જન્મદિવસે : નેહા બેન , હીના બેન , ચકી બેન , મોટી બેન , નાના ભાઈ , ના હરખના ગીત અને પ્રાર્થના : : બર્થડે સોંગ : : બાળગીત : :

Will you please join me ? Let us Pray , Today is my Happy Birthday.
Two smiling Sisters at the chamomile Flowers Fie: Both wearing Flower Rings in the hair , little one carried out by elder sister.

જન્મદિવસે અનેક શુભ ભાવનાઓ, ઋણસ્વીકાર અને કૃતજ્ઞતાના ભાવથી હૃદય ભરાય : : પરમ સમીપે માં , કુંદનિકા કાપડીયાએ લખેલી જન્મદિવસની પ્રાર્થના વાંચો , એમાં સુંદર ભાવ આપને પણ ગમશે : : : :

આમ તો દરેક દિવસ એ, ભગવાન!
તમે આપેલી તાજી ભેટ છે.
જાગ્રત માણસ માટે દરેક દિવસ નવી શરૂઆત બની શકે
પણ ભગવાન, આજે મારો જન્મદિવસ છે.
અને એટલે આજનો દીવસ
વિશેષ પ્રાર્થનાઓ, વિશેષ જાગૃતિ, વિશેષ સંકલ્પનો દિવસ છે.

આજના દીવસે, ભગવાન! હું
ધન, માન, કિર્તિ અને આરોગ્ય નથી માગતો
પણ આ બધું મને મળે
તો એનો ઉપયોગ હું સહુના કલ્યાણ અર્થે કરી શકું
એવો સર્વ પ્રત્યેનો મૈત્રીભાવ માગું છું.

આજના દીવસે, ભગવાન! હું એમ નથી માગતો કે
મારો રસ્તો સરળ બને, મારાં કાર્યો નિર્વિઘ્ને પાર પડે
પણ એમ બને, તો એ સફળતા મને કૃતજ્ઞ બનાવે
અને એમ ન બને, તો એ નિષ્ફળતા મને નમ્ર બનાવે
એ હું માગું છું.

દરેક દિવસે હું એક પગથિયું ઊંચો ચડું
દરેક પગલે હું થોડોક વધુ તમારી નિકટ આવું
રોજ રોજ, કોઈક સત્કર્મથી મારા હ્રદયમાં રહેલા તમને વ્યક્ત કરું
દુનિયાને મારા થકી થોડી વધુ સુંદર બનાવું
દરેક વર્ષે આજનો દિવસ આવે ત્યારે
આગલા વર્ષ કરતાં મારું જીવન વધુ કૃતાર્થ બન્યું છે એમ કહી શકું
– એ હું માગું છું.

આ દુનિયામાં તમે મને જન્મ આપ્યો છે
તે માટે હું તમારો આભાર માનું છું.
હું એવું હ્રદય માગું છું, જે આ દુનિયાને
તમારે માટે ચાહી શકે.
આ સૃષ્ટિ તમે આનંદ વડે આનંદ માટે સર્જી છે
એને હું મારા સ્વાર્થ અને બેકાળજીથી ક્ષતિ ન પહોંચાડું
મૂંગાં પ્રાણિઓ અને મધુર વનસ્પતિ – સૃષ્ટિને ચાહું
હવા, પાણી અને ભૂમિને દૂષિત ન કરું

એક એક જન્મદિવસ આવે છે, એક એક વર્ષ જીવનમાં ઉમેરાય છે
એ મને યાદ આવે છે કે સમય કેટલી ઝડપથી વહી રહ્યો છે.
દરેક ક્ષણ મુલ્યવાન છે, અંત ક્યારે આવશે તેની ખબર નથી
આવતી કાલે કદાચ હું ન પણ હોઉં
તેથી આજનો દિવસ હું સંપૂર્ણ રીતે જીવવાનો પ્રયત્ન કરું
દરેક દિવસે મારો નવો જન્મ થાય છે તેમ માનું
અને પ્રત્યેક દિવસે વિદાય લેવા
મારા જીવનની ચાદર ઉજળી રાખીને તમને ધરી દેવા તત્પર રહું
આજે, મારા જન્મદિવસે, ભગવાન!
એ હું તમારી પાસે માગું છું.

– કુંદનિકા કાપડીયા કૃત ‘પરમ સમીપે’ માંથી સાભાર‌ : :

ચકીબેન ચકીબેન
મારી સાથે રમવા આવશો કે નહીં ?
બેસવાને પાટલો સૂવાને ખાટલો
ઓઢવાને પીછાં આપીશ તને,
હું આપીશ તને … ચકીબેન ચકીબેન

પહેરવાને સાડી મોરપીછાં વાળી,
ઘમ્મરિયો ઘાઘરો આપીશ તને,
હું આપીશ તને … ચકીબેન ચકીબેન

ટક ટક કરજો ચીં ચીં કરજો
ખાવાને દાણા આપીશ તને
હું આપીશ તને … ચકીબેન ચકીબેન

બા નહીં બોલશે, બાપુ નહીં વઢશે,
નાનો બાબો તો ઊંઘી ગયો,
ઊંઘી ગયો … ચકીબેન ચકીબેન : : રચયિતા : અજાણ : : : : ક્લિક કરો અને જુઓ ઓડિયો ગીત : :

https://youtu.be/j8eCe5pcftc                                  સિંહ ની પરોણાગત : : બાળ ગીત : રમણલાલ સોની : : : :   https://youtu.be/NWJby7pQTpo?si=lTpUlv3pcnvf4FJt  સ્વર : તૃપ્તિ વ્યાસ :અહીં ક્લિક કરો: રીંછ એકલું ફરવા ચાલ્યું, હાથમાં લીધી સોટી;
સામે રાણા સિંહ મળ્યા રે, આફત આવી મોટી.

ઝૂકી ઝૂકી ભરી સલામો, બોલ્યું મીઠાં વેણ :
‘મારે ઘેર પધારો, રાણા ! રાખો મારું કહેણ.

હાડચામડાં બહુ બહુ ચૂંથ્યાં, ચાખોજી મધ મીઠું;
નોતરું દેવા ખોળું તમને, આજે મુખડું દીઠું !’

રીંછ જાય છે આગળ, એના પગ ધબધબ,
સિંહ જાય છે પાછળ, એની જીભ લબલબ.

‘ઘર આ મારું, જમો સુખેથી, મઘથી લૂમેલૂમ’
ખાવા જાતાં રાણાજીએ પાડી બૂમેબૂમ !

મધપૂડાનું વન હતું એ, નહીં માખોનો પાર;
બટકું પૂડો ખાવા જાતાં વળગી લારોલાર !

આંખે, મોઢે, જીભે, હોઠે ડંખ ઘણેરા લાગ્યા;
‘ખાધો બાપ રે !’ કરતાં ત્યાંથી વનરાજા તો ભાગ્યા.

રીંછ એકલું ફરવા ચાલ્યું, હાથમાં લીધી સોટી;
સામે રાણા સિંહ મળ્યા’તા, આફત ટાળી મોટી !

ડુગડુગિયાવાળી આવી , નેહાબેન દોડો.. . હીનાબેન દોડો.

નેહાબહેન,દોડો,હીનાબહેન,દોડો,

પેલી ડુગડુગિયાવાળી આવી.

મજાની પેલી ડુગડુગિયાવાળી આવી.



એક રૂપિયાનું ડમરૂ આપે,

આપીને છાતીએ ચાંપે,

બળબળતા ઉનાળા તાપે,

આવીને ઊભી છે ઝાંપે,

ઢરર……..ઢમ….

મજાની પેલી ડુગડુગિયાવાળી આવી.



રંગે છે એ બહુ રૂપાળી,

રોજ મને આપે છે તાળી,

જો હું એને જાઉં ભાળી,

રમવા માંડું સાતતાળી,

ઢરર……..ઢમ….

મજાની પેલી ડુગડુગિયાવાળી આવી.



એ ડમરૂ રાખી ગાલે,

કેવી ઠુમ્મક ઠુમ્મક ચાલે,

બાબા બેબીબે બોલાવે,

ગીત મધુરાં ગાએ,

ઢરર……..ઢમ….

મજાની પેલી ડુગડુગિયાવાળી આવી.



પૂરી પાંચ હાથ એની કાયા,

બાળક ઉપર બહુ માયા,

જાણે સગી માડીના જાયા,

આપે રોજ મજાનાં ડુગડુગિયાં,

ઢરર……..ઢમ….

મજાની પેલી ડુગડુગિયાવાળી આવી.

ક્લિક કરો અને વિડિયો ગીત જુઓ. : : : :

https://youtu.be/I4R5M5QYkh0

આજે તારો જન્મદિવસ/ક્લિક કરો અને સાંભળો ઓડિયોગીત આજે મોજમજા નો દિવસ , આજે તારો જન્મદિવસ. તંદુરસ્ત રહો તુજ તન , ઢગલાબંધ માણો ધન. આનંદ માં રહો મન. ખૂબ જીવો , સુખ ભોગવો , નામ કરો રોશન. આજે મોજમજા નો દિવસ , આજે તારો જન્મદિવસ.

https://drive.google.com/file/d/1GK3aZslGqvEJxggvTGIKvRZKEUWCOceF/view?usp=drivesdk

જન્મદિવસની 5 શુભેચ્છાઓ
જન્મદિવસ ની શુભકામના! જન્મદિવસ ની શુભકામના!
તમે સ્વસ્થ બનો, બાળક, પ્રથમ!
બીજું, હંમેશા ખુશ રહો
ત્રીજે સ્થાને, તમે હોંશિયાર વ્યક્તિ બનો!

ચોથું, તમે હંમેશા પ્રિય રહો
તમારા માતાપિતા દ્વારા, ઉપર ભગવાન!
પાંચમું, તમારી પાસે ઘણું બળ છે!
તેથી આગળ અને તેથી આગળ.

