The Moon and the Yew Tree : Sylvia Plath : : Moon Poems : :

Sylvia Plath Although Sylvia Plath was succeeding poetically, she was still deeply unhappy.

She tried to kill herself a number of times throughout the early 60s and in February of 1963, she succeeded.
Door of a Norman chapel set in a yew tree, Chapelle Saint-Anne, Church of Notre-Dame, La Haye-de-Routot, France. The yew is traditionally and regularly found in churchyards in England, Wales, Scotland, Ireland, and Northern France (particularly Normandy) : It is said up to 40 people could stand inside one of the La-Haye-de-Routot yew trees, and the Le Ménil-Ciboult yew is probably the largest, with a girth of 13 m.[52] Yews may grow to become exceptionally large (over 5 m diameter) and may live to be over 2,000 years old. : Some ancient yew trees are located at St. Mary the Virgin Church, Overton-on-Dee in Wales. : In Asturian tradition and culture, the yew tree was considered to be linked with the land, people, ancestors, and ancient religion. It was tradition on All Saints’ Day to bring a branch of a yew tree to the tombs of those who had died recently so they would be guided in their return to the Land of Shadows. The yew tree has been found near chapels, churches, and cemeteries since ancient times as a symbol of the transcendence of death. their long life was suggestive of eternity, or because, being toxic when ingested, they were seen as trees of death. : yews were planted to discourage farmers and drovers from letting animals wander onto the burial grounds, the poisonous foliage. : Due to the ability of their branches to root and sprout anew after touching the ground, yews became symbols of death, rebirth, and therefore immortality. Ancient Celts / Gaelic Speaking People of Pre – Christian era also believed in the transmigration of the soul – the eternal soul that survives death to be reborn in a new form..
Taxus baccata (European yew)

Foliage of Irish yew, Taxus baccata ‘Fastigiata’; note the leaves spreading all round the erect shoots . Due to its very slow growth, it is not popular but is valued for hedging and topiary.
Taxus baccata (European yew) shoot with mature and immature cones.

The Moon and the Yew Tree : : By Sylvia Plath ( )
This is the light of the mind, cold and planetary
The trees of the mind are black. The light is blue.
The grasses unload their griefs on my feet as if I were God
Prickling my ankles and murmuring of their humility
Fumy, spiritous mists inhabit this place.
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.

The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky —
Eight great tongues affirming the Resurrection
At the end, they soberly bong out their names.

The yew tree points up, it has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness –
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.

I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars
Inside the church, the saints will all be blue,
Floating on their delicate feet over the cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness – blackness and silence.

“The Moon and the Yew Tree”A 28 lines in 4 Stanzas , each of 7 lines : An Autobiographical “Moon Poem” By Sylvia Plath is About A trait or condition of a non – adaptive family failing to serve an adjustive purpose that smites or affects suddenly with negative feelings. The Yew tree, associated in Pre- Christian Gaelic Mythology with death, represents her father, ( Otto Plath ) and the Moon her mother, ( Aurelia ) — Plath impersonates the impaired family relationships ; wherein there is a lack of understanding between Mother and daughter. Her attempts at getting by the inadequacy with connecting to the Natural World and with formal Religion fails. Plath is lost without help , her mind grim and filled with melancholy, and having fear of unsafe make her thinking of insignificance and hopelessness in her life. Because, her absence for sure , will not be missed in the world around her. Plath’s Poem, ” The Moon And Yew Tree” is seen as an exercise given to her by Ted Hughes to write about “the full moon setting onto a large yew that grows in the churchyard”. Ted said of the resulting poem : “a statement from the powers in control of our life.”: : : :

There is no rhyme scheme. The two prime metaphors; the moon and the the yew tree. Colours — blue, white and black — , light and dark, and religious imageries are braided in the poem.

Stanza 1 : : ” This is the light of the mind, cold and planetary 1
The trees of the mind are black. The light is blue. 2
The grasses unload their griefs on my feet as if I were God 3
Prickling my ankles and murmuring of their humility 4
Fumy, spiritous mists inhabit this place. 5
Separated from my house by a row of headstones. 6
I simply cannot see where there is to get to. 7 lines 1 To 7 : : : :

About The problematic and unsatisfactory family relationship that smites or affects her feelings. She says, “the light of the mind , cold 🥶 ( No Warmth ) and planetary ( Coming Not distant or Heavenly , But the light of mind is Earthy- Natural World Near or – Real around ( Not Godly )” ( line 1 ) she ” simply cannot see where there is to get to.”( line 7 ) : “The trees of the mind are 🖤 black”( line 2 : No 🧬 life , No vibrancy ) The Sensing Darkness is anticipatory of unfavorable omen or evil thing to happen. : “The grasses unload their griefs on my feet as if I were God” ( line 3 ) Meaning, her clarification that she is not God who can take all the “griefs” : the sorrows in heartaches caused by ‘death‘ of her father and intensely paining Unhappiness. Yet she has to deal with all such prickly griefs transferred from the grasses/ symbolically the life itself, to her location, the “feet”: The pointed ends of the grasses gives her prickly , stinging pain , and their throbbing murmurs have gently and humbly, come across her way ( “ankles” in line 4 ) : : She now starts to see about her place of living as full of ‘fumes’ ( “fumy”) and the “spiritous mists”which have populated areas as dwelling. ( line 5 ) : Spirit or Alcohol has hazardous in the sense that it alters the behavioral capacity and makes person’s mind concerning 😟 , worrisome and unmanageable. Hence, this remark. : : There is a “row of headstones” that separates the poet from her home as stated ( in line 6 ) Home is wrapped in death and darkness sameway the deathly darkness has engrossed her completely in her mind. She gets to fretting as she has stayed away from her home too long . So , she can’t make progress to reach there, or anywhere. As She says ,” simply cannot see where there is to get to.” ( line 7 ) : : : :

