And over-brimmed with spring.

— Sara Teasdale

“May Night”, A May Poem By American Lyrical Poet Sara Teasdale is About brimming over of The World around The Singer, while observing with Moonlight, in the fresh and fearless Spring, with “The lilac” illustrated as with “dew”; as well as of her fresh and fearless “heart” on catching her breath to sing her Song in the moving shadows ( of the elements of the Nature surrounding her ) with “spring” of All leaves anew. : : The ” May Night” speaking itself in the “spring” here, is emblematical , serving as a visible symbols in the Moonlight, and the shadows, created by the moonlight for the larger abstract view imitating external reality , or the objects of Springtime Nature. It’s Sketchy summary in brief 8 lines of the poem has attempted to become representative of the examples of beauty she illustrates , for instance in “The lilac brimmed with dew” which is gathered upon the fresh leaves and the petals of these flowers. The phrase ” brimmed with” means ‘ be completely full’. : : A larger picture drawn depicts A World is brimmed with moonlight which comes down on to the Earth from the place out of the Earth , Meaning, Skyward influence cause the objects of the Nature in the Springtime Night in May. : : The leaves anewed , The lilac , and The moving shadows of the objects are All Earthward. But , The Moonlight spreading on the Earthward Objects is heavenly element having come from the Skyward place known as Moon moving through “May Night” And , The “dews” is Heavenly Elements. Thus the Heavenly Elements coming down on the Earth from the Skyward directions interact with the Earthward Elements of the Nature. The visuals and their impacts before the observant who is The Poet / The Speaker are multicollinearity in which the changeability is highly correlated. : : : :

Further Notes Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India February 11 , 2023 : : : : : : : :

In May : W H Davies : : May Poems : : Months Poems : :

Stand and Stare, statue by Paul Bothwell-Kincaid, Commercial Street, Newport A plaque in his honour would later appear on the wall of the inn, unveiled by then Poet Laureate John Masefield.Davies borrowed money to have some poems printed on loose sheets of paper to sell door-to-door around London. However his efforts proved unsuccessful and Davies burned the sheets in disgust. 1905, he paid to self-publish his first book of poetry, The Soul’s Destroyer, which proved to mark his change in fortunes. To do so however, he had lived as a tramp for six months, allowing the allowance from his inheritance to accumulate. After publication, Davies struggled to sell the volume, resorting to posting individual copies by hand to prospective wealthy consumers, asking them to send a half crown in return as payment. By these means Davies managed to sell 60 of the 200 published copies, one of which had come into the hands of Arthur Adcock, a journalist at the Daily Mail. Adcock is credited with having discovered Davies. : : the volume had stood out to him as some of the “most magical poetry to be found in modern books”.Davies’ work was rooted in the observations of life’s hardships and of those characters he met during his tramping adventures. Nature was also a prevalent theme as Davies reflected on how the human condition could be reflected in the natural world,
William Henry Davies ( 3 July 1871 Newport, Monmouthshire, Wales – 26 September 1940 , Aged 69 , Nailsworth, Gloucestershire, England ) was a Welsh poet and writer Poet, known for his Lyrical Poetry Of Nature , begging the life as A Tramp , & His Autobiography of a Super-Tramp, “Leisure”; He spent much of his life as a tramp or hobo in the United Kingdom and the United States, yet became one of the most popular poets of his time. His themes included observations on life’s hardships, the ways the human condition is reflected in nature, his tramping adventures and the characters he met. He is usually classed as a Georgian Poet, though much of his work is not typical of the group in style or theme. In 1926 Davies received a degree of Doctor Litteris, honoris causa, from the University of Wales. : : Daniel George, reviewing the 1943 Collected Poems for Tribune, called Davies’ work “new yet old, recalling now Herrick, now Blake – of whom it was said, as of Goldsmith, that he wrote like an angel but according to those who had met him talked like poor Poll. Helen Matilda Payne : : : m 5 Feb. 1923 Spouse : : Leisure:

What is this life if, full of care,
We have no time to stand and stare.