5 જન્મદિવસની શુભેચ્છાઓ

જન્મદિવસ ની શુભકામના! જન્મદિવસ ની શુભકામના!
સ્વસ્થ બનો, બાળક, પહેલા!
બીજું, હંમેશા ખુશ રહો
ત્રીજું, સ્માર્ટ બનો!


ચોથું, તમે હંમેશા પ્રેમ કરો
મા-બાપ અને ઉપરથી ભગવાન!
પાંચમું, તમારી પાસે ઘણી શક્તિ હોય!
અને તેથી આગળ અને તેથી આગળ

જન્મદિવસે એક પ્રાર્થના : : શ્રીમદ રાજચંદ્ર મિશન : : ક્લિક કરો અને વાંચો અને સાંભળો અને સમજો. : : : :

https://youtu.be/goSPdEWihOY

25 TH December , 2022 , Birthday WISHING Video : : CLICK HERE In BELOW to enjoy the Musical Video. : :

https://youtu.be/0wkdRPI0ZCY

ફૂલ તો વળી બાગ મૂકીને ફરવા ચાલ્યું જાય
કવિ શ્રી માધવ રામાનુજ : સ્વર : સ્વરાંકન : અનંત વ્યાસ : : : :




ફૂલ તો વળી બાગ મૂકીને ફરવા ચાલ્યું જાય !
ફોરમ એને ખોળવા ભમે આકળ વિકળ થાય !

ભમરો પૂછે, કળીઓ પૂછે, પાંદડાં રહે ચૂપ
ડાળીઓ એવી લ્હાવરી જાણે ખોઈ નાખ્યાં હોય રૂપ !

ફૂલ તો એવું બાગ મૂકીને ફરવા ચાલ્યું જાય –
ફોરમ એને ખોળવા ભમે, આકળ વિકળ થાય !

ઝીણી ઝીણી ઘુઘરી વાગે ફૂલ તો ચાલ્યું જાય…
– પવનમાં કાંય પગલી પડે ફૂલ તો ચાલ્યું જાય-
પડછાયામાં પાંખડી એની પાંખો જેવી થાય !

આંગણે નેહાબેન ઊભેલાં જોઈને રાજી થાય,
હરખમાં ને હરખમાં કાંય આંખો મીંચી જાય !

વાળ એવા તો લહેરાતા હોય, ફૂલને ગમી જાય,
સાવ ધીમેથી તરતું તરતું ફૂલ એમાં છુપાય!

ફૂલ નેહાને એકલી મૂકી ક્યાંય હવે ના જાય !
ફોરમ એની લટમાં રમે હરખ ક્યાંય ના માય !

-માધવ રામાનુજ

સ્વરઃ અનંત વ્યાસ
સ્વરાંકન : અનંત વ્યાસ : : : : ક્લિક કરો અને ઓડિયો ગીત સાંભળીને માણો : : : :

https://drive.google.com/file/d/187n5_GhWyxSGZul9DV3jiRBYlk5bZd0p/view?usp=drivesdk

HOUSE Of CHOCOLATE

હોય એક સુંદર ચોકલેટ નો બંગલો : : સ્વર : દ્રવિતા ચોકસી : : સ્વરાંકન : રુપાંગ ખાન સાહેબ : : સંગીત નિયોજન : મેહુલ સુરતી : : આલ્બમ : હસતાં રમતાં ( Red Ribbon ) 🎀 🎀 અહીં ક્લિક કરીને સાંભળીએ : : : : 🍫🍫🍫🍫🍫🍫🍫 https://youtu.be/l89ov_w_5q4?feature=shared    🍫🍫🍫🍫 થાય મને હોય જો ચોકલેટ નો બંગલો : : નેરેટીવ વિડિયો: : અહીં ક્લિક કરી સાંભળીએ : :  https://youtu.be/IQ8jUimXR8A?feature=shared

Rotella, Italy – October 20, 2013: Logo of Google Android 4.4 operating system called Kit Kat built with the Nestle Kit Kat chocolate snacks. અહીં ક્લિક કરીને સાંભળીએ : : થાય મને હોય જો ચોકલેટ નો બંગલો : : બાળ ગીત : : ( 97,823 Views ) 🍫🍫🍫🍫
Neha ben standing in front of gate and looking out for flowers.. .
Smiling girl wearing a straw boater hat with blue band and leaning on a white wooden gate

“ફૂલ નેહાને એકલી મૂકી ક્યાંય હવે ના જાય !
ફોરમ એની લટમાં રમે હરખ ક્યાંય ના માય !” : : : : : : smiling girl lying on grass in spring with daisies on hair : :

પરીઓની રાજકુમારી : દીકરી નું ગીત : જયશ્રી વિનુ મરચન્ટ ::  પરીઓની એ રાજકુમારી
તે દિ’ આવી મારે દ્વાર
મધમીઠી રેશમી ચાંદની
તે દિ’ આવી મારે દ્વાર!

રાતરાણી ખીલી’તી તે દિ’
કે ખીલ્યાં’તા પારિજાત?
મોગરાનાં પગલાંની તે દિ’
પડી’તી હવામાંયે ભાત
ચમેલી ચંપાના અમૃતમાં
જૂઈનો ઘૂંટાયો પમરાટ
મધમીઠી…

રાજકુમારીની તો મીઠી
એવી કાલીઘેલી બોલી
હ્રદયની સોનલ વાટકડીને
એણે કેસર રંગે ઘોળી!
કસુંબલ કેફી આંખો એની
મહેંદીના રંગે ઝબોળી!
મધમીઠી…

મંગળ આનંદનું જગ આખું
દીકરી તેં અમને છે આપ્યું
અનંત આભનો શક્તિપુંજ તું
સુખનું તું બ્રહ્માંડ આખું
દીકરી મારી, કહું જ એટલું,
શિવાસ્તે પન્થાનઃ સન્તુ!
મધમીઠી…

– જયશ્રી વિનુ મરચંટ : : સ્વર: માધ્વી મહેતા, હેતલ જાગીરદાર બ્રહ્મભટ્ટ. પ્રિયા શાહ : : સ્વરકાર–સંકલનઃ અસીમ મહેતા : :  સંગીત નિયોજનઃ આલાપ દેસાઈ : : આલ્બમ : મળીએ તો કેવું સારું : : યુ ટ્યુબ રિલીઝ : ૨૦ / ૭ / ૨૦૨૪ : : અહીં ક્લિક કરીને સાંભળીએ : : https://youtu.be/ypmySIcs078?si=1rvrGCaWrOp5Qgz_

જન્મદિવસે : બાળગીત : : બર્થડે સોંગ : : પ્રસ્તુતિ વિ જયરાજ પૂના , ઈન્ડિયા : : ડિસેમ્બર ૨૪/૨૫,  ૨૦૨૨ : ઈસુ ખ્રિસ્ત ના જન્મદિવસ ની રાત્રે : : To be updated with New additions , Every Year. : : Visit this post again Next Year too.

Child’s Happy Birthday Poems : : Birthday Poems : :

Some people love them; Some of them celebrate , Happy Birthday ! Some do not . Others do not tell even that it is his / her Birthday.

A BIRTHDAY BY CHRISTINA ROSSETTI
Excerpt:

My heart is like a singing bird
Whose nest is in a water’d shoot;
My heart is like an apple-tree
Whose boughs are bent with thickset fruit;
My heart is like a rainbow shell
That paddles in a halcyon sea;
My heart is gladder than all these
Because my love is come to me.

BIRTH-DAY BY LUCILLE CLIFTON
Excerpt:


today we are possible.

the morning, green and laundry-sweet,
Opens itself and we enter
blind and mewling.

BIRTHDAY LIGHTS BY CALEF BROWN
Excerpt:

Light bulbs on a birthday cake.
What a difference that would make!
Plug it in and make a wish,
then relax and flip a switch!

WE ARE ALL THE SAME BY JALĀL AD-DĪN MUHAMMAD RŪMĪ
Excerpt:

We are all the same
Listen to the reeds
as they sway apart
Hear them speak
of lost friends

NINON DE LENCLOS, ON HER LAST BIRTHDAY BY DOROTHY PARKER
Excerpt:

So let me have the rouge again,
And comb my hair the curly way.
The poor young men, the dear young men
They’ll all be here by noon today.

Another Year

I’m wishing you another year
Of laughter, joy and fun,
Surprises, love and happiness,
And when your birthday’s done,

I hope you feel deep in your heart,
As your birthdays come and go,
How very much you mean to me,
More than you can know.

By Joanna Fuchs

Every One of Your Birthdays

Every one of your birthdays
is a gift to the rest of us
who have had the pleasure
of having you in our lives
for another year.
Every one of your birthdays
brings joyful memories
of your bright smile
and your love of life.
Every one of your birthdays
reminds us of your sensitivity
and service to others,
and other delights
too numerous to name
that we are gifted with
just by knowing you.
Happy Birthday
to one in a million.
May you, and we
enjoy many more.

By Joanna Fuchs

On your birthday I wish you much pleasure and joy;
I hope all of your wishes come true.
May each hour and minute be filled with delight,
And your birthday be perfect for you!

By Joanna Fuchs

Do you know a really special person who warms your heart and lights up your life? This birthday poem in free verse is for that person.

Every One of Your Birthdays

Every one of your birthdays
is a gift to the rest of us
who have had the pleasure
of having you in our lives
for another year.
Every one of your birthdays
brings joyful memories
of your bright smile
and your love of life.
Every one of your birthdays
reminds us of your sensitivity
and service to others,
and other delights
too numerous to name
that we are gifted with
just by knowing you.
Happy Birthday
to one in a million.
May you, and we
enjoy many more.