Further notes for Stanzas 2 To 4 Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India September 2 , 2023 : : : : : : : :

Sad Steps : Philip Larkin : : Moon Poems : :

Philip Larkin ( 1922 – 1985 ) : : Poet Philip Larkin talking about his new anthology ‘The Oxford Book of 20th Century English Verse’ prior to its inclusion on the BBC television series ‘Poetry Prom’, July 1973. ( Photo by Barry Wilkinson/Radio Times via Getty Images )
British Painter, Abraham Pether ( 1756 – 1812 )Chichester , Southampton, – Evening scene with full moon and persons ( 1801 oil on canvas mounted on cardboard ) : Photographer
Bruun Rasmussen, Copenhagen, At 18:06 P M 13 May 2013, lot 149 : In Public Domain in U S

Sad Steps : : BY PHILIP LARKIN ( )
Groping back to bed after a piss
I part thick curtains, and am startled by
The rapid clouds, the moon’s cleanliness.

Four o’clock: wedge-shadowed gardens lie
Under a cavernous, a wind-picked sky.
There’s something laughable about this,

The way the moon dashes through clouds that blow
Loosely as cannon-smoke to stand apart
(Stone-coloured light sharpening the roofs below)

High and preposterous and separate—
Lozenge of love! Medallion of art!
O wolves of memory ! Immensements ! No,

One shivers slightly, looking up there.
The hardness and the brightness and the plain
Far-reaching singleness of that wide stare

Is a reminder of the strength and pain
Of being young; that it can’t come again,
But is for others undiminished somewhere.
— Philip Larkin, “Sad Steps” from Collected Poems : Estate of Philip Larkin : ( Reprint ) Faber and Faber, Ltd.
Source: Collected Poems ( Farrar Straus and Giroux, 2001 ) : From poetryfoundation.org : For Educational Purposes only.

“Sad Steps”Written in April 1968 published in his final volume of poetry, High Windows (1974) , A “Moon Poem” By Philip Larkin ( 1922 , Coventry, England – 1985 , ) is About Viewing Moon, reminding him in his mid 40s / reminding a Reader with similar awareness of loss of “strength” and “of pain” of being young, as well as , lack of intense emotionality with “far reaching singleness” of The Moon’s “hardness and brightness“at which The Poet 🥶 shivers. ❄️❄️ Thus her “wide stare” shakes him to think that he is getting old with loss of Youth, and is getting his passions cooled off. : : : : : : Larkin being awe-struck by the moon in the night sky, something that poets have been drawn to as a poetic topic for centuries. Yet , Here, he reflects very differently. : : The title of Larkin’s poem can be allusively referred to another English poem by Sir Philip Sidney (1554-86), A sonnet 31 from Sidney’s sixteenth-century sequence, Astrophil and Stella. : : with the opening line, ‘With how sad steps, O moon, thou climb’st the skies’: : For Larkin, Sydney’s ‘sad steps’ seem to be more earthy and realistic ; practicle and sensible feel up , that is , the steps he takes “back to bed ‘after a piss” , Opening line of The Poem. : :

Stanza 1 : : “Groping back to bed after a piss 1
I part thick curtains, and am startled by 2
The rapid clouds, the moon’s cleanliness.” 3 : lines 1 To 3 : : : :

About The Poet Speaker who is “Groping ” / ‘fumbling’ / walking blindly / with shut eyes in darkness of the ( bathroom , walkway and ) the bedroom back “to bed after a piss”, shifts the sections of thick curtains aside in opposite ends as he says, “parts thick curtains”( line 2 ) and moves suddenly from the sky view now revealed before him , as if “startled “/ in surprise 🫢 by “The rapid clouds , the moon’s cleanliness.” ( line 3 ) / Meaning, he is taken aback or gets stirred up emotionally , seeing the clouds moving with high speed and The moon’s ” cleanliness ” , that is , An impressive appearance in ‘neatness’ / free from clumsiness. : : : :

Stanza 2 : : ” Four o’clock : wedge-shadowed gardens lie 4
Under a cavernous, a wind-picked sky. 5
There’s something laughable about this,6 : ::

About The moony gardens lighted by moonlight 🌝 and “something laughable”( lines 5 & 6 ) of the landscape. The Poet sees outside At : 4 : 00 A. M. : “wedge – shadowed gardens lie Under a cavernous, a wind- picked sky.” ( lines 4 & 5 ) Meaning , he sees below the narrowly triangular gardens ( V – Shaped shadowing “wedge” ) lying under an expansive chamber ( “cavernous” hollow ) as if carved out of limestone /white stones depository . There is also a wind taking from the ground to a sky , an elevation high up. : : : :

Notes for Remaining Stanzas 3 To 6 Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India September 1 , 2023 : : : : : : : :

Autumn : T E Hulme : : Moon Poems : :