No time to stand beneath the boughs
And stare as long as sheep or cows.

No time to see, when woods we pass,
Where squirrels hide their nuts in grass.

No time to see, in broad day light,
Streams full of stars, like skies at night.

No time to turn at beauty’s glance,
And watch her feet, how they can dance.

No time to wait till her mouth can
Enrich that smile her eyes began.

A poor life this if, full of care,
We have no time to stand and stare. : : : : : “What is this life if, full of care, we have no time to stand and stare?” Is the Most Famous Lines in memory of W H Davies.(‘What is this life if, full of care, we have no time to stand and stare?’): what’s the point of being alive if we’re so full of the worries of day-to-day living that we cannot find time to stop and just admire the beauty of nature?) ‘Leisure’ was written in 1911, around the time that The Georgian movement was gathering speed.. the bustle of metropolitan modernity does not grant us the means and time to go out there among nature and spend time observing and appreciating it. The ripples and disturbances in the surface of the water catch the sunlight, making little crystals of dazzling light? Hence he says, “In broad day light, Streams full of stars, like skies at night.”But , ” No time to see,”


Above ,from Songs of Joy and Others (1911). : : As I walked down the waterside
This silent morning, wet and dark;
Before the cocks in farmyards crowed,
Before the dogs began to bark;
Before the hour of five was struck
By old Westminster’s mighty clock:

As I walked down the waterside
This morning, in the cold damp air,
I saw a hundred women and men
Huddled in rags and sleeping there:
These people have no work, thought I,
And long before their time they die.

Above , from “The Sleepers”, Songs of Joy and Others (1911)
In May : William Henry Davies

In May Poem : : William Henry Davies : : : :

Yes, I will spend the livelong day
With Nature in this month of May;
And sit beneath the trees, and share
My bread with birds whose homes are there;
While cows lie down to eat, and sheep
Stand to their necks in grass so deep;
While birds do sing with all their might,
As though they felt the earth in flight.
This is the hour I dreamed of, when
I sat surrounded by poor men;
And thought of how the Arab sat
Alone at evening, gazing at
The stars that bubbled in clear skies;

And of young dreamers, when their eyes
Enjoyed methought a precious boon
In the adventures of the Moon
Whose light, behind the Clouds’ dark bars,
Searched for her stolen flocks of stars.
When I, hemmed in by wrecks of men,
Thought of some lonely cottage then
Full of sweet books; and miles of sea,
With passing ships, in front of me;
And having, on the other hand,
A flowery, green, bird-singing land.

— William Henry Davies

” In May” A May Poem By William Henry Davies ( 1870 – 1940 ) is About spending a day in Nature on “A flowery, green , bird singing land” and thinking of “miles of sea, with passing ships and lonely cottage full of books”, in front of the him while wishing to sit beneath the trees sharing his bread with their how can streams be ‘full of stars’ in ‘broad daylight’? ; and dreaming of the adventures of the Moon, : : : :

Notes for each line Of The poem pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India February 10, 2023 : : : : : : : :

The May Magnificat : Gerard Manley Hopkins : : May Poems : : Months Poems : :

Marian devotion of Rosary : : In his 1965 encyclical, Mense Maio, Pope Paul VI identified the month of May as an opportune time to incorporate special prayers for peace into traditional “May devotions”. : : There is no firm structure as to the content of a May devotion. It usually includes the singing of Marian anthems, readings from scriptures, and a sermon. Catholics offer Mary in May: pilgrimages, visits to churches dedicated to her, little sacrifices in her honor, periods of study and well-finished work offered up to her, and a more attentive recitation of the rosary.

The last devotion on May 31 is often followed by a solemn procession, during which a statue or portrait of the Virgin Mary is carried back into the church. Some May devotions may take place outside or in a dedicated special place.

Gerard Manley Hopkins (1844–89). Poems. 1918.