By Joanna Fuchs


To view ALL our poem pages, see our SITE MAP

Here’s a birthday wish with wide application. It’s a birthday wish that will fit neatly on a card, and you can send it to just about anyone.

Birthday balloons background for Unforgettable Birthday poem.
Birthday poems should make the birthday person feel appreciated.

Unforgettable Birthday

I’m wishing you a birthday
You never will forget,
A day packed full of pleasure,
Your very best birthday yet.

And when your birthday’s over,
I’m wishing quite sincerely
That happiness and joy and fun
Will fill your birthdays yearly!


By Joanna Fuchs

Birthday poetry should be positive so it can be used for greeting card verse. This upbeat birthday verse is great for anyone, especially those who are concerned about getting older. You could title this birthday message, “For (name) on his/her (number of years) birthday. Attach this rhyming poem to the birthday gift to make it extra special.

Birthday Blessings

Instead of counting candles,
Or tallying the years,
Contemplate your blessings now,
As your birthday nears.

Consider special people
Who love you, and who care,
And others who’ve enriched your life
Just by being there.

Think about the memories
Passing years can never mar,
Experiences great and small
That have made you who you are.

Another year is a happy gift,
So cut your cake, and say,
“Instead of counting birthdays,
I count blessings every day!”

By Joanna Fuchs

Birthday Reflections

Your birthday’s a time for careful reflection
About your life, and its future direction.
You see where you’ve been when you look at the past;
Most of it’s great; you had quite a blast!

You wonder what’s coming, what life has in store;
Will it be just the same? Will there be a new door?
Remember this, as you blow out the last candle:
Life holds no challenge that you cannot handle.

By Joanna Fuchs

Friendship Birthday Wish

Some things get better with time so they say;
You follow that rule, as my friend, day by day.
So whenever your birthday, each year, comes around,
I’m reminded of joys in our friendship I’ve found.

Because of the great friend you happen to be,
I hope you’ll be sharing more birthdays with me!

By Karl and Joanna Fuchs

The Birthday Child
Everything’s been different;
All the day long,
Lovely things have happenend,
Nothing has gone wrong.

Nobody has scolded me,
Everyone has smiled,
Isn’t it delicious
to be the birthday child.

Author: Rose Fyleman

Birthday Blessings Poem by Howard The Motivational Poet Simon :

The sun got out of bed
Swam across the ocean
Just to shine on you today

The wind climbed mountains
Endured dusty deserts
Just to blow on you today

The birds organized their orchestra
Traveled to nearby trees
Just to serenade you today

The rain descended high heavens
Bowed at your feet
Just to refresh you today

I join all of nature in wishing you
A blessed birthday today

Howard The Motivational Poet Simon

For My 4 Year Old On His Birthday! Poem by Ashika Murali Acharya

Three to four,
In just an year.
Time knows to fly,
Always, in here.
My precious joy..
You turned four,
I thank my stars,
As I watch you grow,
Running and laughing,
Jumping and bumping,
Cuddling and messing,
Hugging and kissing,
Driving me crazy,
With no fear nor doubt,
I thank my stars,
For this cosmic bliss.
I Pray to the grace,
To keep you pure,
Naive and clever,
Healthy and happy,
Today and forever.

Nursery Rhymes : Known & Unknown : : School Poems : :

Children for generations have enjoyed their parents, grandparents, aunts and uncles singing nursery rhymes to them. The easy recurring sequence and musical beats with stressed pattern at particular timing of the speech/verses recognised by babies give the Nursery Rhymes a very happy learning time and forerunner of the further education process as a well known start. : : Familiarity with the English Language alongside this education grasped by the children in the Nursery Classes , and Kinder Garden years is the most important achievement , where the meanings and abilities of the Rhymester Poets should not count. : We , however attempt to set the fitted words of appreciation to some of the most popular Nursery Rhymes ( With Illustration / Narrative Musical Videos ) the school kids sing along with their first few friends whose names go in their memories , becoming sharp with the words in the Rhyming rhythms too, remembered for all the coming years in the school. : : Nursery rhymes set to music aid in a child’s development. The experience is a pleasurable one of care and support, which over time the child comes to command for itself. Research also supports the assertion that music and rhyme increase a child’s ability in spatial reasoning, which aid mathematics skills. Associated Press, “Study says preschool music lessons may aid math skills”, Chicago Tribune, August 14, 1994. : : : :

Twinkle, twinkle little star.
I’m a Little Tea Pot.
London Bridge is Falling Down.
Mary Had a Little Lamb. …
Humpty Dumpty. …
Hey diddle diddle, Mother Goose. …
Baa baa black sheep. …
One, two, three, four

Row, Row, Row Your Boat.
Old MacDonald Had a Farm.
The Grand Old Duke of York.
Pat-a-Cake.
Two Little Dickie Birds.
If You’re Happy and You Know It.
The Bottom Line.

Pending: .. .

Nursery Rhymes : Known – Unknown : : School Poems : :

Illustration of “Hey Diddle Diddle”, a well-known nursery rhyme.
“This Little Piggy” illustration by Beatrix Potter.
“Baa, Baa, Black Sheep”, from a 1901 illustration by William Wallace Denslow.
1901 illustration by William Wallace Denslow. For “Little Tommy Tucker” ( c. 1744 ) Little Tommy Tucker
Sings for his supper.
What shall we give him?
White bread and butter.
How shall he cut it
Without a knife?
How will he be married
Without a wife?
“Little Boy Blue.” ( c. 1744 ) : Traditional Rhyme : 1901 illustration by William Wallace Denslow.
“Little Jack Horner” William Wallace Denslow’s illustration of the rhyme, 1902. Little Jack Horner
Sat in the corner,
Eating his Christmas pie;
He put in his thumb,
And pulled out a plum,
And said, “What a good boy am I!”
“Baa, Baa, Black Sheep” ( c.1744 ) : The rhyme as illustrated by Dorothy M. Wheeler. : Bah, Bah, a black Sheep,
Have you any Wool?
Yes merry have I,
Three bags full,
One for my Master,
One for my Dame,
One for my little boy
That lives in the lane : ( Original version ) Modern Version : : : : Baa, baa, black sheep,
Have you any wool?
Yes, sir, yes, sir,
Three bags full;
One for my master,
One for my dame,
And one for the little boy
Who lives down the lane.
“Twinkle, Twinkle, Little Star” ( c. 1806 ) is a popular English lullaby. The lyrics are from an early-19th-century English poem written by Jane Taylor, “The Star”. The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann. : : : : : : : : Twinkle, twinkle, little star,
How I wonder what you are!
Up above the world so high,
Like a diamond in the sky.

When the blazing sun is gone,
When he nothing shines upon,
Then you show your little light,
Twinkle, twinkle, all the night.

Then the traveller in the dark,
Thanks you for your tiny spark,
He could not see which way to go,
If you did not twinkle so.

In the dark blue sky you keep,
And often thro’ my curtains peep,
For you never shut your eye,
Till the sun is in the sky.

‘Tis your bright and tiny spark,
Lights the trav’ller in the dark,
Tho’ I know not what you are,
Twinkle, twinkle, little star.

Nursery Rhyme is A Tale Rhymed in Verses For Children. It’s a traditional poem in U. K. and many other countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes . From the mid-16th century nursery rhymes begin to be recorded in English plays, and most popular rhymes date from the 17th and 18th centuries. The first English collections, Tommy Thumb’s Song Book and a sequel, Tommy Thumb’s Pretty Song Book, were published by Mary Cooper in 1744. Thomas Carnan, was the first to use the term Mother Goose for nursery rhymes when he published a compilation of English rhymes, Mother Goose’s Melody, or, Sonnets for the Cradle (London, 1780). Many of the ideas about the links between rhymes and historical persons, or events, can be traced back to Katherine Elwes’s book The Real Personages of Mother Goose (1930), in which she linked famous nursery-rhyme characters with real people, on little or no evidence. She posited that children’s songs were a peculiar form of coded historical narrative, propaganda or covert protest, and did not believe that they were written simply for entertainment.

lullabies, intended to help a child fall asleep. Lullabies can be found in every human culture. The English term lullaby is thought to come from “lu, lu” or “la la” sounds made by mothers or nurses to calm children, and “by by” or “bye bye”, either another lulling sound or a term for good night. A well known lullaby such as “Rock-a-bye, baby on a tree top”, cannot be found in records until the late-18th century when it was printed by John Newbery (c. 1765). Nursery rhymes with 17th century origins include, “Jack Sprat” (1639), “The Grand Old Duke of York” (1642), “Lavender’s Blue” (1672) and “Rain Rain Go Away” (1687). These rhymes seem to have come from a variety of sources, including traditional riddles, proverbs, ballads, lines of Mummers’ plays, drinking songs, historical events, and, it has been suggested, ancient pagan rituals. The first English collections, Tommy Thumb’s Song Book and a sequel, Tommy Thumb’s Pretty Song Book, were published by Mary Cooper in London in 1744, with such songs becoming known as ‘Tommy Thumb’s songs’. A copy of the latter is held in the British Library.About half of the currently recognised “traditional” English rhymes were known by the mid-18th century. More English rhymes were collected by Joseph Ritson in Gammer Gurton’s Garland or The Nursery Parnassus (1784), published in London by Joseph Johnson. By the time of Sabine Baring-Gould’s A Book of Nursery Songs (1895), folklore was an academic study, full of comments and footnotes. A professional anthropologist, Andrew Lang (1844–1912) produced The Nursery Rhyme Book in 1897. The illustrations to children’s books including Randolph Caldecott’s Hey Diddle Diddle Picture Book (1909) and Arthur Rackham’s Mother Goose (1913). The children’s writer and illustrator Beatrix Potter also provided two collections, Appley Dapply’s Nursery Rhymes (1917) and Cecily Parsley’s Nursery Rhymes (1922). The only known full set of Potter’s four original watercolour illustrations to “This Little Piggy” sold for £60,000 in 2012. The definitive study of English rhymes remains the work of Iona and Peter Opie .

