બાળ દિન : નવેમ્બર ૧૪ : : બાળગીતો : :

Children playing with parents, brother and sister , with shadows in backyard of their home before the sleeping time. There is tent, lights ,good mood and recitation of child Songs/ Kid’s Rhymes & Age-old storytelling heard from Grannies/ Grandpa.
Sleeping time recitation on roof , of Balgeet under the sky
A sleepy child gazing Starlight Night Sky hanging around / down looking by the Shinning Stars.
Cheerful Crowd of all ages celebrating Christmas Time Chilling November/ December Nights
November 14 , 2022 : Children’s Day 2022: India celebrates Children’s Day on November 14 to commemorate the birth anniversary of the first Prime Minister of India Pandit Jawaharlal Nehru. This day marks the 133rd birth anniversary of Pandit Nehru who was born in 1889 in Allahabad, India.
Prior to Nehru’s death, Children’s Day was celebrated on November 20 which was observed as World Children’s Day by the United Nations. However, November 14 was chosen to celebrate Children’s Day to mark the birth anniversary of Pandit Nehru after his death in 1964. The day is also known as Bal Diwas in the country. BALDEEN MUBARAK:
Baby feet in mother hands. Tiny Newborn Baby’s feet on female Heart Shaped hands closeup. Mom and her Child. Happy Family concept. Beautiful conceptual image of Maternity
ઘીરે મહેમાન જરા ધીરેથી આવજો,
પગલાં તે પાડજો જાળવી જી ને,
જોજો વિલાય ના એ પગલાંની પાંદડી,
બાળુડે ઓટલી બનાવી જી રે.

-સુંદરમ

https://youtu.be/PcjNYyBgQgY

એક બિલાડી જાડી
તેણે પહેરી સાડી
સાડી પહેરી ફરવા ગઈ
તળાવમાં તે તરવા ગઈ
તળાવમાં તો મગર
બિલ્લીને આવ્યા ચક્કર
સાડીનો છેડો છૂટી ગયો
મગરના મોઢામાં આવી ગયો
મગર બિલ્લીને ખાઈ ગયો

https://youtu.be/g5xyvEbimY0

મામાનું ઘર કેટલે
અજ્ઞાત
બાળગીત


મામાનું ઘર કેટલે,
દીવા બળે એટલે,
દીવા મેં તો દીઠા,
મામા લાગે મીઠા.


મામી મારી ભોળી,
મીઠાઈ લાવે મોળી,
મોળી મીઠાઈ ભાવે નહિ,
રમકડાં તો લાવે નહિ

https://youtu.be/d8CEYz-DI34

વારતા રે વારતા
અજ્ઞાત
બાળગીત


વારતા રે વારતા,
ભાભો ઢોર ચારતા,
ચપટી બોર લાવતા,
છોકરાઓને સમજવતા.


એક છોકરો રિસાણો,
કોઠી પાછળ ભિંસાણો,
કોઠી પડી આડી,
છોકરે રાડ પાડી,
અરરર માડી.

https://youtu.be/LzA4DzbYN5g

ઉપર ક્લિક કરો અને જુઓ : : હાથી ભાઈ તો જાડા :

https://youtu.be/cGd1u-7tlN8

સાયકલ મારી સ..ર..ર..ર જાય,
ટ્રીન ટ્રીન ટોકરી વગાડતી જાય.

ડોશીમા ડોશીમા આઘા ખસો,
નહીંતર વચમાં ચગદઈ જશો.
રસ્તામાં છીંકણી ના સૂંઘાય,
વાતોમાં સાયકલ વાગી જાય…સાયકલ મારી

મોટા શેઠ મોટ શેઠ આઘા ખસો,
પાઘડી પડશે તો ગુસ્સે થશો.
ચોપડા ચીતરી ચાલ્યા બજાર,
આઘા ખસીને કરજો વિચાર…સાયકલ મારી

મોટા શેઠ મોટા શેઠ આઘા ખસો, દફ્તર લઈને ચાલ્યા છો ક્યાં? પાઘડી પડશે તો ગુસ્સે થશો. … સાયકલ મારી

રસ્તામાં છીંકણી ના સુંઘાય , માથોમાં સાયકલ વાગી જાય.. . આઘા ખસો, આઘા ખસો , આઘા ખસો નહીં તો કચડાઈ જશો. . … સાયકલ મારી સરદાર જાય, ટ્રીન ટ્રીન ટોકરી વગાડતી જાય.

https://drive.google.com/file/d/1sldhoZZPlv4VEig3Q2cggbdIhSsJESYP/view?usp=drivesdk

એકડે એક પાપડ શેક
બગડે બે ચોપડી લે
ત્રગડે ત્રણ વેઢા ગણ
ચોગડે ચાર બેડો પાર
પાંચડે પાંચ કવિતા વાંચ
છગડે છ ન શીખે તે ઢ
સાતડે સાત સાંભળો વાત
આઠડે આઠ લખજો પાઠ
નવડે નવ લડશો નવ
એકડે મીંડે દશ બસ હવે બસ

https://youtu.be/rQc-s8qNZJM

અડકો દડકો દહીં દડૂકો

અડકો દડકો દહીં દડૂકો,

પીલુ પાકે શ્રાવણ ગાજે,

ઊલ મૂલ ધંતૂરાનું ફૂલ,

સાકર શેરડી ખજૂર,

બાઈ તમારા છૈયા છોકરા,

જાગે છે કે ઊંઘે છે,

અસ મસ ને ઢસ!!!!

https://drive.google.com/file/d/1xt0S8lS87OnJFMdDc3X1Ki1rLF8RPy-o/view?usp=drivesdk

કાર્તક માં ટાઢ આવી : : બાળગીત : : ગુજરાતી ૧૨ મહિનાનું ગીત : :

નાનાં બાળ અમે – પૂર્વી અપૂર્વ બ્રહ્મભટ્ટ
પૂર્વી અપૂર્વ બ્રહ્મભટ્ટ, બાળકાવ્ય

. હજુ તો નાનાં બાળ અમે સૌ,
. નાખે કેવો ભાર અરે! સૌ.

આ જુઓ, બોલાવે માટી, સાથે એની રમવા દો ને,
છીપલાં, મોતી, શંખ જણસ છે, ગજવે થોડાં ભરવા દો ને,
કાલે મોટાં થઈ જાશું તો આજે થોડું જીવવા દો ને,
. સમજો થોડી વાત તમે સૌ
. હજુ તો નાના બાળ અમે સૌ.

શૈશવની શેરીમાં મારે મનમોજી થઈ ફરવું છે,
આવડતું ના હોય ભલે ને, છબ્બાક દઈને તરવું છે,
જે કરવાની ના પાડો એ સૌથી પહેલાં કરવું છે,
. છો ને કાઢો આંખ તમે સૌ
. હજુ તો નાનાં બાળ અમે સૌ

ખુલ્લા આકાશે ઊડવાનું લાગે વહાલું વહાલું અમને,
મોજ પડે જો કોઈ કહે કે, જા બહારે જઈને રમ ને,
અમ સૌનું મન કળવા ઈશ્વર,થોડી સમજણ આપે તમને,
. સંભાળો આ બાગ તમે સૌ
. હજુ તો નાનાં બાળ અમે સૌ.

– પૂર્વી અપૂર્વ બ્રહ્મભટ્ટ

https://youtu.be/gL6mba0PkFg

ખદુક, ઘોડા, ખદુક ! – રમણલાલ સોની
બાળકાવ્ય, રમણલાલ સોની

ખદુક, ઘોડા, ખદુક !
ખદુક, ઘોડા, ખદુક !

ઘોડો મારો સાતપાંખાળો ઊડતો ચાલે કેવો,
કેડી નહિ ત્યાં કેડી પાડે જળજંગલમાં એવો !
ખદુક, ઘોડા, ખદુક ! ખદુક, ઘોડા, ખદુક !

એક કહેતામાં અમદાવાદ ને બે કહેતામાં બમ્બઈ,
ત્રણ કહેતામાં ઘેરે પાછો આવે ખબરું લઈ !
ખદુક, ઘોડા, ખદુક ! ખદુક, ઘોડા, ખદુક !

માગે એ ના ખાવું પીવું, માગે એ ના ચારો,
હુકમ કરો ને કરો સવારી, પળનો નહીં ઉધારો !
ખદુક, ઘોડા, ખદુક ! ખદુક, ઘોડા, ખદુક !