18. The May Magnificat


MAY is Mary’s month, and I
Muse at that and wonder why:
Her feasts follow reason,
Dated due to season—

Candlemas, Lady Day; 5
But the Lady Month, May,
Why fasten that upon her,
With a feasting in her honour?

Is it only its being brighter
Than the most are must delight her? 10
Is it opportunest
And flowers finds soonest?

Ask of her, the mighty mother:
Her reply puts this other
Question: What is Spring?— 15
Growth in every thing—

Flesh and fleece, fur and feather,
Grass and greenworld all together;
Star-eyed strawberry-breasted
Throstle above her nested 20

Cluster of bugle blue eggs thin
Forms and warms the life within;
And bird and blossom swell
In sod or sheath or shell.

All things rising, all things sizing 25
Mary sees, sympathising
With that world of good,
Nature’s motherhood.

Their magnifying of each its kind
With delight calls to mind 30
How she did in her stored
Magnify the Lord.

Well but there was more than this:
Spring’s universal bliss
Much, had much to say 35
To offering Mary May.

When drop-of-blood-and-foam-dapple
Bloom lights the orchard-apple
And thicket and thorp are merry
With silver-surfèd cherry 40

And azuring-over greybell makes
Wood banks and brakes wash wet like lakes
And magic cuckoocall
Caps, clears, and clinches all—

This ecstasy all through mothering earth 45
Tells Mary her mirth till Christ’s birth
To remember and exultation
In God who was her salvation.
— Gerard Manley Hopkins : : : : :

“The May Magnificat” , A May Poem By Gerard Manley Hopkins is About Virgin Mary as May is Mary’s Month. In many Perishes Statue of Virgin Mary is crowned with flower garland throughout the month of May for faith and Her role in Salvation history. The ” May Magnificat” muses on the fittingness of May. The canticle of the Virgin Mary ( from Luke 1:46 ) beginning Magnificat anima mea Dominum ) : anima means inner self & mea means An acknowledgement of one’s guilt or error , also called peccavi. Presentation of Jesus as infant ( Mary’s post partum purification is dated to February 2 , 40 days after Christmas as per Leviticus 12. 1-4 : Lady day the feast of annunciation ( the day Jesus was conceived ) is celebrated on March 25 , 9 Months before Christmas. May in Northern Hemisphere is fully blooming reflecting Mary’s fecundity her body a super abundant .source of life. Later Spring is too joyful : bliss and ecstacy in the Air when birds hatch the eggs and incubate, mammals gestate or give birth to an infant baby.The gardens and forest are blooming flowers. New life creation and Growth in Nature , everywhere. Hopkins is surely too glad by the beautiful flora and fauna. Sunlight dapples the Apple trees and Cherry 🍒 trees . Azure is reflected in Songbirds like Thrushes. Mary should have seen all these scenarios developing an affinity for Nature, Hopkins suggests. : : Mary of Nazareth crowned with beauty and blessed by God to bear His Son for the Humanities. : : : : Notes for each of the lines of the poem Pending visit this post again later on to enjoy the appreciation of the poem.

“The May Magnificat” , A May Poem By Gerard Manley Hopkins , Information Appreciation and poem Analysis Presented by V Jayaraj Pune India February 9, 2023 : : : :

May Flower : : Emily Dickinson : : Months Poems : :

Emily Dickinson ( 1830 – 1886 )
“With A Flower” A Flower Poem By Emily Dickinson
Soulful , angel some Humans With A Small Beautiful Fower : : Hear To Heart Conversation
Small pink flower with Mose Plant that will cover the herbs over a period.
Moss covering Known by the Knoll ( mound )
Mosses Covering : Mose plant ( Bryophytes ) are so tiny that entire colony covering the ground or herbs plants to trees are confusing. The environmental benefits of Bryophytes are truly amazing. The colony of spreadsheet offer solution to shades,and sun exposure in all climates and growth on a variety of substrates.One of the oldest plants : date back 450 Million years. That is 50 Million years before Vascular Plants like Ferns emerged on Earth. Withstand extreme climate changes and dessication – A testament to their sustainability and longevity. Although dislike able , mosses offer Green Solutionfor emerging landscape applications. Found from Mountains to Seas. About 10,000 Species: 8000 liverworts & more than 100 hotworts. Thriving year-round.: ; Japan’s Grand Moss Gardens are as famous as Tea Gardens. : : Are you ready to bring Mosses in to your Home gardens !? : : If you won’t , they will themselves conquer upon your Rose Herbs , and walls of your House which are as dear to them as for you.