There have been several attempts, across the world, to revise nursery rhymes (along with fairy tales and popular songs). In the late 19th century the major concern seems to have been violence and crime, which led some children’s publishers in the United States like Jacob Abbot and Samuel Goodrich to change Mother Goose rhymes. In the early and mid-20th centuries this was a form of bowdlerisation, concerned with some of the more violent elements of nursery rhymes and led to the formation of organisations like the British ‘Society for Nursery Rhyme Reform’. it has been argued that revised versions may not perform the functions of catharsis for children, or allow them to imaginatively deal with violence and danger. In the late 20th century revisionism of nursery rhymes became associated with the idea of political correctness. Felix Dennis’s When Jack Sued Jill – Nursery Rhymes for Modern Times (2006), or satires written as if in order to condemn reform. The controversy in Britain in 1986 over changing the language of “Baa, Baa, Black Sheep” because, it was alleged in the popular press, it was seen as racially dubious, was apparently based only on a rewriting of the rhyme in one private nursery, as an exercise for the children. R. Bayley, Foundations of Literacy: A Balanced Approach to Language, Listening and Literacy Skills in the Early Years, 2004 argued that nursery rhymes set to music aid in a child’s development. In the German Kniereitvers, the child is put in mock peril, but the experience is a pleasurable one of care and support, which over time the child comes to command for itself. Research also supports the assertion that music and rhyme increase a child’s ability in spatial reasoning, which aid mathematics skills. Associated Press, “Study says preschool music lessons may aid math skills”, Chicago Tribune, August 14, 1994.

The Schoolboy : William Blake : : School Poems : :

A hand illustrated version of “The School Boy” from Copy B of Songs of Experience currently held at the Library of Congress. Look at the picture and note : ( 1) At the bottom of the print, there are three human figures sitting down examining either the ground or something upon the ground. This indicates an interest in nature. ( 2 ) Around the border of the print is a weaving of intertwined vines , inside of which are foliage such as leaves and flowers-nature within nature. A human figure perched near the base of the vines with her arms extended, reaching up into the climbing flora. Further up the vines, there are two human figures sitting in the crook of two separate vines, each one is reading. This indicates that , the farther one travels into nature, the more one will learn. This, based on Blake’s emphasis on a “Natural” education. ( 3 ) Among the leaves and fruit of the vines, on the left of the print is a bird about to take flight. “Both victory and liberty”associated with ” Bird’s Wings : Birds symbolize Nature & Knowledge. This indicates that, the freedom and learning part of education from nature rather than the formal classroom. : :

The Schoolboy : : By William Blake : : : :

I love to rise in a summer morn
When the birds sing on every tree;
The distant huntsman winds his horn,
And the skylark sings with me.
O! what sweet company!

But to go to school on a summer morn,
O! it drives all joy away;
Under a cruel eye outworn,
The little ones spend the day
In sighing and dismay.

Ah! then at times I drooping sit,
And spend many an anxious hour,
Nor in my book can I take delight,
Nor sit in learning’s bower,
Worn thro’ with the dreary shower.

How can the bird that is born for joy
Sit in a cage and sing?
How can a child, when fears annoy,
But droop his tender wing,
And forget his youthful spring?

O! father and mother, if buds are nipped
And blossoms blown away,
And if the tender plants are stripped
Of their joy in the springing day,
By sorrow and care’s dismay,

How shall the summer arise in joy,
Or the summer’s fruits appear?
Or how shall we gather what griefs destroy,
Or bless the mellowing year,
When the blasts of winter appear?

“The School Boy” is a 1789 poem by William Blake and published as a part of his poetry collection entitled Songs of Experience. These poems were later added with Blake’s Songs of Innocence to create the entire collection entitled “Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul”. These poems are illustrated with colorful artwork created by Blake first in 1789. The first printing in 1789 consisted of sixteen copies. : :

“The School Boy” is a poem written in the pastoral tradition that focuses on the downsides of formal learning. It considers how going to school on a summer day “drives all joy away”. ( Blake, William ). The Poetical Works of William Blake, ed. by John Sampson. London: Oxford University Press / 31 March 2015 ) The boy in this poem is more interested in escaping his classroom than he is with anything his teacher is trying to teach. In lines 16–20, a child in school is compared to a bird in a cage. Meaning something that was born to be free and in nature, is instead trapped inside and made to be obedient. ( John Samson writes. )

In 6 Stanzas with 5 lines each, this poem written in a patterned structure , contains a rhyme scheme of ABABB. : : The Main Theme of the poem is , Creativity flourishing With the spontaneous and natural education . Blake seems to believe that the schooroom education weakens the students who will then get poor learning. removing oneself from the classroom ( a metaphor for the society ) and returning to Nature with a view to uplifting the Soul and the imagination from the overused outworn tenacity persistent in the societal system. : : Anthony Ashley Cooper ( 1671 – 1713 ) English politician, philosopher, and writer; the 3rd Earl of Shaftesbury’s idea was for the only relief from the worn down soul by returning to Nature , to redevelop community and benevolence ( disposition to do good To Society ) which was liked by Romanticism poet of the 18 Th Century , William Blake. : : ” summer, wind, blossoms, rain showers, birds and spring”are the allusive references to Nature found in this poem. The seasons of the Earth are matched with the seasons of the boy’s life who is like a “Caged Bird”, unable to sing and finds it difficult attaining free place in nature. : : To quote John Sampson again , ” The Schoolboy” continually brings up how being in a traditional school setting is draining, and will make a boy “forget his youthful spring”. : : : :

Stanza 1 : : “I love to rise in a summer morn1
When the birds sing on every tree; 2
The distant huntsman winds his horn, 3
And the skylark sings with me. 4
O! what sweet company! 5 : : lines ( 1 To 5 ) : :
Stanza 2 : : …………………………………………………
But to go to school on a summer morn, 6
O! it drives all joy away; 7
Under a cruel eye outworn, 8
The little ones spend the day 9
In sighing and dismay.” : : lines ( 6 To 10 ) : :

Stanza 1 is about a School boy’s love to rise listening to the horns blown by the Huntsman and in the sweet pleasant company of the birds singing on every tree and the Skylark singing with him. : : : :

Stanza 2 is about a little school boy’s spending a day in “sighing and dismay” : that is in ‘sad suspiration and despair or disheartening’ “driving all joy away”, “under a cruel outworn eye”, that is under a good full view of the Teacher in the classroom of the school. : : : :

Stanza 3 :”Ah! then at times I drooping sit,11
And spend many an anxious hour, 12
Nor in my book can I take delight, 13
Nor sit in learning’s bower, 14
Worn thro’ with the dreary shower. 15 lines 11 To 15 : : : : ……………………………………………..
Stanza 4 : : lines ( 11 To 15 ) : :
How can the bird that is born for joy 16
Sit in a cage and sing? 17
How can a child, when fears annoy, 18
But droop his tender wing, 19
And forget his youthful spring? 20 lines 16 To 20 ) : : : :

Stanza 3 is about the description of a classroom sitting ,: “drooping sit”( line 11 ) , Meaning , there is a sag or a sink in the chair / seat at the desk – it’s descending level up to the student’s knee that can cause a condition of tightness which is Not ‘comfortable’, Not enjoyable, for learning. Alternately, the sitting under a “worn” out “bower” is also not comfortable or enjoyable. This is because the “bower” is dry “under the dreary shower” ( lines 14 & 15 ) : Meaning the shower has no water in its pipe that could have kept the climbing plant of “bower vine” lively , leafy , shady bower, sitting under which for reading of book is neither enjoyable nor satisfactory : : Thus sitting in classroom or in bower vine is Not “delight(ful)” The Schoolboy is “anxious for many hours” ( line 12 ) , unhappy and unable to learn at The School. : : The dreariness indicates dullness and boringness as the child is lacking in spirit or interest in his learnings. The school appears an arid place of humdrum. : : : :

Stanza 4 is about a good boy in the school, who is compared to a “Caged Bird”: A bird can’t sit and sing in a cage , because “it is born for a joy”( lines 16 & 17 ) : Similarly , the school is not enjoyable to a child because he is anxious, for many hours there as irritations in sitting in, at the classroom desk or even under the bower vine annoy him. His fears annoy him. ( line 18 ) His “tender wings droop”( line 19 ) that is , sink ,or settle from , or as if from pressure. It is tense and taut and so unable to control the movement. “How can he forget his youthful spring ? ” A child asks this question. : : : :

Stanza 5 : : “O! father and mother, if buds are nipped 21
And blossoms blown away, 22
And if the tender plants are stripped 23
Of their joy in the springing day, 24
By sorrow and care’s dismay, 25 : : lines 21 To 25 : : : :

Stanza 5 is about how “the Schoolboys” are downhearted: ” dismayed” ( line 25 ) ; the school has filled them with apprehension and fear and so they are shocked and demoralised , “By sorrow and care’s dismay” ( line 25 ) : : A plea to “father and mother”is earnestly made with an extended Metaphor of the natural cycles of life. If the buds are nipped” ( line 21 ) , “And blossoms blown away,”( line 22 ) ; That is cut or severed/ pruned , the possibility of growing up in to a blossoming flower ,and further, to turning in to a fruit on its maturity comes to an end. And “If the tender plants are stripped” ( line 23 ) , that is , On such removal , Only minimal features remain and its functionality on attaining a maturity after the week’s of sprouting and growing are taken away. As a result , it is deprived of its meaningful existence, continuance and even of its title ; ” Of their joy in the springing day,” ( line 24 ) : A deprival “By sorrows and care’s dismay.” ( line 25 ) In this way , the Schoolboys are stripped off their joy at the School. : : : :