જાય ટપી એ ખેતરપાદર, જાય ટપી એ ડુંગર,
માન ઘણું અસવાર તણું જે રાજાનો છે કુંવર !
ખદુક, ઘોડા, ખદુક ! ખદુક, ઘોડા, ખદુક !

ઓળખી લો આ ઘોડાને, ને ઓળખી લો અસવાર,
જાઓ ઊપડી દેશ જીતવા, આજે છે દિત વાર !
ખદુક, ઘોડા, ખદુક ! ખદુક, ઘોડા, ખદુક !

-રમણલાલ સોની

રંગ રંગ વાદળિયા -સુન્દરમ્
બાળકાવ્ય, યાદગાર ગીત, સુન્દરમ

હાં રે અમે ગ્યાં’તાં
હો રંગના ઓવારે
કે તેજ ના ફુવારે,
અનંતના આરે,
કે રંગ રંગ વાદળિયાં

હાં રે અમે ઊડયાં
હો મોરલાના ગાણે,
કે વાયરાના વહાણે,
આશાના સુકાને,
કે રંગ રંગ વાદળિયાં

હાં રે અમે થંભ્યાં
હો મહેલના કિનારે
પંખીના ઉતારે,
કે ડુંગરાની ધારે,
કે રંગ રંગ વાદળિયાં.

હાં રે અમે પહોંચ્યાં
હો આભલાને આરે,
કે પૃથ્વીની પાળે,
પાણીના પથારે,
કે રંગ રંગ વાદળિયાં.

હાં રે અમે નાહ્યાં
હો રંગના ઓવારે,
કે તેજના ફુવારે,
કુંકુમના ક્યારે,
કે રંગ રંગ વાદળિયાં.

હાં રે અમે પોઢયાં
છલકંતી છોળે,
દરિયાને હિંડોળે,
ગગનને ગોળે,
કે રંગ રંગ વાદળિયાં.

હાં રે અમે જાગ્યાં
ગુલાલ ભરી ગાલે,
ચંદન ધરી ભાલે,
રંગાયા ગુલાલે,
કે રંગ રંગ વાદળિયાં.

હાં રે અમે નાચ્યાં
તારાના તરંગે,
રઢિયાળા રંગે,
આનંદના અભંગે,
કે રંગ રંગ વાદળિયાં.

– સુન્દરમ્

(જન્મ: ૨૨-૩-૧૯૦૮, મૃત્યુ: ૧૩-૧-૧૯૯૧)


સ્વર: ડો. તન્વી શાહ : : દરરોજ ના એક બાળગીત ની સ્વર રચના રજૂ કરનાર , ટેલિગ્રામ ચેનલ પર , અને You Tube અને WhatsApp ના માધ્યમથી : ડો. તન્વી શાહ ને follow કરી શકો છો. અહીં નીચે ક્લિક કરો અને સાંભળો યશવંત મહેતા રચિત બાળગીત : બહેની ને નિંદર ના’વે : : વધુ એકવાર ડો. તન્વી શાહ ના સ્વરમાં https://youtu.be/KHVzHJeUuX0

બેન અને ચાંદો – સુન્દરમ્
બાળકાવ્ય, સુન્દરમ

બેન બેઠી ગોખમાં,
ચાંદો આવ્યો ચૉકમાં.

બેની લાવી પાથરણું,
ચાંદો લાવ્યો ચાંદરણું.

પાથરણા પર ચાંદરણું,
ને ચાંદરણાં પર પારણું.

ચાંદો બેઠો પારણે,
બેની બેઠી બારણે.

બેને ગાયા હાલા,
ચાંદાને લાગ્યા વ્હાલા.

બેનનો હાલો પૂરો થયો,
ચાંદો રમતાં ઊંઘી ગયો.

– સુન્દરમ્

પગલાં -સુંદરમ
બાળકાવ્ય, સુન્દરમ

દરિયાને તીર એક રેતીની ઓટલી
ઊચીં અટૂલી અમે બાંધી જી રે.
પગલું તે એક એક પાડે મહેમાન એમ
રામજીની આણ અમે દીધી જી રે.

પહેલા મહેમાન તમે આવો, સૂરજદેવ,
પગલું સોનેરી એક પાડજો જી રે.
પગલામાં નવલખ તારાની ભાત ને
સંધ્યાના રંગ બે’ક માંડજો જી રે.

બીજા મહેમાન તમે આવો, પવનદેવ,
પગલું પનોતું એક પાડજો જી રે.
પગલામાં વાત લખો પરીઓના દેશની
ફૂલડાંની ફોરમ પૂરજો જી રે.

ત્રીજા મહેમાન તમે આવો, સમદરદેવ,
પગલું મોતીનું એક પાડજો જી રે.
પગલામાં મહેલ ચણી સાતે પાતાળના,
માણેકના દીવા પ્રગટાવજો જી રે.

ઘીરે મહેમાન જરા ધીરેથી આવજો,
પગલાં તે પાડજો જાળવી જી ને,
જોજો વિલાય ના એ પગલાંની પાંદડી,
બાળુડે ઓટલી બનાવી જી રે.

-સુંદરમ

હું દરિયાની માછલી – ઝવેરચંદ મેઘાણી : : બાળકાવ્ય

દરિયાના બેટમાં રે’તી
પ્રભુજીનું નામ લે’તી
હું દરિયાની માછલી!

હાં રે મને બારણે કઢવી નો’તી,
હું દરિયાની માછલી!

જળની સાથે અમારે જનમ કેરી પ્રીતડી,
મરજો પ્રીત્યોના તોડનારા,
હું દરિયાની માછલી! -દરિયાના…

દરિયાનાં નીર મને પાતાળે ગોતશે,
આભ લગી મારશે ઉછાળા,
હું દરિયાની માછલી! -દરિયાના…

તારલાનાં તેજ ઊગી ઊગી આથમશે,
ચંદ્ર કેને પાશે અજવાળાં?
હું દરિયાની માછલી! -દરિયાના…

છીપલીની છાતીઓથી કોણ હવે ઝીલશે,
મોં ઊઘાડી મોતીડાં રૂપાળાં?
હું દરિયાની માછલી! -દરિયાના…

દરિયાના દેશથી વિછોડી,
દુનિયાસું શીદ જોડી !
હું દરિયાની માછલી!

-ઝવેરચંદ મેઘાણી

પરમેશ્વર – પ્રીતમલાલ મજમુદાર : : બાળકાવ્ય

મને કહોને પરમેશ્વર કેવા હશે ?
કેવા હશે ? શું કરતા હશે ?

– મને…

ગગનની ઓઢણીમાં ચાંદા સૂરજને
તારાને ગૂંથનાર કેવા હશે ?

– મને…

આંબાની ઊંચી ડાળીએ ચડીને
મોરોને મૂકનાર કેવા હશે ?

– મને…

મીઠા એ મોરોના સ્વાદ ચખાડી
કોયલ બોલાવનાર કેવા હશે ?

– મને…

ઊંડા એ સાગરનાં મોજાં ઉછાળી
ઘૂ ઘૂ ગજાવનાર કેવા હશે ?

– મને…

– પ્રીતમલાલ મજમુદાર

https://youtu.be/2_-v5y81Ewg

રમેશ પારેખ – શબ્દ-સપ્તક : કડી ૫ : બાળકાવ્ય, શબ્દસપ્તક

હું ને ચંદુ છાનામાના કાતરિયામાં પેઠાં,
લેસન પડતું મૂકી ફિલમ ફિલમ રમવા બેઠાં.
મમ્મી પાસે દોરી માંગી, પપ્પાની લઈ લૂંગી ,
પરદો બાંધી અમે બનાવી ફિલમ મૂંગી મૂંગી…

દાદાજીનાં ચશ્માંમાંથી કાઢી લીધો કાચ,
એનાથી ચાંદરણા પાડ્યાં પરદા ઉપર પાંચ
ચંદુ ફિલમ પાડે ત્યારે જોવા આવું હું,
હું ફિલમ પાડું તો જોવા આવે છે ચંદુ…

કાતરિયામાં છુપાઈને બેઠી’તી બિલ્લી એક,
ઉંદરડીને ભાળી એણે તરત લગાવી ઠેક;
ઉંદરડી છટકી ને બિલ્લી ચંદુ ઉપર આવી,
બીક લાગતાં ચંદુ સાથે ચીસો મેં ગજાવી .
દોડંદોડા ઉપર આવી પહોંચ્યાં મમ્મી-પપ્પા;
ચંદુડિયાનો કાન આમળ્યો, મને લગાવ્યા ધબ્બા…

– કવિ : રમેશ પારેખ : : લેશન ના નામે , બાળમિત્રો કાતરિયામાં જઈને તોફાન આદરે ને ત્યાં અનઅપેક્ષિત મહેમાન દોડાદોડી કરાવે એમના મમ્મી પપ્પા ને , તેનું બાળગીત: સ્વરાંકન : પરેશ ભટ્ટ: ‘હાઉક’ આલ્બમ પરથી રવિન નાયક ના સ્વર સંગીત સહગાયક કલાકારો સાથે.