T.E. Hulme in 1912 : English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the ‘father of imagism’.
Bust of T. E. Hulme by Jacob Epstein
Lieut. T. E. Hulme in uniform. An artilleryman in 1914 and served with the Honourable Artillery Company and later the Royal Marine Artillery in France and Belgium.Hulme wrote “War Notes”, written under the pen name “North Staffs”, and “A Notebook”in ” New Age” Magazine which contains some of his most organised critical writing. He was wounded in 1916. Back at the front in 1917, he was killed by a shell while deep in thought at Oostduinkerke near Nieuwpoort, in West Flanders.
Healthy , Happy , Successful Irish Farmer
Ruddy Moon like a red faced Healthy Happy Successful farmer

Autumn : : BY T. E. HULME ( 16 September, 1883 – 28 September, 1917 aged 34 ) : : : :
A touch of cold in the Autumn night— 1
I walked abroad, 2
And saw the ruddy moon lean over a hedge 3
Like a red-faced farmer. 4
I did not stop to speak, but nodded, 5
And round about were the wistful stars 6
With white faces like town children. 7

“Autumn”, A 7 lines Short Poem By an imagist Poet and critic , and a formal initiator of the Imagist Poetry in English in the literary movement of Modernism , T E Hulme ( 16 September, 1883 Endon, Staffordshire, Britain – 1917 aged 34,
Oostduinkerke, West Flanders, Belgium ) is About The Moon Viewing in the cold 🥶 Autumn night ❄️ during a Walk . The word “abroad”is suggestive of his ‘stepping outside’ of the town for a short period of time and walking along the countryside – where he views the “Ruddy Moon” shining with a reddish glow that must have understandably reflected in ‘Earth’s Atmosphere’ from the last sunrays of the Sunset, : The Ruddy moon is compared with red-faced farmer ( healthy and happy successful farmer in his endeavours to agriculture, his living ) and wistful stars with white-faced children. It is understood by The Poet Speaker that Autumn is a time of harvesting and an ending phase in the crops taken in the fields , before conversion in to humus turned with the humified soil so that a new crops can be grown in the same fields. Hence he doesn’t have to stop there to speak , simply nods and goes on further for noticeable images. Only The Moon and Stars have impressed him as he has not captured earthy images in this short imagist Poem.

The Modernist Poet does not have to converse in any rhymed expression or with rhetoric remarks on his observations. He just “nods” , in his agreement, that is , bend his head forward. : He also observes the “wistful stars “around the scene and plainly says ,”With white faces like town children” Meaning, The sad – looking (” wistful”) stars are as white as the ‘pallid’ faces of the town children deficient in colour ( looking pale and wussy ) A Modernist Poet does not have to compare the Village life and Urban life beyond plain understatements overlooking unnecessary magnification. Human observation and experiences among the Natural World has many known notions in commonality. The noteworthy impressions faced by The imagist Poet does not have to surpass their portrayal in the excelled rhetorics or with exceeding level in excellence. : : : :

Moonrise : Gerard Manley Hopkins : : Moon Poems : :

Gerard Manley Hopkins, Born at Stratford, Essex, England, on July 28, 1844 – is regarded as one the Victorian era’s greatest poets. He was raised in a prosperous and artistic family. He attended Balliol College, Oxford, in 1863, where he studied classics.In 1864, Hopkins first read John Henry Newman’s Apologia Pro Vita Sua, which discussed the author’s reasons for converting to Catholicism. Two years later, Newman himself received Hopkins into the Roman Catholic Church. Hopkins soon decided to become a priest, and in 1867 he entered a Jesuit novitiate near London. At that time, he vowed to “write no more…unless it were by the wish of my superiors.” Hopkins burnt all of the poetry he had written to date and would not write poems again until 1875. He spent nine years in training at various Jesuit houses throughout England. He was ordained in 1877 and for the next seven years carried his duties teaching and preaching in London, Oxford, Liverpool, Glasgow, and Stonyhurst.

In 1875, Hopkins began to write again after a German ship, the Deutschland, was wrecked during a storm at the mouth of the Thames River. Many of the passengers, including five Franciscan nuns, died. Although conventional in theme, Hopkins poem “The Wreck of the Deutschland” introduced what Hopkins called “sprung rhythm.” By not limiting the number of “slack,” or unaccented syllables, Hopkins allowed for more flexibility in his lines and created new acoustic possibilities. In 1884, he became a professor of Greek at the Royal University College in Dublin. He died five years later from typhoid fever. Although his poems were never published during his lifetime, his friend poet Robert Bridges edited a volume of Hopkins’s Poems, which first appeared in 1918.