Stanza 6 : : “How shall the summer arise in joy, 26
Or the summer’s fruits appear? 27
Or how shall we gather what griefs destroy, 28
Or bless the mellowing year, 29
When the blasts of winter appear?” 30 : : : : lines ( 26 To 30 ) : : : :

Stanza 6 is about description of how school can never be enjoyable, but it is like a winter’s day blowing a strong draft and cold air through the warm summer. : ” “When the blasts of winter appear?” : ( line 30 ) : : How “the summer’s fruits appear? ( line 27 ) and that way, “the summer arise in joy,” ( line 26 ) : : The questions are asked how the Schoolboys can be expected to grow into fulfilling adults if they are put into such an unpromising environment as the school. Such a “springing day”( line 25 ) – a time of potential is restrained and is not getting developed into a “summer in Joy” ( line 26 ) in such conditions. It should have to be so attained to the “appearance of summer fruits”( line 27 ) : : Otherwise , ” how shall we gather what griefs destroy,” ( line 28 ) “Or bless the mellowing year ?” ( line 29 ) , that is whole time of “year” for making them or growing more mellow : ( softened , easygoing and more genial ) is attained. : : Because, further to this , more adversaries in the form of “blasts of winter (close to) appear.” ( line 30 ) : :

The summer’s fruits and an Autumn harvest keeps up life through the rough , tough and unkind Winter. The same way, with happy childhood , learning in the natural world will reap the benefits of a wise and fruitful time of fulfillment. Sending children to school interferes with this natural cycle and results in a lifetime of unhappiness with no possibility of learned wisdom. : : : :

“The Schoolboy” , A School Poem By William Blake, Information Appreciation and poem Analysis Presented by V Jayaraj Pune India December 20 , 2022 : : : : : : : :

Shall I Compare Thee To A Summer’s Day ? : William Shakespeare : : School Poems : :

Sonnet 18: Shall I compare thee to a summer’s day?
BY WILLIAM SHAKESPEARE
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st;
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
— William Shakespeare : : Sonnet 18 : :

“Shall I Compare Thee To A Summer’s Day”, Sonnet 18 , By William Shakespeare is about “Fair Youth” comparable to “A Summer’s Day — its qualities. : : There is an irony being expressed in this sonnet : it is not the actual young man who will be eternalized, but the description of him contained in the poem, and the poem contains no description of the young man, but instead contains vivid and lasting descriptions of a summer day, which the young man is supposed to outlive. : This Shakespearean “sonnet18 is having 14 lines of iambic pentameter: three quatrains followed by a couplet. It also has the characteristic rhyme scheme: ABAB CDCD EFEF GG.: Being an Italian or Petrarchan Sonnet. Petrarchan sonnets typically discussed the love and beauty of a beloved, often an unattainable love, but not always. It also contains a “volta”, or ‘shift’ in the poem’s subject matter, beginning with the third quatrain. : The poem is part of the Fair Youth sequence (which comprises sonnets 1–126 in the accepted numbering stemming from the first edition in 1609). It is also the first of the cycle after the opening sequence now described as the procreation sonnets. Some scholars, however, contend that it is part of the procreation sonnets, as it addresses the idea of reaching eternal life through the written word, a theme they find in sonnets 15–17. In this view, it can be seen as part of a transition to sonnet 20’s time theme. :

“Complexion” in line six, can have two meanings:

(1)The outward appearance of the face as compared with the sun (“the eye of heaven”) in the previous line, or
(2)The older sense of the word in relation to the four humours.
In Shakespeare’s time “complexion” carried both outward and inward meanings, as did the word “temperate” (externally, a weather condition; internally, a balance of humours). The second meaning of “complexion” would communicate that the beloved’s inner, cheerful, and temperate disposition is constant, unlike the sun, which may be blotted out on a cloudy day. The first meaning is more obvious: a negative change in his outward appearance. : : : :

The word, “untrimmed” in line eight, can be taken two ways: First, in the sense of loss of decoration and frills, and second, in the sense of untrimmed sails on a ship. In the first interpretation, the poem reads that beautiful things naturally lose their fanciness over time. In the second, it reads that nature is a ship with sails not adjusted to wind changes in order to correct course. This, in combination with the words “nature’s changing course”, creates an oxymoron: the unchanging change of nature, or the fact that the only thing that does not change is change. This line in the poem creates a shift from the mutability of the first eight lines, into the eternity of the last six. Both change and eternity are then acknowledged and challenged by the final line. : :

“Ow’st” in line ten can carry two meanings, each common at the time: “ownest” and “owest”. “Owe”, in Shakespeare’s day, was sometimes used as a synonym for “own”. However, “owest” conveys the idea that beauty is something borrowed from nature—that it must be paid back. In this interpretation, “fair” can be a pun on “fare”, or the fare required by nature for life’s journey. Other scholars have pointed out that this borrowing and lending theme within the poem is true of both nature and humanity. Summer, for example, is said to have a “lease” with “all too short a date”. This monetary theme is common in many of Shakespeare’s sonnets, as it was an everyday theme in his budding capitalistic society. : : ::

The Discussion as aforesaid is based on Wikipedia’s Article : : The Sonnet is having Recordings : :

Paul Kelly, for the 2016 album, Seven Sonnets & a Song
Chuck Liddell Video on YouTube
David Gilmour Video on YouTube
Bryan Ferry, for the 1997 album Diana, Princess of Wales: Tribute : : : :

“Shall I Compare Thee To A Summer’s Day” , Sonnet 18 , A School Poem By William Shakespeare : : Information Appreciation and poem Analysis Presented by V Jayaraj Pune India December 19 , 2022 : : : : : : : :

My Shadow : Robert Louis Stevenson : : School Poems : :

Robert Lewis Balfour Stevenson
13 November 1850
Edinburgh, Scotland
Died
3 December 1894 (aged 44)
Vailima, Samoa
Occupation
Novelist poet travel writer
Alma mater
University of Edinburgh
Period
Victorian era : : : : Notable works : : : : : Treasure Island
A Child’s Garden of Verses
Kidnapped
Strange Case of Dr Jekyll and Mr Hyde : Spouse : : : : : Fanny Van De Grift Osborne ( 1880 – 1894

My Shadow
BY ROBERT LOUIS STEVENSON
I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an india-rubber ball,
And he sometimes gets so little that there’s none of him at all.

He hasn’t got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he’s a coward you can see;
I’d think shame to stick to nursie as that shadow sticks to me!

One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.
Source: The Golden Book of Poetry (1947)

“My Shadow”, A School Poem By Robert Louis Stevenson, is about how one’s shadow follows one everywhere, with its Speaker , himself a young child describing his shadow in a Humourous Way. : : The poem begins with the speaker describing how there is another child who follows him everywhere. His shadow has an affiliations with him ; remains close to him when he is playing, so much it is unpleasant for them both. He also has the strange ability to shrink and grow quickly, not at all like a normal boy. He also notices the similarities between the shadow and himself. This way, trying to understand his own shadow shows child’s enthusiasm and innocence. Without access to or understanding of Science, ( he is yet to grow ) he has to come to his own conclusions. The Speaker child gets thrilled by his own shadow and his curiosity keeps him to notice everything about the shadow. And he does this cleverly. The speaker calls his shadow as a “he,” as if it is another boy accompanying him everywhere he goes. How amusing !? The shadow jumps , when he jumps ; and when , in to the bed , before him ( only this time , this way going for a sleep ) ; runs , when he runs. Always behind him, and never comes in front before him. The size of the shadow doesn’t grow. Sometimes, it becomes as large as Indian bouncing ball and shorter as no body likes him. The kids grow “very slow”, but this improper child — the shadow, is a ‘strange child’ compared to real children in the way of growing. This strange child does not understand how to play, a critical part of childhood. : During a day, this strange child is always there, acting like a “coward,”:”He stays so close beside him ,”as if a very young child would cling to his “nursie.”: ( nourishing at the breast of a mother ) which he finds awkward. : ” can only make a fool of me in every sort of way”: When he got up early before the sunrise , he saw moisture : “shinning dew” on yellow flowers , but couldn’t find a shadow with him.”. .. : “and found the shining dew on every buttercup;” : He thought that the shadow was still sleeping and was lazy . But , he wondered whether the shadow had gone to bed before him and missed to see the beautiful experience of getting up early before sunrise with the yellow buttercup flower with shinning dew on it. The last image of the shadow having a ‘lazy lie-in’ while the boy rises early, shows the ‘dissimilarity’ and is not matching with our Speaker – child’s initial observation , his playful taunting to his shadow , and the shadow’s failure to go matching with him ! The witty but Sarcastic mocking smile for a reader, Stevenson sometimes employed in his poems for children.: “My Shadow”, is an 1885 poem , 137 years ago, by Robert Louis Stevenson. Among his most famous poems for children, it appeared in A Child’s Garden of Verses in 1885. Because it is written in iambs that contain seven syllables per line, it is written in iambic heptameter, and can be considered a fourteener. The words such as notion ( whimsy belief ) , arrant ( complete / thoroughgoing fool ) , ought ( likely / better ) and nursie ( nourishing at the breast of a mother ) ( tell us that this poem is old as these words aren’t used very much today. : : : :