બા, મને ચપટી વગાડતાં આવડી ગઈ.

મારી ચપટી વાગે છે પટ પટ પટ,
જાણે ફૂટે બંદૂકડી ફટ ફટ ફટ,
પેલી બિલ્લી ભાગે છે ઝટ ઝટ ઝટ.
બા, મને બિલ્લી ભગાડતાં આવડી ગઈ.

તું કપડાં ધુએ ભલે ધબ્બ ધબ્બ ધબ્બ,
હું પાણીમાં નહીં કરું છબ્બ છબ્બ છબ્બ,
મારી ચપટી ભીંજાઈ જાય ડબ્બ ડબ્બ ડબ્બ.
બા, મને મુન્ની રમાડતાં આવડી ગઈ.

બા, મને ચપટી વગાડતાં આવડી ગઈ.

-રમેશ પારેખ

આજ તો છેને એવું બન્યું-
એવું બન્યું, બા !
ચાટલામાં હું જોવા જાઉં,
શું હું જોતો આ ?-
સફેદ માથું, સફેદ દાઢી,
સફેદ મોટી મૂછો !
ગભરાઈ જતાં જતાં મેં તો
સવાલ તરત પૂછયો:
હસે છે મારી સામે લુચ્ચું
કોણ રે કોણ છે તું ?
ચાટલામાંથી પડયો પડઘો
તરત ઘડી : “તું !”
આ તો નવી નવાઈ, આવું
બનતું હશે, બા ?
બા હસી બેવડ વળી કહે:
“સો વરસનો થા.” : ઉમાશંકર જોશી : ચાટલા માં : અરીસામાં

નવેમ્બર ૧૪ , ૨૦૨૨ ના રોજ ના બાળદિન નિમિત્તે , બાળગીતો ગુજરાતી ભાષામાં : : નામી અનામી કવિઓ / રચયિતા દ્વારા લિખિત  : : રજુઆત કરી : : વિ જયરાજ પૂણે ઈન્ડિયા : : To Updated every year with Notes : Visit again. later on / every year : This Page / Post on MADHU MALTI Blog. : : તમારા ઘરના અને નજીકના, અને આસપાસના સર્વ બાળમિત્રો ને બાળદિન નિમિત્તે ‘મુબારક હો’ : શુભકામના પાઠવતા : : આભાર : : : : : : : :

https://youtu.be/TQ1MGtoUm3s?feature=shared ઈટ્ટા કિટ્ટા : સુરેશ દલાલ : : સ્વર : ઐશ્વર્યા હિરાણી અને સુપલ તલાટી : સ્વરાંકન : મોનલ સોનેચા : : સંગીત નિયોજન : મેહુલ સુરતી : : આલ્બમ : હસતાં રમતાં : : રેડ રિબન યુ ટ્યુબ રિલીઝ ૨ / ૭ / ૨૦૧૮ : : : :

કિટ્ટા કિટ્ટા…. કિટ્ટા…
કિટ્ટા કિટ્ટા…. કિટ્ટા…

કનુ :
ઇલા તારી કિટ્ટા…

ઇલા:
કનુ તારી કિટ્ટા…

ઇલા:
મારી પાસે મીઠી મીઠી શેરડી ને સિંગો
લે હવે તું લેતો જા હું આપું તને ડીંગો

કનુ :
મારી પાસે ખાટી મીઠી આંબલી ને બોર
એકે નહીં આપુ તને છો ને કરે શોર

ઇલા:
જાણે હું તો આંબલી ને બોર નો તુ ઠળીયો
ભોગ લાગ્યા ભાગ્યના કે ભાઇ આવો મળીયો

કનુ :
બોલી બોલી વળી જાય જીભના છો કુચ્ચા
હવે કદી કરું નહી તારી સાથે બુચ્ચા

ઇલા:
જા જા હવે લુચ્ચા….

ઇટ્ટા અને કિટ્ટાની વાત અલ્યા છોડ
ભાઇ બહેન કેરી ક્યાં જોઇ એવી જોડ

— ઈટ્ટા કિટ્ટા: બાળ ગીત : કવિ શ્રી સુરેશ દલાલ

આલ્બમ : હસતાં રમતાં : : ૧૨ બાળ ગીતો : હોબિ સેન્ટર , સૂરત રિલીઝ ૮ / ૩ / ૨૦૦૭ : : ૧) ઈટ્ટા કિટ્ટા : અહીં ઉપર ક્લિક કરીને સાંભળીએ : : ૨ ) પંડિત ચાલ્યા જાય છે : : ૩ ) વર્ષા  ની રાણી આવી  : :  ૪ ) બચુડો અંગ્રેજી ભણવા જાય : : ૫ )  સ્કૂલમાં થઈ ગઈ છુટ્ટી : : ૨) , ૩), ૪)  ૫) ગીતો સાંભળવા અહીં નીચે ક્લિક કરીને સાંભળીએ : : : : https://tahuko.com/?p=714

Star Gazer : Louis MacNeice : : Star Poems : :

Louis MacNeice ( 1907 – 1963 ) : was widely regarded in the 1930s as a junior member of the Auden-Spender-Day Lewis group: ar. He is remembered as an Irish pet and playwright. : now regarded as one of the most important contemporary Irish poets separate from Auden and his broader fame. : : MacNeice and Stephen Spender were contemporaries and friends at Oxford, serving as joint editors of Oxford Poetry, 1929. MacNeice became a friend of W.H. Auden’s and collaborated with him on Letters from Iceland (1937). And in Modern Poetry (1938). : : . Despite these personal and professional ties, MacNeice did not share the ideological commitments of the “Auden group.”. : : Educated at Marlborough College, raised among books,writing poetry at the age of seven, went up to Merton College at Oxford in 1926, read modern poets as Edith Sitwell and T. S. Eliot., undergraduate collection, Blind Fireworks (1929). His foreword to Blind Fireworks compares its poems to Chinese fireworks, “artificial and yet random; because they go quickly through their antics against an important background, and fall and go out quickly.”, His poems invite us to admire the poet’s versatility in versification and cleverness in imagery, who can speak in his own voice. ;In 1930, he married his Mary and took a position as an assistant lecturer in classics at Birmingham University.MacNeice’s translation of The Agamemnon of Aeschylus (1936), produced by the experimental Group Theatre in 1937 with music by Benjamin Britten. 1930s, Poems (1935) shows a real advance in his work. In poems such as “Belfast,” “Birmingham,” “Sunday Morning,” and “An Eclogue for Christmas,” the poet speaks as a city dweller in an unforced way, observing the scene with detached but sympathetic irony. MacNeice’s love is for “ephemeral things” rather than “pitiless abstractions.” As the bright new poets of the 1930s. T.S. Eliot accepted the volume for Faber & Faber who remained his publisher later too. A Hope for Poetry (1934), C. Day Lewis described MacNeice’s book as “in some ways the most interesting of the poetical work produced in the last two years,”The MacNeices were formally divorced in 1936. He accepted a lectureship in Greek at Bedford College of the University of London. He also wrote Dramas like one , ” Out of the Picture” ( 1937) published in 1938,” I Crossed the Minch” and Zoo.” & His Autobiography volume of poetry in the same 1938, The Earth Compels (1938), is a slim one.,Autumn Journal (1939) is the closest thing to a “major” poem. young woman there. He came to America the next spring 1939 to teach at Cornell.renewed interest in Ireland may also be seen in his The Poetry of W.B. Yeats (1941). Plant and Phantom (1941) marks the end of MacNeice’s career as a bright young poet of the 1930s.From 1941 until his death, Louis MacNeice was a man of the BBC. He remained a scriptwriter and producer with the Features Department until 1961 and worked on a contract basis from then until his death. A dozen of his radio plays have been published: The best of MacNeice’s verse in the 1940s is in his radio dramas. posthumous publications was The Collected Poems of Louis MacNeice (1966), edited by his longtime friend E. R. Dodds. : One such poem of 60’s , is ” Star Gazer”, discussed Herein below: :

Louis MacNeice
Star-Gazer
Forty-two years ago (to me if to no one else
The number is of some interest) it was a brilliant starry night
And the westward train was empty and had no corridors
So darting from side to side I could catch the unwonted sight
Of those almost intolerably bright
Holes, punched in the sky, which excited me partly because
Of their Latin names and partly because I had read in the textbooks
How very far off they were, it seemed their light
Had left them (some at least) long years before I was.