In addition to developing new rhythmic effects, Hopkins was also very interested in ways of rejuvenating poetic language. He regularly placed familiar words into new and surprising contexts. He also often employed compound and unusual word combinations. As he wrote to in a letter to Bridges, “No doubt, my poetry errs on the side of oddness…” Twentieth century poets such as W. H. Auden, Dylan Thomas, and Charles Wright have enthusiastically turned to his work for its inventiveness and rich aural patterning. : : : : ( From poets.org : For Educational Purposes only ) The most significant “instinctive turn” in Hopkins’s early poetry occurs in “Il Mystico” (1862), in which older, more traditional religious ideals replace his Keatsian dream visions. “Il Mystico” anticipates that general move that Hopkins, like Tennyson, made from the imitation of Keats to a more explicitly Christian Romanticism, a conversion which enabled him to fulfill his own prophecy for Keats:
Moonrise Beaumaris : Crescent Moon in White Of The Morning

Moonrise : : Gerard Manley Hopkins ( 1844 –
1889 ) : : : ;
I awoke in the Midsummer not to call night, in the white and the walk of the morning:
The moon, dwindled and thinned to the fringe of a finger-nail held to the candle,
Or paring of paradisaïcal fruit, lovely in waning but lustreless,
Stepped from the stool, drew back from the barrow, of dark Maenefa the mountain;
A cusp still clasped him, a fluke yet fanged him, entangled him, not quit utterly.
This was the prized, the desirable sight, unsought, presented so easily,
Parted me leaf and leaf, divided me, eyelid and eyelid of slumber.

— Gerard Manley Hopkins

“Moonrise”, A Moon Poem By Gerard Manley Hopkins is About It’s not one of Gerard Manley Hopkins’s best-known poems. Here is “Moonrise on June 19 , 1876” composed in the jaunty ( stylishly dashing ) ‘sprung rhythm‘, that is , in Poetic rhythm imitating ‘rhythm of Speech’ which Hopkins invented as a way of trying to return English verse to the older traditions of Anglo-Saxon and Middle of English.. . Hopkins is observing the crescent moon in the sky one midsummer’s night which is actually in the white opening day light during an Early Morning Walk. : : “in the white and the walk of the morning: 2
The moon, dwindled and thinned to the3 fringe of a finger-nail held to the candle,”4 ( lines 2 To 4 ) : The moon became smaller (“dwindled”: loosing some substance in her image being observed ) and thinned to the “fringe”: her outside boundary or surface ) of a finger nail ( that is Crescentic 🌙 image of ( probably waning 🌖🌘 ) Moon ( yet not Round ) : : The imagery becomes overspread with Christian References as often found in Hopkins readings as he was a Jesuit. : : The image, that of the ‘paring of paradisaïcal fruit’, cites the fruit of the ‘Tree of Knowledge‘ in the Garden of Eden, which, although it could have been an apple yet it may be named as a banana ( the fruity wordplay on ‘pear’ in ‘paring’ that helps the imagery in the poem. : rather than naming the fruit as a banana ) : : There is also a knock over of Shakespeare’s pleasant version of love and life : his A Midsummer Night’s Dream? : Here , “I awoke in the Midsummer not to call night” has a Meaning that there is No Scope or a time for dreaming. It was an early morning walk. : : In the line , ” .. drew back from the barrow of dark Maenefa , the mountain” The Poet is referring a ‘wheelbarrow’ , a cart for carrying small loads on the mountain used in Wales, where Hopkins was living at the time.: : “A cusp still clasped him, a fluke yet fanged him, entangled him, not quit utterly.” : A “cusp” refers to an end point formed by the Two Arcs ; a “fluke” is a parasitic flat worm ( with suckers to attach to a host ) “yet flanged him”( ejected its poison ) , “entangled him”( As if entrapped him )”not quit”: ( didn’t give up and didn’t go away ) “utterly( that is completely.) : : Then Hopkins concludes about the Moonrise he observed, in the line , :
“This was the prized, the desirable sight, unsought, presented so easily,
Parted me leaf and leaf, divided me, eyelid and eyelid of slumber” : : He was so much moved by the worth having prized sight of the Moonrise Presented to him by Nature, so easily , during his routine of Morning Walk that his two separate eyelids , would love to stay opened for longer because they have tended to be restful in quiet and tranquil ; asleep with shut eyes : His consciousness of the World gets suspended in a quiescent state of a slumbrous Morning alongside the Moonrise in the white and not dark. : : : : ‘જુઓ ને પેલા ઉગતા પ્હોરે ચંદ્ર 🌙 ઉગ્યો છે સાગર તીરે’ – વિ જયરાજ : : ::

“Moonrise”, A Moon Poem By Gerard Manley Hopkins Information Appreciation and poem Analysis Presented by V Jayaraj Pune India August 30 , 2023 : : : : : : : :

The Moon was but a chin of gold : Emily Dickinson : ( 1 ) : : Musical Video 1 : ( 2 ) : : Song Video 2 : ( 3 ) : : Moon Poems : :

* Poem 737 ; :

Emily Dickinson ( 1830 – 1886 ) American Poet , Massachusetts/New England , 19 Th Century Poet in imagist style of poetry.
Lune – Deluxe : From llunacollection.com

“The Moon was but a chin of gold”: : Moon Poem By Emily Dickinson ( 1830 – 1886 )

The Moon was but a Chin of Gold
A Night or two ago –
And now she turns Her perfect Face
Upon the World below –

Her Forehead is of Amplest Blonde –
Her Cheek – a Beryl hewn –
Her Eye unto the Summer Dew
The likest I have known –

Her Lips of Amber never part –
But what must be the smile
Upon Her Friend she could confer
Were such Her Silver Will –

And what a privilege to be
But the remotest Star –
For Certainty She take Her Way
Beside Your Palace Door –

Her Bonnet is the Firmament –
The Universe – Her Shoe –
The Stars – the Trinkets at Her Belt –
Her Dimities – of Blue –

** lyrics based on the poem : : : : : : : : : : : : : : :

The Moon was but a Chin of Gold
A Night or two ago
And now she turns Her perfect face
Upon the World below –