May-Flower by Emily Dickinson.

Pink, small, and punctual,
Aromatic, low,
Covert in April,
Candid in May,

Dear to the moss,
Known by the knoll,
Next to the robin
In every human soul.

Bold little beauty,
Bedecked with thee,
Nature forswears
Antiquity.

Emily Dickinson

“May Flower”A Short Lyrical May Poem By Emily Dickinson ( 1830 – 1886 ) is About The scenery in the Forest , A flower is aromatic, pink, low to the ground. “It is covert in April ; Candid in May” Meaning , hidden in the shape of Buds that is not fully bloomed in April , but appears as ‘plainspoken’ as ” May Flower” , that is why it is ” candid in May”; without any secretiveness or reservations ; it speaks ‘heart 💖 to 💓 heart’ without masking the feelings. Its beauty is in its straightforwardness , in its pink colour , in its smallness together with its pleasurable sweet fragrance; and punctualness in its prompt arriving at the scene of Springtime Nature , precisely on time, just as it should be which is well known to the human soul. 🌹 🌹🌹🌹🌹🌹🌹 A ” May Flower” is a symbol suggesting that all human beings have this symbol of Nature, Beauty, and Rebirth in their Soul and in deeds of their life that will spread sweetness and fragrance. : : The final lines describe how nature is covered in small beauties and how it “forswears antiquity.” ( turning away from what it has raised, developed and grown extensively ) : :

A “May Flower”is “Dear to the moss, Known by the knoll,”Meaning it is liked by the tiny leafy – stemmed flowerless plant which grows nearby or at times come down to cover the other flowery herbs including the Pink fragrant Flower plant or the boughs of the tree. Further, the “knoll”, that is small elevated mound , hammock or hillock knows this “May Flower”. Meaning in the Plant Kingdom every plant knows one another, spreading here and there as they exist in the same Area of the Forest with Natural Harmony. : : : :

A ” May Flower” is ” Next to the robin – In every human soul”: the first one to profoundly sing happyness with the beauty of the heart like a Robin from the forest to the human habitats. [ ( Turdus migratorius ) here is a large American thrush : a songbird with a rust red breast and abdomen & yellow beak with a dark tip.] happily singing Described as a cheery carol, song period is from late February or early March of Springtime to late July or early August; often among the first songbirds to sing as dawn rises or hours before, and last as evening sets in. Also sings when storms approach and again when storms have passed; held it to be a culture hero created by Raven to please the people with its song. Abundant in Nos. In Nature and also known for their running and stopping behavior on the grassy lawn , Robin thus form most lively and inseparable part of the Forest Scenery and especially in the Springtime. Next to Robin , is A Small Aromatic Pink Flower, Emily is describing in her lyrical ” May Flower ” Poem. : : : :