And this remembering now I mark that what
Light was leaving some of them at least then,
Forty-two years ago, will never arrive
In time for me to catch it, which light when
It does get here may find that there is not
Anyone left alive
To run from side to side in a late night train
Admiring it and adding noughts in vain

“Star Gazer” By Louis MacNeice , is about star gazing with a view to LOOKING in to The PAST And about the nature of time, the universality of life, the power of memory : : . The Poet / Speaker / star Gazer knows that the light from some of the stars won’t reach earth until after everyone has died. He begins by recalling a time forty-two years ago ( His 18 th Birthday in the year 1924 ) when he was running from one side of a train car / bogie / rail carriage, to another in order to see the light of the stars, the beauty & the power of light, and the pleasure in gazing the Stats. He ponders over the events wherein, some of the stars , now bursting into life , will never be seen , by him / any star Gazer , because, they are so far away, their light will only reach earth a long, long time in the future. We are looking at stars, not as they are now, but as they were thousands, perhaps even millions of years ago.: : : : He goes on to describe their lifespans and does not touch to his own. The life spans of the stars are prolonged, reaching out years in either direction from the time period the speaker is living in. He notes with amusement that some of the light from stars might not arrive at earth until after the death of humankind. : : : : :

Notes for each of the Two Stanzas Pending visit this post again later on to enjoy the appreciation of the poem. : : V Jayaraj Pune India November 13 , 2022 : : : : : : : :

A. E. Housman : Stars, I Have Seen Them Fall : : Star Poems : :

A E Housman
Starry night : Night Sky With Falling Star : ” No star is lost at all”
Businessman in search of decreased salinity of the sea water after a few rain days

Stars : : A E Housman : : : :
Stars, I have seen them fall, 1
But when they drop and die 2
No star is lost at all 3
From all the star-sown sky. 4
The toil of all that be 5
Helps not the primal fault; 6
It rains into the sea, 7
And still the sea is salt. 8

“Stars” By A E Housman is about the Stars in the Night Sky and about futility. : : Although the stars seen fall, they remain in the sky; although rain falls into the sea, the sea remains the same saltwater it has always been. : :

J. D. Reed , A reviewer in ‘Time’ magazine introduces the poem with a mention of the ‘precise passion’ , rigorously perfect meter and understated rhyme of Housman’s work. There is little, after all, in English lyric poetry that surpasses one of his finest poems.” : :

About ‘ Precise Passion’ : : Not even on the part of “all that be” ( line 5 ) —can change human nature for the better or provide physical relief as from pain , suffering or misery. “Primal fault” mentioned by the Poet / Speaker refers to ‘original sin’, ‘the fallen’ state of human nature as believed by some Christians. Our system see it in some cases it calls as perverted or corrupt criminals who have deviated from what is morally right, proper or good. Some misdirected individuals vitiate by intemperance or sensuality . The toil ( productive work ) does not help or make all these easier. It is all futile : The stars representing sizably the large extent of miseries against which falling stars can make no difference; the salty ocean of human suffering can not be diluted by rainfall. : : “The fallen star drop and die” ( line 2 ) , “No star is lost at all.” ( line 3 ) : ” It rains in to the sea , ( line 7 ) ” And still the sea is salt.” ( line 8 ) : : These are the metaphors in the poem which explains the ‘futility’ : : Gareth Rees writes about these metaphors : ” this is a kind of futility, which we could file under the heading ‘misapplication of effort’ rather than ‘task impossibly large’ : : Why so ? Because as we understand , the falling stars are a different kind of object from real stars. , the meteor, burnt to ashes while entering our earth’s atmosphere. And the clouds formed from a process of evaporation arisen from the Vast Seas Water which alongwith other factors bring rains on changing seasons ( like differential depression in air pressures on Sea-Sides & on the landscapes due to the greatly heated vastness of the land masses ) hence what is stated in the opening & end in the 8 lines poem can never have the effect such as Number of stars are not decreased & remains the same and salinity of sea water is not decreased and remains as salty as all the time. It will be a stupidity if anyone tries counting the numbers of stars in the night sky, or tries measuring the salinity of sea water every now and then. The mankind can analyse the causes of the human sufferings and miseries, and by all the wisdom of the Humanities can learn , by the mistakes , done by the leaders , in every fields of activities.

“The star-sown sky” ( line 4 ) is beautiful and the salt sea was the ‘ Origin of Life’ and further evolution in animal & Plant Kingdom. Salinity and alkaline nature of fluids are responsible for The Physiology and Systems in any living forms. The Sea life of the ocean depends on its salinity, and a fresh-water provided by the raining on Earth. So the ” primal fault” is not that bad. The productive efforts of Mankind should be looking out more innovative , scientifically well directed pursuits of development and balanced state of affairs at all levels.

“Stars , I have Seen Them Fall ” , A Star Poem : By A E Housman : Information Appreciation and poem Analysis Presented by V Jayaraj Pune India November 12 , 2022 : : : : : : : :

3D rendering of a swarm of Meteorites or asteroides entering the Earth atmosphere.
Futility in search of decreasing salinity of sea water few rain days

The Starlight Night : Gerard Manley Hopkins : Sonnet : : Star Poems : :

Nebula in galaxy over silhouette building on and city night sky
Copy of Van Gogh’ s Painting. Of ‘Poplar’ tree Painting : Butter yellow leaves get this change in colour in Aurumn/ winter from white silvery colour ( in under surface of the leaf.
White/ silver Poplar Tree ( Populus alba ) white tree bark & white leaf under surface identity : The White Poplar or Abele is a large suckering tree of very fast growth for tough conditions with attractive white down on the underside of the leaves. Lovely in autumn when the leaves turn butter yellow.

Our White Poplar trees are English grown from genuine English origin (provenance) stock grown naturally in fertile English soil. Because our White Poplar trees are 100% English provenance and English grown, they make an excellent choice for any woodland or landscape planting scheme. If you are including native species, we think it is easy to be misled. Some suppliers use the word “native” to describe their trees but this does not necessarily mean that they are English grown or of English origin. Many are imported from continental Europe. Don’t compromise on quality. When you want the best choose quality English grown, English origin White Poplar from Botanica shown in the picture here.

Bare Root White Poplar trees are only available during the season November to March. Precise dates are notified each year.
Close up of female willow catkins on an early spring tree with budding leaves.
Budding willow tree and shrubs on the banks of a river
White blossom/ Cluster of Flowers on a fruit trees in Orchard during March / April period of Spring.
white spring flowers blooming on a tree close up of branch illuminated by the morning sun springtime April : Soon , the fruits Will come up & get ready to ripen later by May. : : An orchard is an intentional plantation of trees or shrubs that is maintained for food production. Orchards comprise fruit- or nut-producing trees which are generally grown for commercial production of fruits such as , Mangoes, 🍑 Peach, Apple , Lemons , sour cherries, Streuobstwiese, Etc. Orchards are also sometimes a feature of large gardens : e. g. Mango Orchards in India, where they serve an aesthetic as well as a productive purpose. A fruit garden is generally synonymous with an orchard, although it is set on a smaller non-commercial scale and may emphasize berry shrubs in preference to fruit trees.

Star light night : The shinning Stars hanging around up in the cold sky down looking at the Farmyard building/ home
Gerard Manley Hopkins is considered to be one of the greatest poets of the Victorian era. However, because his style was so radically different from that of his contemporaries, his best poems were not accepted for publication during his lifetime, and his achievement was not fully recognized until after World War I.Hopkins’s family encouraged his artistic talents when he was a youth in Essex, England. : : Estranged from his Protestant family when he converted to Roman Catholicism. Upon deciding to become a priest, he burned all of his poems and did not write again for many years. His work was not published until 30 years after his death when his friend Robert Bridges edited the volume Poems. : : Kate Smith Hopkins (1821-1900), was the daughter of a London physician. Better educated than most Victorian women, she was particularly fond of music and of reading, especially German philosophy and literature and the novels of Dickens. : : He was married to Katherine Beechey.