Her Forehead is amplest Blonde
Her cheek – a Beryl hewn –
Her Eye unto the Summer Dew
The likest I have known–

And what a priv’lege to be
But the remotest Star
For Certainty she takes her way
Beside your palace door

The Moon was but a Chin of Gold
A Night or two ago
And now she turns Her perfect face
Upon the World below –

Her bonnet’s the firmament
The Universe – Her shoe
The stars – the trinkets at her Belt
In her sea of blue

And what a priv’lege to be
But the remotest Star
For Certainty she takes her way
Beside your palace door
— Based On Emily Dickinson’s Poem, ” The Moon Was But A Chin Of God ” : Click HERE In BELOW to listen to the Musical Video 1 Composition in PIANO 🎹 : : For the Lyrical Song adopted as above, by Visiting You Tube

Waxing Moon : Image Of Setting Crescent Moon At Sunrise. The Moon could be seen in image(s) comparable to , a canoe, a banana, a finger nail, a smile, and the letter “C. : A comma. A fish hook. A hammock and So On. Think of few more , from your side , dear reader.. .

https://youtu.be/y92ZsejBTZk?si=kVXcCl-Emoyiw3Sd

And Song Video 2 From October ( All ) County Chorus On October 9 , 2012 , You Tube Link Given HERE In BELOW : :

https://youtu.be/rBfnyI2tLDU?si=–ppjMtUaVh_acmy

” The Moon Was But A Chin Of Gold” Written in 1863 , ( and published in 1896 collection Poems: 3 Rd Series, edited by Mabel Loomis Todd. In Johnson’s The Complete Poems of Emily Dickinson (1955),, ), A mindful “Moon Poem” By Emily Dickinson is About Thinking of new way(s) to observe the world each time one looks at a Natural Phenomenon. The moon personified as a smiling woman is looking down at the Earthen World constructed on a smaller scale. This Way to Elevating the Full Moon and various Celestial Objects makes imagination of a reader evocative with the imageries invoked before him / her. : : Afterall , The Moon is A Queen Goddess comparable to several of the images that a human mind is capable of inventing images of God / Goddesses right from the evolutionary Phases of Mankind On the Earth. : : : :

To Dickinson, A “chin of gold” meant perhaps that the moon she observed was a small sliver arc and not in full round , and the universe as ‘Her Shoe’. : “Bonnet ( that is , a hat tied under Her Chin ) is the Firmament –” ( that is , the imaginary sphere on which the Celestial bodies appear to have been projected as The crescent faced Moon ) : Hence the Poem she wrote is her brilliance expected only with her unusual mindful way of describing friendly conversant things around her. : : She worships Goddess Moon with profound love and admiration.: As it was offered to Goddess alone , her worship should be recognised as , ” LATRIA ( lu’tri-u ) : : The Moon’s image is very slowly emerging from the darkness, with first a chin and then the forehead and lips like a face coming into view, is Her route of travel and Dickinson’s use of ‘gold’ and ‘amber’ ( hinting at the residual sunlight as well as some Earthlight too reflected on Moon, which provides the moon with its ‘Moon Light‘ ) shows the moon seem ‘Treasure – Worthy‘ , and Rare ‘Artful‘ Value. Moreover , The moon never parts her yellowish orange 🧡 coloured Amber lips to smile.: : “Chin” is a mentum – A protruding part of lower jaw. How many times for N Number of People could have really observed his or her Own Chin , and for that matter , of Others around him / her ! ? Interestingly, A gymnast or a person fond up to performing exercise pulls up himself / herself up on a horizontal bar untill his / her chin is levelling with the bar:: Here in this Poem , “crescentic arc” of The Goddess Moon is compared to Her “Chin, and Full Moon 🌝 to A Perfect Woman’s Beautiful Face. : Forehead is “of Amplest Blonde” and cheek is “Beryl hewn.” : : “Forehead” is defined as “Blonde” in order to imply how the dim rays of the Sun illuminate the surface of the moon. Therefore, “Amplest Blonde” implies the orange sunlight, making the moon’s “Forehead” appear “Blonde”. : The phases of Moon are schematised as the first launching ( of appearance in a month ) in much much of small manner yet gradual slowing in the unveiling face of a woman. The Curved Shaped Arc is A Crescent of the 🌙 🌘 first quarter and the last quarter of The Moon which is comparable to the shape of anything that resembles to this Arc.: A “Chin of Gold” describes the climbing traveling of the moon in the night sky. It is the prototype of perfection even with solitariness in climbing ., femininity, and pride. : : The word “Beryl hewn” describes the pale Yellow 💛 colour (blue 💙 colour for the clouds ) of the moon’s golden color during sunset so that The moon is Crescentic Jewel of Gold. : : The Formal garb ( gaab ) / dress of occassion while climbing the night skyand the features of appearance draw the colours from The Heaven , The Sky , The Stars and The Earth. The Goddess Moon wears a magnificent belt that has stars for trinkets. In this way, the poet describes the moon’s great , awesome and stupendous dress. “Her Dimities – of Blue – ” Meaning , the blue 🔵 colour of The strong fabric in a raised pattern of the dress of The Goddess Moon in the dark of the Sky where She shines gorgeously wearing blue coloured dress that has drawn blue colour from the Blue Sky. : : With these images , The Poet creates the beauty and the gorgeous features of The Moon. : : : : “The Moon was but a Chin of Gold”, A Moon Poem By Emily Dickinson Information Appreciation and poem Analysis Presented by V Jayaraj Pune India August 29 , 2023 : : : : : : : :