The American robin (Turdus migratorius) is a migratory bird of the true thrush genus and Turdidae, the wider thrush family.( Order : Passeriformes : with 370,000,000 individuals ) It is named after the European robin because of its reddish-orange breast, though the two species are not closely related, with the European robin belonging to the Old World flycatcher family. The American robin is widely distributed throughout North America, wintering from southern Canada to central Mexico and along the Pacific Coast. It is the state bird of Connecticut, Michigan, and Wisconsin. : : mostly during the day and assembles in large flocks at night. Its diet consists of invertebrates (such as beetle grubs, earthworms, and caterpillars), fruits, and berries. It is one of the earliest bird species to lay its eggs, beginning to breed shortly after returning to its summer range from its winter range. : : Brown-headed cowbirds (Molothrus ater) lay their eggs in robin nests ( brood parasite), but the robins usually reject the egg. : : can find earthworms underground by simply using its listening skills: : known reservoir /carrier for West Nile virus ( while crows & Jays die soon of Nile virus, Robins are surviving with it , hence can be transmitted to Humans. : : It has a place in Native American mythology. The story of how the robin got its red breast by fanning the dying flames of a campfire to save a Native American man and a boy is similar to those that surround the European robin. : : It usually sings from a high perch in a tree. In addition to its song : cheery carol, the Robins have a number of calls used for communicating specific information including its predator approaching it’s nest.
Newly hatched chick among unhatched young. : : The typical color of the Eggs of Robins , is known as “Robin Color” in America.

In Last Stanza 3 , Emily describes A “May Flower”, as ” Bold little beauty, Bedecked with thee ,”which represents the Springtime beauty from the flora , ( Robin being from the fauna part ) that serves to decorate the beautiful and worthy ‘Forest Scenery’which looks nice for consisting of many such different plants and so is said as about all such beautiful Animals / Birds. : : : :

After describing A “May Flower” and “Robin” representing the Bedecked Beautiful Nature, Emily announces that “Nature forswears , Antiquity.” Here, Antiquity means extreme oldness of Nature surviving from the Past. Ancientness from Nature surrounding our habitats reminds us of the terminable side of the Living World of our time of Humanity. Many plant species and Animals family had been found as extinct for number of various reasons. Thus life on the Earth is unstable although it is continuing with its regularity alongside it’s all Beauty Of Worth. One time belief can be disavowed and rejected over a time in ages by the very “Nature” in association of which the life flourishes. Once a life Force would be forswearing Nature . A recantation that is taking back of a previous assertions. Life evolves, changes , fades and dies out too , having no living representative. [ Darwin published his theory of evolution with compelling evidence in his 1859 book On the Origin of Species. Many favoured competing explanations that gave only a minor role to natural selection, and it was not until the emergence of the modern evolutionary synthesis from the 1930s to the 1950s that a broad consensus developed in which natural selection was the basic mechanism of evolution. Darwin’s scientific discovery is the unifying theory of the life sciences, explaining the diversity of life. : : Emily Dickinson lived in the same time period when Darwinism was widely discussed in Europe And America. ] A beautiful “May Flowerand Cheery Carol singer bird and surviving Hero “Robin” representing the worthy beauty of the Forest Scenery are the extant life , still accompanying Human Soul , spreading the lyrical message of Rebirth of life continuously and meticulously in Our Creation World. : : This is the power to entice and attract through the personal Charm brought in to by Poetry and Science explaining in The Nature. : : : :

“May Flower ” , A May Poem By Emily Dickinson Information Appreciation and poem Analysis Presented by V Jayaraj Pune India February 9 , 2023 : : : : : : : :

May : Christina Rossetti : : May Poems : : Months Poems : :

CHRISTINA ROSSETTI
‘MAY’ BY CHRISTINA ROSSETTI
I cannot tell you how it was,
But this I know: it came to pass
Upon a bright and sunny day
When May was young; ah, pleasant May!
As yet the poppies were not born
Between the blades of tender corn;
The last egg had not hatched as yet,
Nor any bird foregone its mate.

I cannot tell you what it was,
But this I know: it did but pass.
It passed away with sunny May,
Like all sweet things it passed away,
And left me old, and cold, and gray.