The Starlight Night
BY GERARD MANLEY HOPKINS
Look at the stars! look, look up at the skies!
O look at all the fire-folk sitting in the air!2
The bright boroughs, the circle-citadels there! 3
Down in dim woods the diamond delves! the elves’-eyes! 4
The grey lawns cold where gold, where quickgold lies! 5
Wind-beat whitebeam! airy abeles set on a flare! 6
Flake-doves sent floating forth at a farmyard scare! 7
Ah well! it is all a purchase, all is a prize. 8

Buy then! bid then! — What? — Prayer, patience, alms, vows. 9
Look, look: a May-mess, like on orchard boughs! 10
Look! March-bloom, like on mealed-with-yellow sallows! 11
These are indeed the barn; withindoors house 12
The shocks. This piece-bright paling shuts the spouse 13
Christ home, Christ and his mother and all his hallows. 14

Source: Gerard Manley Hopkins: Poems and Prose (Penguin Classics, 1985) : :

“Starlight Night” By Gerard Manley Hopkins , written in 1877 , is lately the most popular Sonnet : the Octave’s first eight lines follow a rhyme scheme of ABBAABBA. within Petrarchan or Italian sonnets ; the Sestet ‘s Six lines of various patterns contain 3 different end rhymes : the unusual, CCDEED. The images of stars are beautiful and transcendental ( non natural ) : : For instance , “elves — eyes” is compared to shining cities in the sky. The Stars are skyward , unreachable but can not be disregarded. The Stars are appreciated in the poem as ‘Godly connected’ and with ‘His creations.’ : : In terms of his own poetic theory, Hopkins is creating the inscape, the uniqueness of this particular sky scene presumably of Milky Way, and its diffused starlight from the billions of stars as we know from 21 st Century’s accumulated science knowledge ) : : : :

The readers/ listeners are called up on to look up the sky to notice the beautiful Stars : “ all the fire-folk sitting in the air! ”( line 2 ) : The stars are compared to “circle-citadels” ( line 3 ) and “diamond delves.” ( line 4 ) : However, People do not seem to have a time and the energy to observe the beautiful world around them. God’s creation is taken for granted. : As the Stars are Souls of the dead , their fantastic and magical sight in the night has greatly and meaningfully appreciated. : : : :

“Look at the stars! look, look up at the skies!
O look at all the fire-folk sitting in the air!2
The bright boroughs, the circle-citadels there! 3
Down in dim woods the diamond delves! the elves’-eyes! 4
The grey lawns cold where gold, where quickgold lies! 5
Wind-beat whitebeam! airy abeles set on a flare! 6
Flake-doves sent floating forth at a farmyard scare! 7
Ah well! it is all a purchase, all is a prize. 8 : : The Octave of the lines 1 To 8 : : Stanza 1 : : : :

The Speaker in the starting lines 1 & 2 , is demanding the readers/ listeners of the poem to look up the sky to closely notice and associate with their personification : “fire — folk sitting in the air ” : Here , the fire in the cold sky in the night, light up the feelings of great warmth and intensity. The twinkling presence of the Stars can flush the eyes with fervor enough to arouse the emotions and work up to a state of appreciation, that will be prayed up with us. : : The stars are “bright boroughs” and “circle-citadels.” ( line 3 ) : They can open up the future prospects of life. The “bright boroughs, the circle citadel” ( line 3 ) : : : : ( bu – ru ) & ( si – tu , del ) are small town of a constituency / division of the city , and a bastion / Stronghold of shelter, respectively which can have an ‘Origin’ & ‘Flourishing’ of the ‘Developing Cities’ Owing to the Stars up above in the hanging Sky. : : The empty space above one’s head is like a “dim wood.” ( line 4 ) : The Stars up above in the Grey Cold Sky which may be comparable to the “dim woods” Or the shadowy , dull or dimmed shafts of the older time ‘wooden lifts’ used in sending down the miners at the deep mining sites that gathered subdued lighting ; and later, bringing them back, up to the ground : alongwith the diamonds & silver , etc. Precious metals excavated by them ; ( which can be listed such as : golden yellow , red , deep earth blue, green ,grey coloured gems / jewels / diamonds : in reference herein with Fairy : To name few like : : Elrond’s eyes grey as a clear evening ; his daughter Arwen’s “the light of stars was in her bright eyes, grey as a cloudless night”: as described in the fellowship of the Ring : luthien’s eyes : grey as starlit evening ) : : The word : “delves” is an archaic plural of ‘delf’, meaning a ‘mine’ : Now , to understand the meaning in this poem : :
The skyward stars , up above seem like diamonds , as seen by cavers from the bottom of a mine-shaft. The diamonds like skyward stars are breaking up the ‘sameness & constancy’ and ‘cold old neutrality’ of the “grey lawns.” : Also, they have great visuals of the magical Stars, like “elves’-eyes !” ( line 4 ) : ( bright flashes of mischievous Fairies / Elves who live deep below the ground guarding treasure of Gold in the Earth. ) : : : :

“where quickgold lies!” ( line 5 ) refers to the mines containing deposits of precious metals including ‘quicksilver’ Or Elements of silvery ‘Mercury’ ( which is by name a Planet Mercury, the first planet nearest to the Sun. ) : As aforesaid “Diamond delves” ( line 4 ) equates the stars in the night sky to diamonds in dark mines or caves. ( “where quickgold lies” line 5 ) : The sky, with its shining stars are “all a purchase” and “all…a prize.” ( line 8 ) : Have a time , look up and get a reward and bestowed honour of seeing them. : : : : The Speaker describes the Stars as ” Wind – beat white beams ! airy ables set on a flare ! “( line 6 ) : “abeles” are poplar trees ( Poplas alba ) : which has white bark & leaves with whitish under surfaces : Originally English , widely cultivated also in Europe & US. : : Because of the whiteness of ables, they are described in the poem as “Wind — beat white beam! ” : The description in : “grey lawns cold where gold, where quickgold lies” ( line 5 ) : has a reference to the cold darker patches of the night sky ( where fewer stars are visible ) : That is why these old patches in the sky are described as “cold grey lawns” : : ( However, that space can be explored with powerful telescope showing More Stars / in far off galaxy. : In reality some patches are surprisingly there in the Universe, but that is differently located. ) : : : : And then , A very interesting line floats around while gazing at the sky! : : Snow – White ” Flake — doves sent floating forth at a farmyard scare ! ” ( line 7 ) : The ‘cold greyness’ of the “grey lawns” ( are like ( grey) Rock Pigeons : not said in the poem , just to remind in Indian reference ) “doves” : And in to this cold greyness : representing visual of cold night sky , the renewed , dovey white , conspicuously flaky White Stars , are floating which resemble to crystallized cover of sparkling white snow flakes , and are now , night time Shinning Stars in the grey cold sky : : The visuals look like the Starlight ( presumably in Our Milky way galaxy not mentioned in the poem ) : And these white “Flake — doves” ( are God sent ) “sent floating forth” : Meaning These Stars are unfixed , unsettled in the sense that the stars are set afloat, in the greyness of the sky ( and hence visible to us , as moving from East through West in the sky ), which we see as being adrift, with motion in the changing sky with night progresses. : : Also at an area adjacent to the farm buildings Or farmyard , we , as an Observant , see these floatation of the Stars up in the sky , suddenly found as down looking at the earth with its Shinning or Sparkling , Conspicuously hanging around the building, where we / our family live .. . and become “scary !” : that is the suddenly occuring experience : beautiful , fantastical and magical ” a farmyard scare!” : ( line 7 ) : Hereafter , The Poet/Speaker exclaims , ” Ah well! it is all a purchase, all is a prize” ( line 8 ) : Dr Oliver Tearle explains the line 8 , as HERE In BELOW : :

‘ Why so? Because one only gets out of it what one puts in: if we don’t take the time to look up at the sky and admire the stars and heavens, we’ll never be able to appreciate their beauty. Here it is relevant that Hopkins may have been inspired to write “The Starlight Night” , after he missed the total eclipse of the moon on 28 February 1877 – partly because nobody else had been interested in the phenomenon and Hopkins had not been made aware that it was happening.’ : : : :

“Buy then! bid then! — What? — Prayer, patience, alms, vows. 9
Look, look: a May-mess, like on orchard boughs! 10
Look! March-bloom, like on mealed-with-yellow sallows! 11
These are indeed the barn; withindoors house 12
The shocks. This piece-bright paling shuts the spouse 13
Christ home, Christ and his mother and all his hallows.” 14 : : : : Sestet of 6 lines 9 To 14: Stanza 2 : : : :