August Waning Crescent Moon : Photo By Virginia White : : Compare With following Valuable / Precious 💞💕
Lluny Jwellery Collection : Image From llunacollection.com
Chin up : Or Take it On A Chin i. e. undergo failure. Or defeat in describing a beautiful Goddess.Moon & accept it. : CHIN Of GOLD
Super -Lua : Goddess Luna : Image From llunacollection.com
Earth may have ghost moons, but we’ve yet to see the smoking gun

Curtsinger/National Geographic/Getty

Earth may have a pair of “ghost moons”, translucent clouds of dust that orbit along with our moon. These clouds, which could be up to 100,000 kilometres across, were predicted in 1951, and new pictures seem to show they exist.

The Earth-moon system has a set of five gravitational balance points, where the gravitational forces from Earth and the moon balance out. At these spots, called Lagrange points, objects can get caught, never being pulled down to … ( Read Further more by visiting New Scientist.com – Website Or Chin up to guess the comparable image of describing Moon you would see from now onwards. Or else , be amused with Emily Dickinson’ s Poem posted HERE.

Hymn to the Moon : Lady Mary Wortley Montagu : : Moon Poems : :

Fantacy Castle and lamp lights And The Moon , overlooking “The Queen of Night” : ” silver deity of secret night “( Wortley Montague )

Hymn To The Moon : : By Lady Mary Wortley Montague (
Written in July, in an arbour


Thou silver deity of secret night, 1
Direct my footsteps through the woodland shade; 2
Thou conscious witness of unknown delight, 3
The Lover’s guardian, and the Muse’s aid! 4
By thy pale beams I solitary rove, 5
To thee my tender grief confide; 6
Serenely sweet you gild the silent grove, 7
My friend, my goddess, and my guide. 8
E’en thee, fair queen, from thy amazing height, 9
The charms of young Endymion drew; 10
Veil’d with the mantle of concealing night; 11
With all thy greatness and thy coldness too. 12

Mary Wortley Montagu,
od Charlese Jervase, po roce 1716.

— Lady Mary Wortley Montague : From allpoetry.com : For Educational Purposes only.

“Hymn To The Moon”, A 12 lines , Short ‘Moon Poem’, By Lady Mary Wortley Montague ( 1689 – 1762 ) written during her travel in Europe , Asia and Africa , ( who is known for her writing , better known for her steely satires , as well as for introducing ‘Smallpox’ inoculation to Britain, half a century before Edward Jenner developed vaccination against the disease. ) is About A Hymn , That is , A Song of praise To The “Goddess Moon” , a powerful “goddess” hailed as “fair Queen of amazing hight with greatness and coldness” ( lines & 12 ) and “silver deity of secret night” 🌃 as in ( line 1 ) providing light at night-time which help to guide the poet’s Speaker ‘s way through the woods : ” Direct my footsteps through the woodland shade.” as said in ( line 2 ) : : She is on her way to some hidden / secret romantic meeting with a secret lover which is referred as ‘unknown delight’ ( line 3 ) and as the moon referred as “Lover’s guardian” ( line 4 ) in her rendezvous . : : However , while referring to art and poetry for the moon is as “Muse’s aid” ( line 4 ) : artist’s source of inspiration ; and for the “tender grief confide” ( line 6 ) which is thus in -trusting to the moon , the aforesaid romanticism gets even off. ( Muse : 9 daughters of Zeus and Mnemosyne are protector of Art & Science , As per Greek Mythology ) : :

Like a Poet, The moon is also feminine being tender/ soft and like attentive lover is silent and trusty or dependable companion and guide for her as she says in lines 7 & 8 ) : “Serenely sweet you gild the silent grove, “7 : as if covering “grove” ( a meeting place of bushes/ wood ) with leaf 🍀 hence “gilded sweetly” ;
My friend, my goddess, and my guide.” 8 . The charming Endymion is the shepherd from Greek mythology who was loved by Selene, the goddess of the moon like Roman Luna. Here , she says ( in lines 8 To 12 ) , “fair queen, from thy amazing height, 9
The charms of young Endymion drew; 10
Veil’d with the mantle of concealing night; 11 : ( concealing cover of blanket of night )
With all thy greatness and thy coldness too.”12 : :

With how sad steps, O moon : From Astrophil and Stella : Sonnet ( 31 ) : : Sir Philip Sidney : : Moon Poems : :

how sad steps, O moon, thou climb’st the skies; 1
How silently, and with how wan a face. 2
What, may it be that even in heavenly place 3
That busy archer his sharp arrows tries? 4
Sure, if that long-with-love-acquainted eyes 5
Can judge of love, thou feel’st a lover’s case; 6
I read it in thy looks; thy languished grace 7
To me, that feel the like, thy state descries. 8
Then, even of fellowship, O moon, tell me, 9
Is constant love deemed there but want of wit? 10
Are beauties there as proud as here they be? 11
Do they above love to be loved, and yet 12
Those lovers scorn whom that love doth possess? 13
Do they call virtue there ungratefulness? 14