Stanza 1 : Octav or Octet : : ” I cannot tell you how it was, 1
But this I know: it came to pass 2
Upon a bright and sunny day 3
When May was young; ah, pleasant May! 4
As yet the poppies were not born 5
Between the blades of tender corn; 6
The last egg had not hatched as yet,7
Nor any bird foregone its mate. 8 : : : : lines 1 To 8 : : : :

About ephemerality : The momentous glance at the Event about which She says, ” I cannot tell you how it was.” ( line 1 ) but she knows : ” it came to pass ( in line 2 ) Upon a bright and sunny day” ( line 3 ) “When a May was young; ah, pleasant May ! “ ( line 4 ) : : After revealing this much only , ambiguously and temporarily, she draws on to the aspects of fertility briefly observed by her. They represent the birth of new life in spring as well as the loss of that life as the season change soon , inevitably , thereafter, into fall and winter in the passing of time in Spring time of later “May” like : : 1 ) the Poppies were not born Between the blades of tender corn ( line 6 ) ; 2) The last egg had not hatched as yet ( line 7 ) ; “Nor, any bird foregone it’s mate.” ( line 8 ) : : Could we guess in these events of fertility, any ” ( Love ) Affair ” in offing !? She has just looked back in to what something had passed on and gone away when young pleasant May was there , for a brief period and gone the next day. That is why the observation was about some insect’s larvae hatched from the egg that developed rapidly and lived for a day in its winged form, in saying , ” The last egg had not hatched as yet.” ( line 7 ) to be born last. : : The biennial / two seasons “poppies were not born ( erect flower spikes occuring every second year ) Between the blades of tender corn” ( lines 5 & 6 ) : Meaning , these grassy blooming herbs having a life cycle of germination to its final phase to complete mostly in the second season when blooming of their showy flowers and fruition take place. : : The last example she mentioned was more mysterious, As in ( line 8 ) ” Nor, any bird foregone its mate” , Meaning, most birds , she is generally speaking of, had successfully mated in Spring. Hardly any one or two dispensed with in a birdlike manner of pairing with its chosen partner: that is, ‘remained without mating’ ; did not adhere to the usual copulation that takes place in Spring before the onset of the ending time of the latest Spring Or beginning of summer. As per her observation, no foregoer bird Or may be in the offing which she wouldn’t tell. : : : :

Stanza 2 : After a Turn Or Volta but cutting off One line ( From The Remaining Sestet of 6 lines : : Thus forming a truncated Sonnet Of 13 lines ) : : : : : : “I cannot tell you what it was, 9
But this I know: it did but pass. 10
It passed away with sunny May, 11
Like all sweet things it passed away, 12
And left me old, and cold, and gray.” 13 : : lines 9 To 13 : : : :

About a mysterious ‘it’ refered in each of the first Four lines from 9 To 12 which “what it was” there , “did but pass” , she knows “passed away with sunny May” , like “passing away of all sweet things” ; leaving her “old, and cold, and gray. ” ( line 13 ) : : Lines 9 and 10 are almost the same as the lines 1 and 2 with only a slight variations : : She says ” can not tell you what it was” ( in line 9 ) : : She doesn’t know how it was. And she is not ready to tell what it was. That’s why “it” is so mysterious. Her emotions have been confounded in a state of her perplexed world. The Poem poses her gently and lightly being at loss what she had given up due to the difficulties as understood by her. : : : :

“May” is a metaphor for the creation of life, fertility, blooming happiness , growth and most importantly Hopes. This is so in both the parts / Stanzas as we find this ( in line 3 ), ” Upon a bright and sunny day” 3 which is repeated by coming again ( in line 11 ) “It passed away with sunny May”, 11 ; spreading the ‘Warmth’ of Springtime inspite of its brief fleetingness Or ephemerality : the sense of bright sunny promise of warmly Spring is overwhelmed by time bringing the end of season of Spring. : : The Sunny Warmth are contrasted with the last Two lines 12 & 13 : : ” Like all sweet things it passed away, 12
And left me old, and cold, and gray.” 13 : : The transient briefness leads the desirable Event , Sadly in to its inevitable Ending. The freshly beamed friendly and responsive warmth caused agreeable warmhearted feelings and sensations which is “passed away with the sunny May”that causes the loss of the trait of liking and passion : : The stimulatory time of the Springtime Event is elapsed to its ending as per its recognition by an observer. The affairs have been indicated as ” Sweet things ” And No other fancier name guessing than this Event to call it rightly , ” May ” Time with the latest part of spring and fast approaching Summer , and then by successive Autumn and Winter. Whatsoever it is , the age always curtails the pleasure and fulfillment. : : : :