The Swiss psychologist Carl Jung first coined the term “Shadow” to refer to the hidden, dark side of the human psyche : an archetypal ( original the First Pattern ) that lives in the unconscious mind and stores the unwanted, unprocessed qualities of the Self, including the life experiences we ignore in order to survive ( later as an adult ) : : : : : : : : Robert Louis Stevenson’s “Garden : A Child’s Garden of Verses” first published in 1885) includes 66 poems arranged in 4 Sequences : 1) “A Child’s Garden of Verses,” 2) “The Child Alone,” 3) “Garden Days”, and 4) “Envoys,” preceded by a poem in which the book is dedicated to Stevenson’s Nanny Alison Cunningham. : :
This “much-loved collection” is considered a Classic Piece Of English-language Literature for children. it exhibits a dualism ( two opposing elements : mind & body / matter ,Or Good & Evil ) of address ( location access / attention place ) . It presents a sign or symptoms on ‘Childhood’. And on the necessity of growing up from an adult perspective, a feature which, makes books for children also ‘inspiring’, & encouraging curiosity and enthusiastic search with imagination , but ‘intriguing’ for adult readers. : There is also a dualism in the speaking persona : Main strategy is “to relive childhood from an adult perspective” which makes the child voice. : Some of the poems speak with “a depth of thought usually absent from the average child” ( 2013 Lawrence Adams contends ) : : The voice in some other poems, especially in the last sequence “Envoys,” seems to be that of an adult. This ambivalence ( mixed feelings / emotions ) is also stressed by authors like Fielding, who finds it unclear “whether the speakers of the poems are children rehearsing for adulthood, or the adult poet ( here Robert Louis Stevenson , himself ) ventriloquising his lost past” ( Practising an art of projecting your voice so that it seems coming from another source : : : :

The unifying idea is recurring in the childhood poems in “Child’s Garden Of Verses” and is interesting to see in the famous “School Poem” “My Shadow,” As Lawrence Adams, ( Lawrence, Adam. 2013. “‘Playing among the graves’ in Colinton Manse: Robert Louis Stevenson’s ‘Scottish Gothic’ Garden of Verses.” Journal of Stevenson Studies 10:161–185 ) Pg. 176 ) argues, “the speaker playfully attempts to distinguish ‘the shadow’ from himself but the association becomes clear : metaphorically the shadow
is the child, or what the child becomes when sick-ness takes control of his body” : : : : : : : : In stanza 4 the child is dissociated from his shadow, which may be a representation of a split self or of the body parting with the soul, i.e. death. The idea of losing one’s shadow was frequently explored in 19th Century Literature as symbolic of one’s losing a part of one’s personality or of the dark side of psyche taking control over a human being. : : : :

“My Shadow” A School Poem By Robert Louis Stevenson : Information Appreciation and poem Analysis Presented by V Jayaraj Pune India December 18 , 2022 : : : : : : : :

If : Rudyard Kipling : : School Poems : :

Kipling If (Doubleday 1910)
A Doubleday, Page & Co. edition from 1910 : First published in Rewards and Fairies , 112 years ago. In his posthumously published autobiography, Something of Myself (1937), Kipling said that in writing the poem, he was inspired by the character of Leander Starr Jameson,: : leader of the failed Jameson Raid against the South African Republic to overthrow the Boer government of Paul Kruger. The failure of that mercenary coup d’état aggravated the political tensions between Great Britain and the Boers, which led to the Second Boer War (1899–1902). : : “If—” remains a cultural touchstone.[6] The British cultural-artifact status of the poem is evidenced by the parodies of the poem, and by its popularity among Britons. : :

If—
BY RUDYARD KIPLING
(‘Brother Square-Toes’—Rewards and Fairies)

If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:

If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’

If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!

Source: A Choice of Kipling’s Verse (1943)

“If” , Written circa 1895 as a tribute to Leander Starr Jameson, ( leader of the failed Jameson Raid against the South African Republic to overthrow the Boer government of Paul Kruger ) , A School Poem , By Rudyard Kipling ( 1865 – 1935 ) is about Masculinity, and Success & Defeat. : : The speaker of “If—” champions a morality built on moderation. In this poem, he advises his son to move through life with composure, and to always exercise self-control, integrity, and humility. This means never letting “Triumph” nor “Disaster”—events either good or bad—go to one’s head. : : A conclusion paragraph. In the poem “If—” Kipling tells his reader that success comes from not taking things too seriously. His advice includes to be true to yourself, take chances, and to not let emotions rule you. In short, Kipling advises his son to have enough faith and confidence to remain true to himself. : : The overarching theme of the poem ‘If’ is successful, virtuous living based on values about integrity, rightful behavior, and self-development. The poem speaks to every reader about what it means to become a complete man and how he operates through the thick and thins of life. : : THE MAIN IDEA OF THE POEM IF WRITTEN BY RUDYARD KIPLING IS THAT THE MAIN KEY TO LED A SATISFACTORY LIFE IS TO REMAIN BALANCED. WE SHOULD DEAL WITH THE UPS AND DOWNS IN LIFE WITH AN UNDISTURBED MIND. WE SHOULD HAVE CONFIDENCE AND PATIENCE TO HANDLE ANY SITUATION. WE SHOULD BE EVEN MINDED IN SUCCESS AND FAILURE. : : : : : : : :

T. S. Eliot included the poem in his 1941 collection A Choice of Kipling’s Verse. The Indian writer Khushwant Singh considered the poem “the essence of the message of The Gita in English.” : : In Britain, the first verse is set, in granite setts, into the pavement of the promenade in Westward Ho! in Devon. The third and fourth lines of the second stanza of the poem: “If you can meet with Triumph and Disaster / and treat those two impostors just the same” are written on the wall of the players’ entrance to the Centre Court at the All England Lawn Tennis and Croquet Club, where the Wimbledon Championships are held. These same lines appear at the West Side Tennis Club in Forest Hills, New York City, where the US Open was played until 1977 : In India, a framed copy of the poem was affixed to the wall before the study desk in the cabins of the officer cadets at the National Defence Academy at Pune and the Indian Naval Academy at Ezhimala. : :

Charles McGrath, a former deputy editor of The New Yorker and a former editor of the New York Times Book Review, wrote that when he was in school, “they had to recite Kipling’s ‘If—’ every day, right after the Pledge of Allegiance: ‘If you can fill the unforgiving minute / With sixty seconds’ worth of distance run, / Yours is the Earth and everything that’s in it, / And—which is more—you’ll be a Man, my son!'”

Pablo Neruda—like Kipling, a Nobel laureate—found a framed ornamental copy of the poem near the Duke of Alba’s bedside in the Palacio de Liria. However, his view was not favourable, and he referred to it as “that pedestrian and sanctimonious poetry, precursor of the Reader’s Digest, whose intellectual level seems to me no higher than that of the Duke of Alba’s boots”.

In the BBC’s 1996 nationwide poll, “If—” was voted the UK’s favourite poem, gaining twice as many votes as the runner-up.

Notes for each of the 4 Stanzas Pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India December 17 , 2022 : : : :

We Real Cool : Gwendolyn Brooks : ( 1 ) : : Narrative Music Video / poetry foundation ( 2 ) : Drew Dir : Ayanna Wood & Jamila Wood Video : : School Poems : :

Pulitzer Prize winner Gwendolyn Brooks, ( 1917 – 2000 ) : born in Topeka on June 7, 1917, to David Anderson Brooks, the son of a runaway slave, and Keziah Corinne (née Wims). : Brooks began writing poetry in her teenage years and published her first poem in American Childhood magazine. : both Langston Hughes and James Weldon Johnson, and both elder poets responded with letters of encouragement. :She graduated from Woodrow Wilson Junior College in 1936. : Brooks wrote more than twenty books of poetry in her lifetime, was the first black woman appointed Poet Laureate of the United States : : including Children Coming Home (The David Co., 1991); Blacks (The David Co., 1987); To Disembark (Third World Press, 1981); The Near-Johannesburg Boy and Other Poems (The David Co., 1986); Family Pictures (Broadside Press, 1970); Riot (Broadside Press, 1969); In the Mecca (Harper & Row, 1968), a finalist for the National Book Award; The Bean Eaters (Harper, 1960); Annie Allen (Harper, 1949), for which she received the Pulitzer Prize; and A Street in Bronzeville (Harper & Brothers, 1945), a collection admired by fellow Chicagoan and writer Richard Wright. She also wrote the novel, Maud Martha (Harper, 1953) and Report from Part One: An Autobiography (Broadside Press, 1972). She edited Jump Bad: A New Chicago Anthology (Broadside Press, 1971). Her books for children include Bronzeville Boys and Girls (Harper, 1956), later rereleased in 2015 and illustrated by Faith Ringgold. : : Brooks became an activist in the Black Power movement. She also started a poetry workshop from her home. : : In 1968, Brooks was named poet laureate for the state of Illinois. In 1976, she became the first African American to join the National Institute of Arts and Letters. In 1985, she was the first Black woman appointed as consultant in poetry to the Library of Congress (now, poet laureate). She also received an American Academy of Arts and Letters Award, the Frost Medal, a National Endowment for the Arts Award, the Shelley Memorial Award, and fellowships from the Academy of American Poets and the Guggenheim Foundation. : : Brooks spent her later years dedicated to public service. She conducted poetry readings at prisons and hospitals and attended annual poetry contests for school children, which she often funded.

