

Beeny did not quiver,
Juliot grew not gray,
Thin Vallency’s river
Held its wonted way.
Bos seemed not to utter
Dimmest note of dirge,
Targan mouth a mutter[2]
To its creamy surge.
Yet though these, unheeding,
Listless, passed the hour
Of her spirit’s speeding,
She had, in her flower,
Sought and loved the places
Much and often pined
For their lonely faces
When in towns confined.
Why did not Vallency
In his purl deplore
One whose haunts were whence he
Drew his limpid store?
Why did Bos not thunder,
Targan apprehend
Body and Breath were sunder
Of their former friend?
Beeny Cliff by Thomas Hardy
O the opal and the sapphire of that wandering western sea, 1
And the woman riding high above with bright hair flapping free – 2
The woman whom I loved so, and who loyally loved me. 3
The pale mews plained below us, and the waves seemed far away 4
In a nether sky, engrossed in saying their ceaseless babbling say, 5
As we laughed light-heartedly aloft on that clear-sunned March day. 6
A little cloud then cloaked us, and there flew an irised rain, 7
And the Atlantic dyed its levels with a dull misfeatured stain, 8
And then the sun burst out again, and purples prinked the main. 9
– Still in all its chasmal beauty bulks old Beeny to the sky, 10
And shall she and I not go there once again now March is nigh, 11
And the sweet things said in that March say anew there by and by? 12
What if still in chasmal beauty looms that wild weird western shore, 13
The woman now is – elsewhere – whom the ambling pony bore, 14
And nor knows nor cares for Beeny, and will laugh there nevermore. 15 : : : : : : : : : : : : : : :: — Thomas Hardy : : : : From bbc.co.uk For Educational Purposes only. : : : :
“Beeny Cliff” , A March Poem, Written in 1912 / 13 , in the wake of the death of his first wife , Emma (née Gifford), who died at their home, Max Gate in Dorchester, Dorset, on 17th November 1912 at the age of 72. His memoirs of their life together calls forth the feelings and emotions and evokes a stimulus to write the finest lines in the English Language on the loss of his life partner arousing yearning. We see that Thomas Hardy in this poem, “Beeny Cliff” too, rejects any Spiritual realisation in love : Hardy became an atheist at his earlier youthful days , and could not harbour the thoughts or feelings of afterlife or hereafter. : : : :
Triplet 1 : : “Beeny Cliff by Thomas Hardy
O the opal and the sapphire of that wandering western sea, 1
And the woman riding high above with bright hair flapping free – 2
The woman whom I loved so, and who loyally loved me.” 3 : : : : lines 1 To 3 : : : :
The “western sea” ( Atlantic ) followed a “wandering” course , that is appearing ‘irregular in ‘forwarding to its shore’ where the Beeny Cliff”is put up ( having a hamlet : a small settlement at the crossroad ). : The Poet saw reflected backdrop giving it an “opal” colour which was translucent : clear and also found it like “sapphire”: light blue shade of azure; both the colours are that of gemstones. During the courting time of his youth, at this backdrop of the seaside heights , his love – his wife, Emma was “riding high above with bright hair” in a wavy style, rising and falling in the shoreward wind , that is “flapping free”: : Here the Expression ,” The woman whom I loved so, and who loyally loved me.” : In line 3 merited Emma’s love for Hardy who in the same way surprisingly had not expressed for his loyalty for Emma. Is this Triplet 1 , incomplete or what!? : : : :
Triplet 2 : : “The pale mews plained below us, and the waves seemed far away 4
In a nether sky, engrossed in saying their ceaseless babbling say, 5
As we laughed light-heartedly aloft on that clear-sunned March day.” 6 : : : :lines 4 To 6 : :
The two lovers “laughed light-heartedly” aloft ( that is, with their soaring spirit ) on that clear – sunned March day.” They were on the ‘Cliff top’ and below them, the sea “waves seemed far away”: : The word “mews”used for the ‘private stable’ for the horses ; and the sea could be seen as sending forth ‘white horses’ energetically in the wind : that is “The pale mews” in the plains at the sea shore below the Cliff Top, The sky looked as if located beneath. : In the irregular current and bubbling noise of this wind, the sea, like a babby saying, is “babbling” : “engrossed”: ( fully engaged ) ceaselessly. : : : :
Triplet 3 : : “A little cloud then cloaked us, and there flew an irised rain, 7
And the Atlantic dyed its levels with a dull misfeatured stain, 8
And then the sun burst out again, and purples prinked the main.” 9 : : : : lines 7 To 9