“May” , A May Poem of Truncated Sonnet , By Christina Rossetti Information Appreciation and poem Analysis Presented by V Jayaraj Pune India February 7 , 2023 : : ::

It Is Not Always May : Henry Wadsworth Longfellow : : May Poems : : Months Poems : :

Henry Wadsworth Longfellow ( 1807 – 1893 ) : :
Henry Wadsworth Longfellow was the most popular American poet of the 19 Th Century. A family man who suffered much tragedy in his personal life, Longfellow was the first of a group of writers known as the “Fireside Poets,” called such for their popularity with families all over the country who gathered by the fire in the evenings to read the work of these poets aloud. Longfellow published poetry over a forty year period, and enjoyed public adulation in line with that of rock stars and celebrities today. He wrote about a multitude of subjects: slavery in Poems on Slavery, literature of Europe in an anthology The Poets and Poetry of Europe, and American Indians in The Song of Hiawatha.

Henry Wadsworth Longfellow (1807–1882). Complete Poetical Works. 1893.

Ballads and Other Poems
It is not always May

No hay pájaros en los nidos de antaño.
Spanish Proverb.

THE SUN is bright,—the air is clear, 1
The darting swallows soar and sing, 2
And from the stately elms I hear 3
The bluebird prophesying Spring. 4

So blue yon winding river flows, 5
It seems an outlet from the sky, 6
Where, waiting till the west wind blows, 7
The freighted clouds at anchor lie. 8

All things are new;—the buds, the leaves, 9
That gild the elm-tree’s nodding crest, 10
And even the nest beneath the eaves;— 11
There are no birds in last year’s nest! 12

All things rejoice in youth and love, 13
The fulness of their first delight! 14
And learn from the soft heavens above 15
The melting tenderness of night. 16

Maiden, that read’st this simple rhyme, 17
Enjoy thy youth, it will not stay; 18
Enjoy the fragrance of thy prime, 19
For oh, it is not always May! 20

Enjoy the Spring of Love and Youth, 21
To some good angel leave the rest; 22
For Time will teach thee soon the truth, 23
There are no birds in last year’s nest! 24

“It is Not Always May”A May Poem By Henry Wadsworth Longfellow is About Living Each Day To The Fullest And Appreciating Each Moment. It reminds the young female addressee that it won’t be ‘May’ Forever, and that her youth will fade. The Cheery Poem consists of six verses, each one a quatrain rhyming in an ABAB pattern.: : : :

“No hay pájaros en los nidos de antaño.
Spanish Proverb.” : : : : Meaning, “There are no birds in last year’s nest.” Which should inspire to move forward and not looking back.: : : :

Stanza 1 : : : : “THE SUN is bright,—the air is clear, 1
The darting swallows soar and sing, 2
And from the stately elms I hear 3
The bluebird prophesying Spring.” 4 : : lines 1 To 4 : :

About ‘wild life’, full of “bright” Sunlight and “clear air”( : that is pure and clean , unclouded : without any obstruction) ; of the view of rapidly fluttering of “swallows” ( long winged songbird noted for swift graceful flight ) gliding ( “darting” and “soaring” ) and singing ; “The bluebird prophesying Spring”: Newcomer “Spring”is revealed through the “bluebird”( the North American fruit eating songbird) is a prophesier foretelling with divine inspiration, of the change in season , from later part of winter To spring. : : : :

Stanza 2 : : : : “So blue yon winding river flows, 5
It seems an outlet from the sky, 6
Where, waiting till the west wind blows, 7
The freighted clouds at anchor lie.” 8 : : lines 5 To 8 : :