The Central idea of Sestet of 6 lines 9 To 14 is , about Man’s failure to appreciate the Nature and admire God’s Creations. The way we ‘Buy’ Or “bid” for the privilege of looking at the stars is through “Prayer, patience, alms, vows.” ( line 9 ) : : : : The “May — mess” or cluster of stars recalls white blossom on fruit trees, ” like on orchard boughs ! ” ( line 10 ) in May, and “March-bloom like on ( blossom on willow trees ) “mealed – with – yellow sallows” ( line 11 ) : ( like on blossom on willow trees ) : : The heart and soul , then, the “shocks” or bundles ” : ( line 13 ) withindoors house”( line 12 ) , are the souls of those in heaven , and so , the stars, in representing those heavenly souls , are also like bundles of wheat. : Here , there is One Biblical reference : ( Matthew 13:30 : ‘in the time of harvest I will say to the reapers, Gather ye together first the tares, and bind them in bundles to burn them: but gather the wheat into my barn’ ) : : The ‘chaff ‘ / ‘tares’ are in the hell which have to be burnt. : : “bright-piece paling shuts the spouse” : ( line 13 ) ” Christ home , Christ and his mother and all his hallows.”: ( line 14 ) : these are the holy souls/ spirits in Heaven are all up there home : The Stars are the Souls shinning down at Earth & Its habitants / their soulmates. As Gerard Manley Hopkins was a Priest of Catholic Church , he linked the Nature ( creating & controlling the things in the Universe , described beautifully in Octave ) with Christianity ( Prescribed in the final lines of the poem in Sestet ) with his extraordinary linguistic abilities. : : : :

” The Starlight Night ” By Gerard Manley Hopkins: A Star Poem : Religious Poem: Information Appreciation and poem Analysis Presented by V Jayaraj Pune India November 11 , 2022 : : : : : : : :

Ah Moon – and Star! : Emily Dickinson : : Star Poems : :

Heaven Star With Moon

Ah, Moon – and Star!

Ah, Moon – and Star!
You are very far –
But – were no one farther than you –
Do you think I’d stop for a firmament –
Or a cubit – or so?

I could borrow a Bonnet – of the Lark –
And a Chamois’ Silver Boot –
And a stirrup of an Antelope –
And leap to you – tonight!

But – Moon – and Star –
Though you’re very far –
There is one – farther than you –
He – is more than a firmament – from Me –
So I cannot go!
— Emily Dickinson : : F262 (1861) 240 : : : : :

“Ah, Moon – And Star” By Emily Dickinson is about a star & unavailability of a loved one , realised on star gazing alongside Moon. When we are inclined to contemplate her beloved as Jesus Christ ( And : His awayness realised with His unavailability Or state of being elsewhere than in particular place ) , the Poem suddenly becomes a religious poem Or a Poem Of Religious Doubts : : She says that Moon and Star are not as far away as her beloved. The one she loves is farther off still. She looks at the moon and perhaps Venus, the Evening Star ( which looks like a bright star ) : If a man she loves were closer say, as close as a Moon , then she could leap and fly – “a firmament” like “the lark” Or ” a chamois’ silver boot –” Or “an Antelope –” ( as stated in Stanza 1 ) to reach him. In the end , she concludes and conveys to “Moon — and Star –” that ” Though you’re very far — There is one — farther than you — He — is more than a firmament — from me — So I can not go! ” ( Stanza 3 : last lines of the poem ) The poem is childlike telling of her dreaming like a ‘Super Woman ‘ : As well as with sad , pensive realisation admitting non – reciprocal or an unanswered love arisen from the unavailability of her beloved prince. : : : :

“Ah , Moon — And Star ” : By Emily Dickinson , A Star Poem : Love Poem : Information Appreciation and poem Analysis Presented by V Jayaraj Pune India November 10 , 2022 : : : : : : : :

Bright Stars , Would I Were Steadfast As Thou Art : John Keats : Sonnet : : Star Poems : :

John Keats ( 1795 – 121 )

Bright star, would I were stedfast as thou art
BY JOHN KEATS
Bright star, would I were stedfast as thou art— 1
Not in lone splendour hung aloft the night 2
And watching, with eternal lids apart, 3
Like nature’s patient, sleepless Eremite,
The moving waters at their priestlike task 5
Of pure ablution round earth’s human shores, 6
Or gazing on the new soft-fallen mask 7
Of snow upon the mountains and the moors— 8
No—yet still stedfast, still unchangeable, 9
Pillow’d upon my fair love’s ripening breast, 10
To feel for ever its soft fall and swell, 11
Awake for ever in a sweet unrest, 12
Still, still to hear her tender-taken breath, 13
And so live ever—or else swoon to death. 14

“Bright star! Would I were steadfast as thou art” By Romantic Poet, John Keats ( 1795 – 1821 ) is probably the most famous sonnet He wrote it. Originally written in 1819, and revised a year later, When Keats knew that he was dying from tuberculosis, The poem is in part about this awareness that he will die young.

Keats, addressing a bright star in the night sky, says, ” I wish I were as durable and fixed as you are. Not because you’re alone up there in the sky, and constantly watching the seas wash around the shores of the earth, or the annual cycle of the snow falling on the earth, with your eyes constantly open,

like a religious hermit with insomnia.


No, I don’t want to be unchanging and immortal like you and be up there on my own: I want to be as unchanging as you are, but down here, my head resting upon my young beloved’s breast.

Then I could feel the rise and fall of her breast and she breathes, forever; I could be always awake and it would be sweet. I could always hear her breathing, and live forever – or, if all this isn’t possible, then let me die, because it’s not worth living if I can’t do that.” : : : :

:

“Bright star, would I were stedfast as thou art— 1
Not in lone splendour hung aloft the night 2
And watching, with eternal lids apart, 3
Like nature’s patient, sleepless Eremite,4
The moving waters at their priestlike task 5
Of pure ablution round earth’s human shores, 6
Or gazing on the new soft-fallen mask 7
Of snow upon the mountains and the moors— ” 8 : : : : Octave : : lines 1 To 8 : : : :

The Poem ” Bright star” is addressed to a Star, probably the North Star ( Polaris ) , as it is the only one that does not move in the sky. A personification of the figure of the star representing eternity and patience : an image of steadfastness in order to depict how true a lover’s heart is. : He does not want to be in “lone splendour , hung aloft the sky ” ( line 2 ) as he needs company. He has no identifying desire with this star. Why to stuck in the sky with a starry eyes looking at the Nature. He would become a “patient, sleepless Eremite,” ( line 4 ) or hermit / a Christian recluse. He does not want religious eternity ; “the moving waters at their priest like task” ( line 5 ) ” Of pure ablution round earth’s human shores,” ( line 6 ) : “ablution ” is the ritual washing with a sacred water of the vessel in the Church Or of a priest’s hand ( compared here with the daily ebb and flow of the tides ) absolving human’s Sins : Keats believed in a sort of spirituality, but didn’t practice church’s traditional practices and belief. : The priest like task is followed by “snow up on the mountains and the moors ” ( line 8 ) : moors are un – cultivable English plain soil lands covered with lowly Heather , green high weed ferns , and moss. : Both these snowy mountains and moors refer to the cold isolated places : the lonely places , he would avoid. : “The snow upon the mountains” is described as a “gazing on the new soft-fallen mask” ( line 7 ) : It is clean , unused, stainless and ‘Pure’ : like one around “earth’s human shores” ( line 6 ) : : The star might be “gazing” / gently looking on the “new soft – fallen masks of snow up on the mountains and moors” ( lines 7 & 8 ) : The pure beauty on the earth is thus described. : : : :

” No—yet still stedfast, still unchangeable, 9
Pillow’d upon my fair love’s ripening breast, 10
To feel for ever its soft fall and swell, 11
Awake for ever in a sweet unrest, 12
Still, still to hear her tender-taken breath, 13
And so live ever—or else swoon to death.” 14 Sestet of lines 9 To 14 : : : :

Notes for Sestet of lines 9 To 14 Pending visit this post again later on to enjoy the appreciation of the poem. V Jayaraj Pune India November 9 , 2022 : : : :

The Stars are Mansions Built by Nature’s Hand : William Wordsworth : Sonnet : : Star Poems : :

William Wordsworth
Silhouette of person on top of the mountain over the watery body, pointing flashlight on the Sky filled with Stars at night time.
A beautiful woman back flipping in the spring time greenery and flowering
Flowers of the Spring , the first season of the year.
Dome of the Sky : partly shown with flowers , Sun , our beloved Star, and beautiful blue colour of our sky.
In Appreciation of our EARTHLY Hemisphere Presented in looking out in the Universe , far away from Humanity.