With how sad steps, O moon”From Astrophil and Stella : Sonnet ( 31 ) , Written in Early 1580 s By Sir Philip Sidney ( 1554 — 1586 ) is About The Poet Speaker’s unrequited love for Penelope Rich ( nee Devereux , married to Lord Robert Rich ), who was offered to him as a potential wife a few years before. Sidney turned her down, Yet, realised that he was actually in love 💕 with her. 😘 : : Sidney is addressing the moon in the aforesaid Sonnet 31 , as a potential fellow-sufferer from Cupid’s cruel arrows. :

Notes for each of the lines Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India August 27 , 2023 : : : :

To the Moon : Percy Bysshe Shelley : : Moon Poems : :

To The Moon : : By Percy Bysshe Shelley ( 1792 – 1822 ) : : : :

And, like a dying lady lean and pale,
Who totters forth, wrapp’d in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky east,
A white and shapeless mass.


Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,
And ever changing, like a joyless eye
That finds no object worth its constancy?

“To The Moon” A 12 lines Short Lyrical Poem , By the greatest second-generation Romantic poets along with John Keats and Lord Byron , Percy Bysshe Shelley ( 1792 – 1822 ) is About the moon climbs the night sky without any Companion and gets fatigued. : The Poem contains Shelley’s Romanticism reflective of the World and attestable ident with the world around or beyond from where it is observed, and thereupon the misconceived emotions alloted contemptibly to nonhuman objects. In some available 6 lines version the 1 St Stanza is omitted. : : : :

Notes for each of the 12 lines Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India August 26 , 2023 : : : :

Darkness Poems : By Various Poets : :

#

* : : Storm Fear by Robert Frost :

When the wind works against us in the dark,
And pelts the snow
The lower chamber window on the east,
And whispers with a sort of stifled bark,
The beast,
‘Come out! Come out!’—
It costs no inward struggle not to go,
Ah, no!
I count our strength,
Two and a child,
Those of us not asleep subdued to mark
How the cold creeps as the fire dies at length,—
How drifts are piled,
Dooryard and road ungraded,
Till even the comforting barn grows far away
And my heart owns a doubt
Whether ’tis in us to arise with day
And save ourselves unaided.

*

** : : The Rime of the Ancient Mariner : : Part I Of VII : : by Samuel Taylor Coleridge :
x



It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The Bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
May’st hear the merry din.’

He holds him with his skinny hand,
‘There was a ship,’ quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropt he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

‘The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The Sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—’
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

And now the STORM-BLAST came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And forward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As if it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white Moon-shine.’

‘God save thee, ancient Mariner!
From the fiends, that plague thee thus!—
Why look’st thou so?’—With my cross-bow
I shot the ALBATROSS.

#

*** : : The Ballad of Reading Gaol , Stanza 10 Of 109 Stanzas : : by Oscar Wilde He does not die a death of shame

On a day of dark disgrace,

Nor have a noose about his neck,

Nor a cloth upon his face,

Nor drop feet foremost through the floor

Into an empty place

#

*V : : The Raven , Stanza 1 : : by Edgar Allan Poe. Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

Only this and nothing more.”

#

V : : The Vampire : : by Conrad Aiken ( 1899 – 1973 )
She rose among us where we lay.
She wept, we put our work away.
She chilled our laughter, stilled our play;
And spread a silence there.
And darkness shot across the sky,
And once, and twice, we heard her cry;
And saw her lift white hands on high
And toss her troubled hair.

What shape was this who came to us,
With basilisk eyes so ominous,
With mouth so sweet, so poisonous,
And tortured hands so pale?
We saw her wavering to and fro,
Through dark and wind we saw her go;
Yet what her name was did not know;
And felt our spirits fail.

We tried to turn away; but still
Above we heard her sorrow thrill;
And those that slept, they dreamed of ill
And dreadful things:
Of skies grown red with rending flames
And shuddering hills that cracked their frames;
Of twilights foul with wings;

And skeletons dancing to a tune;
And cries of children stifled soon;
And over all a blood-red moon
A dull and nightmare size.
They woke, and sought to go their ways,
Yet everywhere they met her gaze,
Her fixed and burning eyes.

Who are you now, —we cried to her—
Spirit so strange, so sinister?
We felt dead winds above us stir;
And in the darkness heard
A voice fall, singing, cloying sweet,
Heavily dropping, though that heat,
Heavy as honeyed pulses beat,
Slow word by anguished word.

And through the night strange music went
With voice and cry so darkly blent
We could not fathom what they meant;
Save only that they seemed
To thin the blood along our veins,
Foretelling vile, delirious pains,
And clouds divulging blood-red rains
Upon a hill undreamed.

And this we heard: “Who dies for me,
He shall possess me secretly,
My terrible beauty he shall see,
And slake my body’s flame.
But who denies me cursed shall be,
And slain, and buried loathsomely,
And slimed upon with shame.”

And darkness fell. And like a sea
Of stumbling deaths we followed, we
Who dared not stay behind.
There all night long beneath a cloud
We rose and fell, we struck and bowed,
We were the ploughman and the ploughed,
Our eyes were red and blind.

And some, they said, had touched her side,
Before she fled us there;
And some had taken her to bride;
And some lain down for her and died;
Who had not touched her hair,
Ran to and fro and cursed and cried
And sought her everywhere.