Brooks lived in Chicago until her death on December 3, 2000
All They Feel About Alcohol – Drinking Experience : Survey of 1000 Americans : Further the survey reveals that : 51.7 % Americans have had Depressing Thoughts While Drinking Alcohol ; Whereas 48.7 % Americans said in Negative — saying that they had no such de- spirited Sentiments. Nearly half of men and more than a third of women said they felt disgusted while drinking, and more than 1 in 5 said drinking made them feel anxious. More than 1 in 10 men revealed drinking made them feel scared. : : See for 4 more Feelings Down in the Picture , HERE In BELOW
As of 2015, Approx 15 million Americans – including roughly 623,000 adolescents between ages 12 and 17 – have Alcohol Use Disorder (AUD), a condition characterized by compulsive alcohol use and an ongoing negative emotional state. : : Feel happy in the moment, but it can also leave them grappling with negative emotions long after the bottle is empty. Don’t get indulged in Anyone’s Or with Close Companion , just because of Business Interest Or Happy – Go Sometime ( due to extra endorphins !? relaxing and euphoric , but it’s also classified as a depressant — Released by body under Alcohol. ) : Buddhu , and nothing else / atleast Not Heavenly / Or A Push To Your Creativity ) Or With naming it as Social / Community identity , Occasional Drinking / Partying in a So called Rich Man’s High Society Feeling !!! ? What !?!? OMG ! Aren’t they worried about themselves or for their loved ones. No. Believe me , they aren’t good friends.
From the Survey of 1000 Americans ( 2015 ) Blue for Men, Red for Women
From the Survey of 1000 Americans ( 2015 ) Blue for Men , Red for Women
From the Survey of 1000 Americans ( 2015 ) Experts on the subject have identified alcohol as a depressant drug that can create the effect of anxiety and depression as a result of drinking too much, or drinking too fast. For those who already have clinical anxiety or depression, alcohol can worsen the symptoms of both conditions. : : nearly 17 percent of young adults between the ages of 20 and 29 indicating that alcohol consumption made them feel sad. Just shy of 16 percent of respondents between the ages of 30 and 39 said the same. : : The ages of 20 and 29 were the most likely to experience negative feelings like anxiety, sadness, and a sense of being overwhelmed. More than half of everyone – regardless of age – told that drinking alcohol also made them feel depressed at one point or another.

We Real Cool
BY GWENDOLYN BROOKS
The Pool Players.
Seven at the Golden Shovel.


We real cool. We
Left school. We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.
— Gwendolyn Brooks, “We Real Cool” from Selected Poems. : :
Source: Poetry (1959) :. : Narrative Music Video : poetry foundation : Paper-Cut Puppetry showing The Poet : Gwendolyn Brooks & 7 Pool Players At Golden Shovel Hall : Her source & origin of the poem : “We Real Cool” : Film Directed by : Drew Dir : Music : Ayanna Wood & Jamila Wood : : CLICK HERE In BELOW to enjoy the Poem : : https://youtu.be/0USvSvhue70

“We Real Cool” , A School Poem By Gwendolyn Brooks is about Seven pool players who are hanging out “at the Golden Shovel pool” hall. The Speakers inform that : :

“We’re very cool” : “Real cool”: that is , we are calm and composed , of steady mind, even under stress ; can not be agitated. (We laugh at the ( school) Authority.) : We skipped school : “we Left school” : : “Lurk late” : we hang around one place doing very little; spending / wasting time. We stay out late, that is , no school , and after school hours, no going back to home in time. We draw our punches. ( Punch served in a ‘punch bowl’, is an ice mixed drinks of Alcohol type ) — here ” Thin gin”– ( prepared for multiple servings so that wet party lasts long ) : : We praise our bad behaviors as aforesaid. We drink cheap alcohol — here “gin”, We make June jazzy , that is ‘showy’ , pleasant , enjoyable with the additional fragrance of “thin-gin”: Off late , we have become aware that we’re going to die soon. : : : :

Informations about this poem as provided in Wikipedia are in Big brackets , as HERE In BELOW : :

[“We Real Cool” is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book The Bean Eaters, her third collection of poetry. The poem has been featured on broadsides, re-printed in literature textbooks and is widely studied in literature classes. It is cited as “one of the most celebrated examples of jazz poetry”.]

[ It consists of four Verses/ Stanzas of two rhyming lines each. The final word in most lines is “we”. The next line describes something that “we” do, such as play pool or drop out of school. Brooks has said that the “we”s are meant to be said softly, as though the protagonists in the poem are questioning the validity of their existence. The last lines of the poem, “We / Die soon,” indicate the climax, ] which comes as a surprise [ to the boasts ] : to the pride in self– praising their bad behaviour that have been made in Stanzas 1 To 3 in lines 1 To 6 : : [ It also suggests a moment of self-awareness about the choices that the players have made. The poem also contains references to the seven deadly sins. ] : : : :

[ In an interview Brooks stated that her inspiration for the poem came from her walking in her community and passing a pool hall full of boys. When considering this she thought to herself “I wonder how they feel about themselves?” Instead of wondering about why they were not in school, Brooks captured this scene and turned it into the seven pool players at the Golden Shovel. ] : : : :

Now , let me try to explain each of The 4 Stanzas / Verses, each with a Couplet of 2 very brief lines. : : The name of the poem /Title was mentioned in several Rock / Pop Music Numbers / Song /a chant, a lyric rage / Albums . : : The Themes of “We Real Cool” include Rebellion & Youth . : : The seven pool players in the poem are contesting against the establishment with their rebellious actions. As Brooks said ( in Public domain ) , ” They might have considered themselves contemptuous of the establishment Or , atleast They wanted to feel that they were contemptuous of the establishment; might want to bum their noses at the establishment .. . “( Brooks ) : : Thus , They are becoming a free , but lazy ( caged in one place ) bird !?!? ‘Deadbeat’ ! Bumming around all day !! : : The poet states that the establishment is represented by the month of June. As Brooks said ( in public domain ) , ” I represented establishment with the month of June , which is a nice , gentle , non- controversial , enjoyable pleasant fragrance month that everybody loves. 7 Players At the Golden Shovel wait “real cool” ( saying ) we Left school; “we Lurk late, light-weight Strike straight “we Sing sins”, simply , then gently ( Hence jazz , merely music – soft , gentle , enjoyable ) , just June ; we diced food”‘ ( Brooks ) : : Thus the Rebels proudly defy convention and authority—and will likely pay for their behavior with their lives. She explained that the unhealthy lifestyle the kids are living, such as drinking and partying, is the reason they will die soon. : : Brooks interrupts the flow of the Verse / Stanza ending each one with “We”. Placing that word there gives the poem a rhythm that makes it flow almost like a song. : The poem takes rhyming to a new level: the couplets rhyme in the middle. Thus, “cool/school” in the first stanza, ( preferring pool to school ! ) , the alliterative “lurk late” in Stanza/Verse 2 , in lines 3& 4 , gives away sad feeling for them as they are throwing in to disorder what their School of studies would have created a normality throughout their precious time of Youth. And “late/straight” ( preferring wet street nights To dull nights of boring studies & prayers ! ) To “strike straight” in Stanza / Verse 2 , in line 4 , is to hit the pool ball hard. : : The use of the word “jazz”, Meaning ,’Music’ ( as per Brooks ) not offending , due to a perceived sexual nature which is ‘not an intension in the poem’ ( as per Brooks ) : : “Sing sins” in Stanza / Verse 3 , in line 5, has ‘rebellious going’, against the ‘Religious Teachings’. “we ( The players ) “thin gin” in Stanza / Verse 3 , in line 6, means that they must have to share perhaps one bottle of gin at a time, ( and dilute it down with ice and / or soda water, assuming to understand. ) so as to make the alcohol last a bit longer for their whole day through late night street life. ) No – one player, can afford to buy his own bottle; one can assume safely that they pool together their financial resources to purchase that bottle(s). Getting “gin drunk” is often associated with foolish or disturbed behavior. Some people believe to feel the spirit/alcohol makes them “sad” or “weepy.” In this troubling story , “gin” is cast in the role of emotional formenter / provoker — It’s a fashion , you know !? But , the fact is that there’s nothing worse than spiteful, bitter, cheap gin : : They are circumnavigators ( what else any alkie would do !? ) — trying to avoid fulfilling , answering or performing duties , questions, or issues. : : The Speaker mentions that the pool players “Seven at the Golden shovel” : Why Seven ? Because , Nnmber 7 is made known and famous as the luckiest Magical Number . That’s why they gang up in “Seven”: But they are “at The Golden Shovel” : Don’t they know , The Shovel is a Tool of Grave- Digger !? No matter if The Shovel is Golden ! Glittering / Showy !!! Are they trying to impress us /others !? !? !? Let us aim to hit them : Such display is pretentious and tasteless. Surely , death is going to leave them behind. And , that is the climax in last Stanza / Verse 4 in lines 7 & 8 , :” Jaaz June , we Die soon ” : The establishment is represented by the month of June : : SAD SHOW !!! Isn’t it !? The Tool is flashy , The Place Of their intended Fun sounds pleasantly euphonious , but is not going to prove propitious and will ultimately , bring them ‘UN-LUCK’. They have this newly found Self awareness in telling that ” we Die Soon “: : The Eight lines Poem Of Tragedy Of Untimely Death Of Seven Eccentric Young Boys ! Of America : : What about you !? , Man / Or Even Girl / Woman ! From Metro -Cities Or Small / Big Towns Of India : So Fond Of Alcohols ! ! : : : :

“We Real Cool”
“THE POOL PLAYERS.

SEVEN AT THE GOLDEN SHOVEL. ” A School. Poem , Information Appreciation and poem Analysis Presented by V Jayaraj Pune India December 16 , 2022 : : : : : : : :

Bihar state in India observe prohibition of alcohol since 2016 . Gujarat state in India has prohibited the sale and consumption of alcohol since its formation in 1960, ; previously banned for Gujarat by Bombay State from 1949 , 1950 , & again from 1958 and the state’s failure in combating alcohol consumption & hooch ( spurious alcohol consumption ) tragedies of death toll in hundreds of valued life after they complained about uneasiness, nausea, breathlessness, stomach pain and blurry vision, despite the prohibition is not hidden from anyone. : :

Ozymandias : Percy Bysshe Shelley : Sonnet : : School Poems : :

Percy Bysshe Shelley was one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death and he became an important influence on subsequent generations of poets including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as “a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem.”he has achieved increasing critical acclaim for the sweeping momentum of his poetic imagery, his mastery of genres and verse forms, and the complex interplay of sceptical, idealist, and materialist ideas in his work. Among his best-known works are “Ozymandias” (1818), “Ode to the West Wind” (1819), “To a Skylark” (1820), the philosophical essay “The Necessity of Atheism” written alongside his friend T. J. Hogg (1811), and the political ballad “The Mask of Anarchy” (1819). His other major works include the verse drama The Cenci (1819) and long poems such as Alastor, or The Spirit of Solitude (1815), Julian and Maddalo (1819), Adonais (1821), Prometheus Unbound (1820)—widely considered his masterpiece—Hellas (1822), and his final, unfinished work, The Triumph of Life (1822).

