

Dear March—Come in—(1320)
Emily Dickinson – 1830-1886
Dear March—Come in—
How glad I am—
I hoped for you before—
Put down your Hat—
You must have walked—
How out of Breath you are—
Dear March, how are you, and the Rest—
Did you leave Nature well—
Oh March, Come right upstairs with me—
I have so much to tell—
I got your Letter, and the Birds—
The Maples never knew that you were coming—
I declare – how Red their Faces grew—
But March, forgive me—
And all those Hills you left for me to Hue—
There was no Purple suitable—
You took it all with you—
Who knocks? That April—
Lock the Door—
I will not be pursued—
He stayed away a Year to call
When I am occupied—
But trifles look so trivial
As soon as you have come
That blame is just as dear as Praise
And Praise as mere as Blame—
“Dear March – Come In –” A March Poem written around 1874 , By Emily Dickinson is About Reception of the Month , March. This March Poem is written in a “sprightly” meter and unpredictable rhyme, typical of Dickinson’s Poems . : The Tone of the Poem balances a “breath of fresh air” whimsy with a deeper, subtle anxiety about the swift passage of time and the loss of cherished moments. : : : : : : : : : : : : : : : : : : : : : : : : : : : : : 1 St Stanza : : About Greetings : : The Poet bids welcome to Dear March expressing her gladness on its arrival she hoped for it. She asks March to put down ( his ) hat and then ,”How are you and the Rest – ” ; noticing how out of Breath ( he ) was ! ( gasping : short winded ! ) and a specified state of arriving as if gone away from an earlier place , in her words, ” Did you leave Nature well–” As if he was a human. ( Using Personification ). This domesticates the vast changes of nature into a private, human interaction. : : She says further, ” Oh March, Come right upstairs with me—
I have so much to tell—” : Conferring , her Trust in her Friend Dear March, and her intention of Confiding in him certain intimate talks in private. : : : :
2 Nd Stanza : : About “Birds”& “The Maples” Trees , indispensable core group to the Spring as well as The March : His Heart and Soul who did not know that he was coming untill She declared that he was coming as she knew it from his letter ; and upon this information they turned out ” Red” faced. ( Suffused with blood from the emotions attached with arrival of March and Spring alongside. : : She asks for forgiveness in saying that she is hued to a “purple”( not suitable –) This suggests they are “blushing” with the sudden excitement of March’s arrival. Hills and he took all the purple with him. Taking away the “Purple suitable” for the hills, referring to the vibrant colors of the previous season that are now missing as spring begins to “hue” or color the landscape. : : : :
3 Rd Stanza : : About the Month ,”April”now knocking the door. She says that she doesn’t want the arrival of April who stayed away a year to call ; when she was busy and no attention from April. This ‘Resistance to April’ is portrayed as a rude intruder who knocks while the speaker is “occupied” with March. This highlights the speaker’s desire to linger in the “first blush” of spring rather than be rushed into the next phase. She feels like being followed with some enmity ( unfriendly hostility ) as if to harm from that April to whom she requests March to lock the door. She was by far spending time ( No serious ) in playful activities which is ” trifles” now felt like “trivial” ( small and of little importance ) Upon the arrival of March. : : : :
4 Th Stanza , The Last Two lines : : About “ praise and blames” Related to each other : : ” That blame is just as dear as Praise
And Praise as mere as Blame— ” : : : : When you blame March for taking away the beautiful purple hues of the hills, you have also expressed for praising March for bringing those very beautiful colors. With what is taken away in a manner is also brought to a degree that dazzles the beholder. That’s why the blame and praise follows each other. This Paradox of Praise and Blame suggests that when we truly love someone or something, even our complaints are a form of affection. In the presence of a beloved guest, all “trifles” and judgments become trivial. : : Something left after other parts have been taken away. That’s how harmoniously March balances. The unsuitable is found as one part and the reciprocals balance. : : : :
The personification of March may be a coded reference to Reverend Charles Wadsworth, often considered the “great love” of her life, who left her for California, causing her significant emotional distress. it reimagines the arrival of spring as a long-awaited visit from a dear friend. : : : “Dear March — Come In –” A March Poem By Emily Dickinson Information Appreciation and poem Analysis Presented by V Jayaraj Pune India January 13 , 2023 : : Updated March 2 / 3 , 2026 : Holika Dahan : Bangalore. : : : : : : : : : : : : : : : : : : : : :