“Her eyes have feasted on the dead,
And small and shapely is her head,
And dark and small her mouth,” they said,
“And beautiful to kiss;
Her mouth is sinister and red
As blood in moonlight is.”

Then poets forgot their jeweled words
And cut the sky with glittering swords;
And innocent souls turned carrion birds
To perch upon the dead.
Sweet daisy fields were drenched with death,
The air became a charnel breath,
Pale stones were splashed with red.

Green leaves were dappled bright with blood
And fruit trees murdered in the bud;
And when at length the dawn
Came green as twilight from the east,
And all that heaving horror ceased,
Silent was every bird and beast,
And that dark voice was gone.

No word was there, no song, no bell,
No furious tongue that dream to tell;
Only the dead, who rose and fell
Above the wounded men;
And whisperings and wails of pain
Blown slowly from the wounded grain,
Blown slowly from the smoking plain;
And silence fallen again.

Until at dusk, from God knows where,
Beneath dark birds that filled the air,
Like one who did not hear or care,
Under a blood-red cloud,
An aged ploughman came alone
And drove his share through flesh and bone,
And turned them under to mould and stone;
All night long he ploughed.

#

V* : : Gretel in Darkness : : by Louise Glück



This is the world we wanted.

All who would have seen us dead

are dead. I hear the witch’s cry

break in the moonlight through a sheet

of sugar: God rewards.

Her tongue shrivels into gas



Now far from women’s arms

and memory women, in our father’s hut

we sleep, are never hungry.

Why do I not forget?

My father bars the door, bars harm

from this house, and it is years.



No one remembers. Even you, my brother,

summer afternoons you look at me though

you meant to leave,

as though it never happened.

But I killed for you. I see armed firs,

the spires of that gleaming kiln come back, come back



Nights I turn to you to hold me

but you are not there.

Am I alone? Spies

hiss in the stillness, Hansel,

we are there still and it is real, real,

that black forest and the fire in earnest.



Brief Biography of Louise Glück

Compare this Story to other renditions:

The Gingerbread House – John Ower

Hansel and Gretel – Jacob and Wilhelm Grimm



#

V** : : The Dark : : by Carol Ann Duffy


If you think of the dark
as a black park
and the moon as a bounced ball,
then there’s nothing to be frightened of
at all.

(Except for aliens…)

#

V * * * : : The Darkling Thrush : : BY THOMAS HARDY
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter’s dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.

The land’s sharp features seemed to be
The Century’s corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.

At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.

So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.

#

Moonset : Carl Sandburg : : Darkness Poems : :

Carl Sandburg ( 1878 – 1967 ) , Illinois

84. Moonset : By Carl Sandburg( 1878–1967 ) , Illinois : : Cornhuskers, 1918. : : : :

LEAVES of poplars pick Japanese prints against the west. 1

Moon sand on the canal doubles the changing pictures. 2

The moon’s good-by ends pictures. 3

The west is empty. All else is empty. No moon-talk at all now. 4

Only dark listening to dark. 5

“Moonset”, A 5 lines ‘Darkness’ Poem By Carl Sandburg is About a fresh look at The Moon. : : The “moonset” moon·set ˈmün-ˌset is having atleast two meanings , as per Merriam Webster : :
1
: the descent of the moon below the horizon
2
: the time of the moon’s setting ( in the West ) : According to Forbes, the best time to view a supermoon, or any full moon, is at moonrise or at moonset, when the moon is closest to the horizon.
—Claire Reid, Journal Sentinel, 20 July 2023 : Percy Bysshe Shelley penned in his Poem “To the Moon” stating that she was tired of constantly traversing the sky and staring at the earth. The Moon provides some source of light during an ultimate darkness which then becomes illuminated. ; Many view its light as calming and gentle. A light in the darkness is a symbol of hope , and redemption that’s saving from some harm or unpleasantness to bring Peace of minds. . The Moon represents hope and care – taking besides her importance of staying bright no matter how darkness of 🌃 Night 🌑 seems intense and even haunting and fearsome. She has to draw her light from the Sun , and even from the Earth reflecting Sunlight towards her. Thus The Moon inspires the Humans be a beacon for Others. Everything in the darkness of Night too can be a source of giving guidance and taking care. : : The Moon , Earth’s Only Natural satellite can be looked at in her climbing the sky wearily with brightness increasing 🔅 🔆 or decreasing 🔆 🔅 while appearing in the Earth’s Sky in her waxing 🌔 🌒 and 🌘 🌖 waning : phases of changing on each day and ultimately ending the nighttime as her long time or short time journey with a pale appearance of “Moonset”always in the West. The Poet Speaker says here, “The moon’s good-by ends pictures. 3

The west is empty. All else is empty. No moon-talk at all now. 4

Only dark listening to dark. 5 : : lines 3 To 5 : : : : The above Poem , ” Moonset” is almost ‘un -poetic’ in its imageries in lines 1 To 4 none of which is befitting any of the ‘Poetry’ reading . The poem’s image in line 5 ,”Only dark listening to dark” is conspicuously attention – getting imagery. This should lead reader think 🤔💬 in what way A 🕶️ darkness without a ray of light or hope can be of some Guidance to some man in depression or desolation that is symbolically represented by the Dark 🌑🌑

“Moonset” , A darkness Poem By Carl Sandburg, Information Appreciation and poem Analysis Presented by V Jayaraj Pune India August 24 , 2023 : : : : : : : :

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