Shelley also wrote prose fiction and a quantity of essays on political, social, and philosophical issues. Much of this poetry and prose was not published in his lifetime, or only published in expurgated form, due to the risk of prosecution for political and religious libel. From the 1820s, his poems and political and ethical writings became popular in Owenist, Chartist, and radical political circles, and later drew admirers as diverse as Karl Marx, Mahatma Gandhi, and George Bernard Shaw.

Shelley’s life was marked by family crises, ill health, and a backlash against his atheism, political views and defiance of social conventions. He went into permanent self-exile in Italy in 1818, and over the next four years produced what Leader and O’Neill call “some of the finest poetry of the Romantic period”. His second wife, Mary Shelley, was the author of Frankenstein. She died in a boating accident in 1822 at the age of 29.


Percy Bysshe Shelley born 4 August 1792
Field Place, Warnham, West Sussex, England
Died
8 July 1822 (aged 29)
Gulf of La Spezia, Kingdom of Sardinia (now Italy)
Occupation
Poet dramatist essayist novelist
Alma mater
University College, Oxford
Literary movement
Romanticism
Spouse
Harriet Westbrook

(m. 1811; died 1816)
Mary Shelley (m. 1816)
Children
6 (including Percy Florence Shelley)
Parents
Timothy Shelley
Elizabeth Pilfold
The statue fragment of Ramesses II, the Younger Memnon, in the British Museum. Antiquity, Ozymandias was a Greek name for the pharaoh Ramesses II (r. 1279–1213 BC), derived from a part of his throne name, Usermaatre. In 1817, Shelley began writing the poem “Ozymandias”, after the British Museum acquired the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II, which dated from the 13th century BC. Earlier, in 1816, the Italian archeologist Giovanni Battista Belzoni had removed the 7.25-short-ton (6.58 t; 6,580 kg) statue fragment from the Ramesseum, the mortuary temple of Ramesses II at Thebes, Egypt. The reputation of the statue fragment preceded its arrival to Western Europe; after his Egyptian expedition in 1798, Napoleon Bonaparte had failed to acquire the Younger Memnon for France. Although the British Museum expected delivery of the antiquity in 1818, the Younger Memnon did not arrive in London until 1821. Shelley published his poems before the statue fragment of Ozymandias arrived in Britain, and the view of modern scholarship is that Shelley never saw the statue, although he might have learned about it from news reports, as it was well known even in its previous location near Luxor. : : The Ruins, or a Survey of the Revolutions of Empires empires (1791) by Constantin François de Chassebœuf, comte de Volney ( 1757–1820 ), published in ( London: Joseph Johnson, 1792 ) translated by James Marshall, was an influence on Shelley.

Ozymandias
BY PERCY BYSSHE SHELLEY
I met a traveller from an antique land, 1
Who said—“Two vast and trunkless legs of stone 2
Stand in the desert. . . . Near them, on the sand, 3
Half sunk a shattered visage lies, whose frown, 4
And wrinkled lip, and sneer of cold command, 5
Tell that its sculptor well those passions read 6
Which yet survive, stamped on these lifeless things, 7
The hand that mocked them, and the heart that fed; 8
And on the pedestal, these words appear: 9
My name is Ozymandias, King of Kings; 10
Look on my Works, ye Mighty, and despair! 11
Nothing beside remains. Round the decay 12
Of that colossal Wreck, boundless and bare 13
The lone and level sands stretch far away.” 14
— Percy Basshe Shelley : : : : : : : : : : : : : Source: Shelley’s Poetry and Prose (1977)

“Ozymandias” (/ˌɒziˈmændiəs/ , o-zee-MAN-dee-əs) is , As Wikipedia informs : :: ” A sonnet written by the English Romantic poet Percy Bysshe Shelley (1792–1822). It was first published in the 11 January 1818 issue of The Examiner of London. The poem was included the following year in Shelley’s collection Rosalind and Helen, A Modern Eclogue; with Other Poems, and in a posthumous compilation of his poems published in 1826. Shelley wrote the poem in friendly competition with his friend and fellow poet Horace Smith (1779–1849), who also wrote a sonnet on the same topic with the same title. The poem explores the worldly fate of history and the ravages of time: even the greatest men and the empires they forge are impermanent, their legacies fated to decay into oblivion. Shelley wrote the poem quickly around Christmas in 1817 either in December that year or early January 1818. under the pen name “Glirastes”: : Graeco-Latin name created by combining the Latin glīs (“dormouse”) with the Greek suffix ἐραστής (erastēs, “lover”); The name meant “lover of dormice”, dormouse being his pet name for his spouse Mary Shelley, whom he nicknamed “dormouse”. It appeared again in Shelley’s 1819 collection Rosalind and Helen, A Modern Eclogue; with Other Poems, which was republished in 1876 under the title “Sonnet. Ozymandias” by Charles and James Ollier and in the 1826 Miscellaneous and Posthumous Poems of Percy Bysshe Shelley by William Benbow, both in London. The poem has been cited as Shelley’s “best-known poem” and has been included in many poetry anthologies, particularly school textbooks and is generally considered one of his best works, Stephens ( 2009 ) considered that the Ozymandias , Shelley created dramatically, altered the opinion of Europeans on the king. Donald P. Ryan ( In “The Pharaoh and the Poet”, 2005 ). wrote that “Ozymandias” “stands above” numerous other poems written about ancient Egypt, particularly its fall and described the sonnet as “a short, insightful commentary on the fall of power”: The poem has impacted numerous other works, including Wuthering Heights by Emily Brontë. It has been translated into several languages, notably Russian, where Shelley was an influential figure. :

Scholars such as professors Nora Crook and Newman White,( 1986 ) have viewed with the statue’s legs a coded reference to the then Prince Regent’s gout and possible sexually-transmitted diseases, and Napoleon Bonaparte. That the poem is connected to Napoleon is indeed the 21st century accepted reading. Byron scholar Peter Cochran asserted the poem to be “a lesson to tyrants”, listing Napeoleon, George IV, Metternich, Tsar Alexander, Emperor Francis, and Castlereagh. : : Also, Jalal Uddin Khan wrote ( In , ‘Readings in Oriental Literature’: Arabian, Indian, and Islamic. Cambridge ) ‘Scholars connects it, in addition, to Muammar Gaddafi’s statement that he was Africa’s “king of kings” ‘ ; That it connects in people’s minds to rulers who post-date Shelley is illustrated by incidents such as the one CNN journalist who reported the aerial bombing of Iraq in 1991 signing off the report with the final three lines of the poem . : : Jalal Uddin Khan quoted Ashurbanipal , who had written, “I am a hero; I am gigantic; I am colossal; I am magnificent.” carved in stone, and Menli I Giray who styled himself “Sovereign of Two Continents and Khan of Khans of the Two Seas”. : : The tragic fall of powerful men is a theme common in literature, from Giovanni Boccaccio’s De Casibus Virorum Illustrium through John Lydgate’s The Fall of Princes to Geoffrey Chaucer’s The Monk’s Tale. Modern scholarship is that Byron’s Childe Harold Canto 3, which was about the fall of Napoleon ,was also a prompt for the poem. : : Like Samuel Taylor Coleridge’s Kubla Khan and Shelley’s own Alastor, the poem can be viewed in the context of a wave of Orientalism prevalent in Western Europe, helped along by such events as Napoleon’s invasion of Egypt in 1798 and the accompanying Description of Egypt. : : All in all , as it is said , the imagery of the statue’s harsh but commanding bearing is evocative of the Byronic hero. : : : :

Shelley’s “Ozymandias” is a sonnet, written in loose iambic pentameter, but with an atypical rhyme scheme (ABABACDC EDEFEF) which violates the rule that there should be no connection in rhyme between the octave and the sestet.

Two themes of the “Ozymandias” poems are the inevitable decline of rulers and their pretensions to greatness.

The title “Ozymandias” refers to an alternate name of the ancient Egyptian pharaoh Ramses II. In the poem, Shelley describes a crumbling statue of Ozymandias as a way to portray the transience of political power and to praise art’s ability to preserve the past. Themes of the poem are
Power of nature, of humans , of Art And It’s Futility. : : The irony of “Ozymandias” cuts much deeper as the reader realises that the forces of mortality and flexibility, described brilliantly in the concluding lines, will wear down and destroy all our lives. There is a special justice in the way tyrants are subject to time, but all humans face death and decay. : : The poem’s central idea is the subject of the poem, or ‘what it’s about’ if you like. While many shy away from poetry being ‘about’ something, at the end of the day, as it was written, the poet had something in mind, and that something, whatever it was or may have been, is the central idea. : : “Of that colossal wreck,boundless and bare. The lone and level sands stretch far away.” …..in the poem Ozymandias , the idea conveyed is that nothing is permanent. Everything will come to an end with the passage of time. The last two lines in the Sonnet implies that the statue was broken apart, but you can still make out the face of the person whose statue it was. The face looks powerful, like a ruler. The sculptor, maker of the statue did a good job at expressing the ruler’s personality and his hate for others. : : Should the mankind and People & Rulers of the Nations always remember the ideas contended by Shelley’s Sonnet. : : : :

Notes for each of the 14 lines pending visit this post again later on to enjoy the appreciation of the poem V Jayaraj Pune India December 15 , 2022 : : : : : : : :

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