About “winding river” which is at a distance but in an indicated place , that is ‘within sight’ with its turn and bends ( that is why it is “winding” ) And “it seems an outlet from the sky”( line 6 ) because of its ‘blueness‘. The line here is “So blue yon winding river that flows”( line 5 ) : “yon is dialectical : the ‘yonder river’ Meaning distant but within sight. The blueness of the bluebird is siding along with blue sky , and blue river : thus setting up the scenery full of brightness , Vibrancy and joyfulness which is a motto of the new season of Spring. : : The “clouds” vessel has been casted here with its “anchor” : Not in a distantly seen River flowing but in the blue sky reflected with its blueness in the river which have been paid with the freight of transportation but are “waiting till the west wind ( of the new season Spring ) blows”: : The “anchor “stands for the ‘stability’ and ‘hope : : Thus the ‘Earthward Spring’ is set up in positive signs of association with the ‘Skyward witnessing’ and divinely meditation of the Songbirds in the wildlife scenery where the Poet / the Speaker is contemplating with his beautifully conveyed description of Nature that brings New Hopeful happy Season of Spring. : : : :

Stanza 3 : : : : “All things are new;—the buds, the leaves, 9
That gild the elm-tree’s nodding crest, 10
And even the nest beneath the eaves;— 11
There are no birds in last year’s nest!” 12

About the English translation of the aforementioned Spanish Proverb, that is , ” It Is Not Always May” which enhances the idea from the first line; nothing is the same way this spring as it was when summer and spring were ending last year. : : Further Notes Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India February 6 , 2023 : : : : : : : :

May : John Clare : : May Poems : : Months Poems : :

John Clare ( 13 July , 1793 – 20 May 1864 ) was an English poet. The son of a farm labourer, he became known for his celebrations of the English countryside and sorrows at its disruption.His work underwent major re-evaluation in the late 20th century; he is now often seen as a major 19th-century poet.His biographer Jonathan Bate called Clare “the greatest labouring-class poet that England has ever produced. No one has ever written more powerfully of nature, of a rural childhood, and of the alienated and unstable self.” This great poet showed how the era of greed began with the enclosure of the land “John Clare died of a stroke on May 20 1864, aged 70, he was almost a forgotten figure. For 23 years he had been confined in the Northampton General Lunatic Asylum, which he called “the purgatorial hell and French bastile of English liberty, where harmless people are trapped and tortured until they die”. He is now recognised as the finest and most prolific of all English rural poets, as important as his contemporaries Keats, Shelley and Byron.” ( John Goodrich in guardian, DTD. 22 July 2000 ) : :



Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather cock
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And cock his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Crack[ing] his whip in starts of joy
A happy dirty driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short not[e] of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
Mong rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron weed’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair-and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’2 middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white breasts hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds-slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘mong sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain1
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded cops~e1
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ‘sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
Bum barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The ass beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers-May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking balls to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen.

John Clare

John Clare is one of the greatest English Romantic poets, and The Shepherd’s Calendar is his masterpiece. It is a classic of English poetry and a fascinating work of social history, recording long-vanished aspects of nineteenth-century rural life. Published in 1827, John Clare’s ‘The Shepherd’s Calendar’ is a set of poems in which the story of the Northamptonshire countryside and its various inhabitants is told. Charting the course of the year, the poems take the reader from the first days of January though each month, ending at Christmas. The poems tell of the seasons, the plants and animals, and of the lives of those who live and labour in the countryside.

The poem provides a calendar of the country year, in which the various tasks performed by the farm labourer take their place: ploughing in February, lambing in March, and hay-making in June. The countryman’s year is also punctuated by celebrations and festivals, such as May Day games, sheep-shearing feasts, Harvest Home, and Christmas. Rooted in popular culture, the poem has many vivid descriptions of the flowers, birds, and beasts of the hedgerow and field. “May” is a long poem in 470 lines.

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