The “rain” described as “irised”: that is ‘iridescent’ having the varying/ changing lustrous colours of rainbow 🌈 , “the Atlantic dyed it’s level with a dull misfeatured stain” , and “purples prinked the main” : ( In lines 7 , 8 & 9 ) : : Donald Davie, wrote in 1972 , that ” Hardy was, in the last of these examples, using a phrase taken from Virgil’s Aeneid to suggest that the purple light was from another, non-Earthly, dimension, and that this is a pointer to Emma’s current status as a spirit that haunts ( frequently visiting ) this place.” : : Hardyan coinages :” irised” ( for iridescent ), “misfeatured” stain ( on dull ) are wonderfully employed by Thomas Hardy. , “prinked”, in “purples prinked the main”, which means ‘to make minor adjustments to one’s appearance’ and thus Hardy personified the purple ; which becomes appealing and attractive as if dressed in the special clothes with a peaky style. Thus the Triplet 3 shows vividly coloured memories dancing before the world view of Hardy , The Poet. : : “a little cloud then cloaked us” ( line 7 ) refers to the memory of the day in March 1870. The clouds were temporary as said with “the sun bursting out again” ( line 9 ) : However, the Expression “cloaked us” conveys some ‘false appearace’ hidden temporarily to be cleared up by the light that will appear later on ( in the poem ) in future. Afterall, Hardy is writing this poem of Memoirs of March on his revisiting the place of Beeny Cliff, a place of sweet memories of courting his love and laughter ; loss and lounging : : : :
Triplet 4 : : ” Still in all its chasmal beauty bulks old Beeny to the sky, 10
And shall she and I not go there once again now March is nigh, 11
And the sweet things said in that March say anew there by and by?” 12 : : : : lines 10 To 12
The First Three Triplets have been taken in as the Memoirs of the two lovers laughing at the Cliff Top But now, after some 43 years of time in the past, Hardy was all alone at the same spot and his wife Emma was no more to be with him. The “sweet” memories were continually recurring to his mind. The same place called Beeny Cliff, with a deep opening in the division in to the Sea Side and plains at the hamlet, as Seen from the Cliff Top, bears the same “chasmal beauty”which swells up outward : “bulks old Beeny to the sky”: Similarly, there is a division between Hardy and Emma now gone out of his sight , and out of his life creating a ‘Chasm’ between them that cannot be bridgeable. They “shall not go there once again” as ” now March is nigh” , Meaning ‘March is whinny’ : making such a characteristic sound like a horse 🐎 : At “Beeny Cliff” the Chasm, he realised from the separation between him and Emma, shall remain ‘bridgeless’ : : Is it possible to write the story anew !? Afresh !? Again , but differently in a new way !? : “The sweet things said in that March say anew there by and by?”: Meaning , he will get around there in the sweet by and by ; eventually in future to understand their loving relationship. : : Hardy gets the answer as concluded in the last Triplet 5 : : : :
Triplet 5: : “What if still in chasmal beauty looms that wild weird western shore, 13
The woman now is – elsewhere – whom the ambling pony bore, 14
And nor knows nor cares for Beeny, and will laugh there nevermore.” 15 : : : : lines 13 To 15 : : : :
The ‘Non – Bridgeable’, “Chasmal beauty” “looms that wild weird western shore” of Atlantic : Making the noisy sound like the one , heard of the looms of the textile Mills : This is suggestive of strange ,uncanny, shadower Sea shore, over that sweetness, yet to happen again. : : Saying the same “Sweet things” will not happen again in the same way or differently. Emma’s presence is nowhere on the Beeny Cliff Top. She “now is – elsewhere -” : “- whom the ambling pony bore,” : Meaning, she will not walk around ( ” ambling” ) here like a racer “pony” horse as if that were to cause to lose interest : : She “neither knows nor cares and will laugh there nevermore.” : ( last line 15 ) : : The same Sweetness of Laughing together on a day in March , Four Decades plus years previously At Beeny Cliff, is now lacking in the material , form and substance at the same spot. Emma had gone for ever. : : The Chasm in the Beeny Cliff stands for ‘Visible Separation’ between Emma and Hardy. It had existed even before Emma’s death. : : : :
“Beeny Cliff” , A March Poem By Thomas Hardy, Information Appreciation and poem Analysis Presented by V Jayaraj Pune India January 15 , 2023 : : : : : : : :