The Stars Are Mansions Built By Nature’s Hand Poem by William Wordsworth : : : : The stars are mansions built by Nature’s hand, 1
And, haply, there the spirits of the blest 2
Dwell, clothed in radiance, their immortal vest; 3
Huge Ocean shows, within his yellow strand,
A habitation marvellously planned, 5
For life to occupy in love and rest; 6
All that we see–is dome, or vault, or nest, 7
Or fortress, reared at Nature’s sage command. 8
Glad thought for every season! but the Spring 9
Gave it while cares were weighing on my heart, 10
‘Mid song of birds, and insects murmuring;
And while the youthful year’s prolific art–
Of bud, leaf, blade, and flower–was fashioning 13
Abodes where self-disturbance hath no part. 14

William Wordsworth : : : :

“Stars are Mansions Built by Nature’s Hand : An Italian Style Sonnet By William Wordsworth , is about the beauty of the night time Stars and about the Idea that each star is a structure built by God and is the abode of “the spirits of the blest”. The poem sentimentalizes the mind in praise of the Nature and of God. The reflection of the stars are an incomplete indication of the night sky from a different angle, the better to pick up the meaning of how this ” habitation ” is all “marvellously planned” ( line 5 ) : : : :

The stars are mansions built by Nature’s hand, 1
And, haply, there the spirits of the blest 2
Dwell, clothed in radiance, their immortal vest; 3
Huge Ocean shows, within his yellow strand” Stanza 1 : First Quatrain : lines 1 To 4 : : : :

The Christians believe in Heaven made up of the mansions wherein Spirits or Souls oft the true believers reside. They “Dwell, clothed in radiance” ( line 3 ) : These Stars are reflected briefly in the surface of the waters of the ” Huge Ocean within his yellow strand” ( line 4 ) : : : :

“A habitation marvellously planned, 5
For life to occupy in love and rest; 6
All that we see–is dome, or vault, or nest, 7
Or fortress, reared at Nature’s sage command.” 8 : : Stanza 2 : Second Quatrain : lines 5 To 8 : : : :

“A habitation marvellously planned,” ( line 5 ) , “For life to occupy in love and rest;” ( line 6 ) , that is the flora and fauna of the “Huge Ocean” are marvellously / superbly / wonderfully planned by A ‘Creator’ : God , in a way creating a life that inspires love , rest , pleasure and awe. “All that we see — is dome ( a hemispherical concave shaped Sky – roof whose concavity faces downward towards Earth/ dwellings of all living beings. ) , ” Or vault ” : ( A strong room which is up-keeping all the living beings safely) , ” or nest” ( which are built instinctively by the creatures like birds , the sea – life of aquatic creatures to lay their eggs to safely and surely procreate / giving life / birth to the young ones. ) ” Or fortress,” ( A fortified defensive abode which is impenetrable against any harm or damage by any forces) : : All these wonderful Structures are reared / set up at Nature’s sage/ wise command.( lines 7 & 8 ) : This is a great skillful and knowledgeable act at an authoritative direction of The Creator Via Nature. : : : :

“Glad thought for every season! but the Spring 9
Gave it while cares were weighing on my heart, 10
‘Mid song of birds, and insects murmuring;
And while the youthful year’s prolific art–
Of bud, leaf, blade, and flower–was fashioning 13
Abodes where self-disturbance hath no part”. 14 : : : : Stanza 3 : Sestet of 6 lines 9 To 14 : : : :

All wonderful Seasons are part of Nature. Hence meet every season with “Glad thought” ( line 9 ) : Meaning , ‘ Be cheerful / gladsome’ as well as , ‘Be grateful and thankful ‘ To Great Nature.: : The Spring gives comfort and peace ☮️ , ” Gave it while cares were weighing on my heart” : ( line 10 ) In Autumn , Winter Or Fall , the Seasons previous to the first Season of the year, the Spring , ” Mid song of birds , and insects murmuring; : ( line 11 ) are unheard of which are brought out by the Springs. : : Moreover , as line 13 mentions, ” Of bud, leaf,blade, and flower – was fashioning” are artfully detailed out by the”Nature ” which is behind its devising or making. These are Nature’s home / “Abodes” of beautiful creations ” where self disturbance hath no part.” : ( last line 14 ) : where one can overwhelmingly enjoy and become lost appreciating the Great Creator of a Wonderful and amazing World of beauty in our dwelling places / HOME : : : :

The Stars Are Mansions Built by Nature’s Hand ” A Star Poem By William Wordsworth Sonnet : : Information Appreciation and poem Analysis Presented by V Jayaraj Pune India November 8 , 2022 : : : : કાર્તક સુદ પૂર્ણિમા : દેવ દિવાળી : : : :

Not from the stars : Sonnet 14 : William Shakespeare : : Star Poems : :

William Shakespeare
The first twelve lines of Sonnet 14 in the 1609 Quarto

Not from the stars do I my judgement pluck;
And yet methinks I have astronomy, 2
But not to tell of good or evil luck,
Of plagues, of dearths, or seasons’ quality; 4
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain and wind,
Or say with princes if it shall go well,
By oft predict that I in heaven find: 8
But from thine eyes my knowledge I derive,
And, constant stars, in them I read such art
As “truth and beauty shall together thrive,
If from thyself to store thou wouldst convert”; 12
Or else of thee this I prognosticate: 13
“Thy end is truth’s and beauty’s doom and date.” 14


—William Shakespeare

Sonnet 14 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence. : : The addressee of the early Sonnets, to marry and sire an heir. The poem takes astrology as its (rejected) trope, and begins with the line : “Not from the stars do I my judgement pluck”. : : Shakespeare rejects the idea of ‘Astronomy’ /‘astrology’ ( same in his era ) , or divining the future by the stars , as a way of making predictions for plagues or famines or harvest. : : Most critics agree that Shakespeare wrote this sonnet in order to convince Henry Wriothesley, 3rd Earl of Southampton to produce an heir. The speaker that may not know how to predict the future or what will happen, but they do know the value of procreating to retain one’s beauty throughout the ages. : : The Bard’s argument boils down to the idea of divining the doom of beauty if the Fair Youth doesn’t procreate. Which, to say the least, puts quite a lot of responsibility on the young man’s shoulders… : : : :

Quatrain 1 has multiple references to astronomy, and other literature. The Speaker can only predict the future through the object of their poem’s eyes. According to Frederick Fleays, lines 3-4 are possible references to plagues that occurred in 1592–1593, and the dearths that followed in 1594–1596. Alfread Rollins also states there was an irregularity in the seasons in 1595–1596, which all could have influenced these lines from Shakespeare.

Quatrain 2 : : Lines 8–9 have influences from Ovid’s Amores and Shakespeare’s own “Love Labor’s Lost”. George Steevens points out that Shakespeare’s early comedy included a line stating “From women’s eyes this doctrine I derive.” it is explaining the importance of procreation, and that it is necessary. it indicates Roman influence on Shakespeare’s poetry. : : line 8 , ‘By oft predict that I in heaven find’, could mean ‘by frequent prediction of what I find in heaven’, but sometimes ‘oft’ has been emended to ‘aught’, meaning ‘anything’, so the line’s meaning could be analysed as ‘nor can I predict anything from what I observe in heaven’.

Quatrain 3 : : Lines 10-11 are saying that one can see that truth and beauty would thrive together; if only you would focus on the business of making provisions for yourself.

Couplet : : lines 13 & 14 : : Shakespeare uses the portentous polysyllabic verb prognosticate with the alliteration ‘doom and date’ which is the stock in the trade of astrologers. This is Shakespeare’s prognostication, and it is delivered with a smile. West believed this due to the emphasis against the metre on ‘this’. : : Line 14 is saying that when one is dead, their truths and beauties come to an end as well.

Not from the stars : Sonnet 14 : William Shakespeare : : Stars Poems : : Information Appreciation and poem Analysis Presented by V Jayaraj Pune India November 6 , 2022 : :

Winter : 25 Poems For Kids : : Various Poets : : Winter Poems : :

Poems written by great poets have deep meanings and can transport children into another world. Reading poems also helps develop children’s vocabulary and language skills. Read these poems aloud with your child over a hot bowl of soup and by the fireside in winter. : : : :

February Twilight
by
Sara Teasdale


Next

I stood beside a hill
Smooth with new-laid snow,
A single star looked out
From the cold evening glow.

There was no other creature
That saw what I could see—
I stood and watched the evening star
As long as it watched me


Sara Teasdale (1884 – 1933)

The First Sleigh-Ride
O happy time of fleecy rime
And falling flakes, and O
The glad surprise in the baby eyes
That never saw the snow!

Down shining ways the flying sleighs
Go jingling by, and see!
Beside the gate, the horses wait
And neigh for you and me!

—Sara Teasdale

Places [III. Winter Sun]
There was a bush with scarlet berries,
And there were hemlocks heaped with snow,
With a sound like surf on long sea-beaches
They took the wind and let it go.
The hills were shining in their samite,
Fold after fold they flowed away;”
Let come what may,” your eyes were saying,
“At least we two have had to-day.”

—Sara Teasdale

The Frosted Pane
When I wakened, very early,
All my window-pane was pearly
With a sparkling little picture traced in lines of shining white;
Some magician with a gleaming
Frosty brush, while I was dreaming,
Must have come and by the starlight worked through all the quiet night.

He had painted frosty people,
And a frosty church and steeple,
And a frosty bridge and river tumbling over frosty rocks;
Frosty mountain peaks that glimmered,
And fine frosty ferns that shimmered,
And a frosty little pasture full of frosty little flocks.

It was all touched in so lightly
And it glittered, oh, so whitely,
That I gazed and gazed in wonder at the lovely painted pane;
Then the sun rose high and higher
With his wand of golden fire
Till, alas, my picture vanished and I looked for it in vain!

—Evaleen Stein


Winter Time
Late lies the wintry sun a-bed,
A frosty, fiery sleepy-head;
Blinks but an hour or two; and then,
A blood-red orange sets again.

Before the stars have left the skies,
At morning in the dark I rise;
And shivering in my nakedness,
By the cold candle, bathe and dress.

Close by the jolly fire I sit
To warm my frozen bones a bit;
Or with a reindeer-sled, explore
The colder countries round the door.

When to go out, my nurse doth wrap
Me in my comforter and cap;
The cold wind burns my face, and blows
Its frosty pepper up my nose.

Black are my steps on silver sod;
Thick blows my frosty breath abroad;
And tree and house, and hill and lake,
Are frosted like a wedding cake.

—Robert Louis Stevenson

Picture Books In Winter
Summer fading, winter comes—
Frosty mornings, tingling thumbs,
Window robins, winter rooks,
And the picture story-books.

Water now is turned to stone
Nurse and I can walk upon;
Still, we find the flowing brooks
In the picture story-books.

All the pretty things put by,
Wait upon the children’s eye,
Sheep and shepherds, trees and crooks,
In the picture story-books.

We may see how all things are
Seas and cities, near and far,
And the flying fairies’ looks,
In the picture story-books.

How am I to sing your praise,
Happy chimney-corner days,
Sitting safe in nursery nooks,
Reading picture story-books?

—Robert Louis Stevenson

Snowflakes
Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent and soft and slow
Descends the snow.

Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.

This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.

—Henry Wadsworth Longfellow

Winter You Have Come
Winter, winter you have come,
Very cold has the weather become.
There is snow in the northern places,
Many things on earth it replaces.
I wonder how snow feels like,
but to see snow, I might have to hike.
It’s very cold at night,
So, hot chocolate is a delight.
The night is long, and the days are short,
And frozen is the port.
Bears and frogs are having their sweet dreams,
While I am sitting near a pot that is steaming.
Winter, winter you have come,
Very cold has the weather become.

—Rudra A

Five Little Snowflakes
One little snowflake with nothing to do.
Along came another and
Then there were two.

Two little snowflakes laughing with me.
Along came another, and
Then there were three.

Three little snowflakes looking for some more.
Along came another, and
Then there were four.

Four little snowflakes dancing a jive.
Along came another, and
Then there were five.

Five little snowflakes having so much fun.
Out came the sun, and
Then there were none!

—Leanne Guenther

Poems written by great poets have dee

After the Winter
Claude McKay – 1889-1948


Some day, when trees have shed their leaves
And against the morning’s white
The shivering birds beneath the eaves
Have sheltered for the night,
We’ll turn our faces southward, love,
Toward the summer isle
Where bamboos spire to shafted grove
And wide-mouthed orchids smile.

And we will seek the quiet hill
Where towers the cotton tree,
And leaps the laughing crystal rill,
And works the droning bee.
And we will build a cottage there
Beside an open glade,
With black-ribbed blue-bells blowing near,
And ferns that never fade.

Snow Song
Frank Dempster Sherman



Over valley, over hill,
Hark, the shepherd piping shrill!
Driving all the white flocks forth
From the far folds of the North.
Blow, Wind, blow ;
Weird melodies you play,
Following your flocks that go
Across the world to-day.

How they hurry, how they crowd
When they hear the music loud I
Grove and lane and meadow full
Sparkle with their shining wool.
Blow, Wind, blow
Until the forests ring:
Teach the eaves the tunes you know,
And make the chimney sing!

Hither, thither, up and down
Every highway of the town,
Huddling close, the white flocks all
Gather at the shepherd s call.
Blow, Wind, blow
Upon your pipes of joy;
All your sheep the flakes of snow
And you their shepherd boy!

Sounds of the Winter
Walt Whitman – 1819-1892


Sounds of the winter too,
Sunshine upon the mountains—many a distant strain
From cheery railroad train—from nearer field, barn, house
The whispering air—even the mute crops, garner’d apples, corn,
Children’s and women’s tones—rhythm of many a farmer and of flail,
And old man’s garrulous lips among the rest, Think not we give out yet,
Forth from these snowy hairs we keep up yet the lilt.

When the Year Grows Old
Edna St. Vincent Millay – 1892-1950


I cannot but remember
When the year grows old—
October—November—
How she disliked the cold!

She used to watch the swallows
Go down across the sky,
And turn from the window
With a little sharp sigh.

And often when the brown leaves
Were brittle on the ground,
And the wind in the chimney
Made a melancholy sound,

She had a look about her
That I wish I could forget—
The look of a scared thing
Sitting in a net!

Oh, beautiful at nightfall
The soft spitting snow!
And beautiful the bare boughs
Rubbing to and fro!

But the roaring of the fire,
And the warmth of fur,
And the boiling of the kettle
Were beautiful to her!

I cannot but remember
When the year grows old—
October—November—
How she disliked the cold!

“When the Year Grows Old” was published in Millay’s book Renascence and Other Poems ( M. Kennerley, 1917 )

Woods in Winter
Henry Wadsworth Longfellow – 1807-1882


When winter winds are piercing chill,
And through the hawthorn blows the gale,
With solemn feet I tread the hill,
That overbrows the lonely vale.

O’er the bare upland, and away
Through the long reach of desert woods,
The embracing sunbeams chastely play,
And gladden these deep solitudes.

Where, twisted round the barren oak,
The summer vine in beauty clung,
And summer winds the stillness broke,
The crystal icicle is hung.

Where, from their frozen urns, mute springs
Pour out the river’s gradual tide,
Shrilly the skater’s iron rings,
And voices fill the woodland side.

Alas! how changed from the fair scene,
When birds sang out their mellow lay,
And winds were soft, and woods were green,
And the song ceased not with the day!

But still wild music is abroad,
Pale, desert woods! within your crowd;
And gathering winds, in hoarse accord,
Amid the vocal reeds pipe loud.

Chill airs and wintry winds! my ear
Has grown familiar with your song;
I hear it in the opening year,
I listen, and it cheers me long

The Snow Storm
Ralph Waldo Emerson – 1803-1882



Announced by all the trumpets of the sky,
Arrives the snow, and, driving o’er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farmhouse at the garden’s end.
The sled and traveler stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.

Come see the north wind’s masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer’s lane from wall to wall,
Maugre the farmer’s sighs; and, at the gate,
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind’s night-work,
The frolic architecture of the snow

There’s a certain Slant of light (258)
Emily Dickinson – 1830-1886


There’s a certain Slant of light,
Winter Afternoons –
That oppresses, like the Heft
Of Cathedral Tunes –

Heavenly Hurt, it gives us –
We can find no scar,
But internal difference,
Where the Meanings, are –

None may teach it – Any –
‘Tis the Seal Despair –
An imperial affliction
Sent us of the Air –

When it comes, the Landscape listens –
Shadows – hold their breath –
When it goes, ’tis like the Distance
On the look of Death –


London Snow
Robert Bridges – 1844-1930


When men were all asleep the snow came flying,
In large white flakes falling on the city brown,
Stealthily and perpetually settling and loosely lying,
Hushing the latest traffic of the drowsy town;
Deadening, muffling, stifling its murmurs failing;
Lazily and incessantly floating down and down:
Silently sifting and veiling road, roof and railing;
Hiding difference, making unevenness even,
Into angles and crevices softly drifting and sailing.
All night it fell, and when full inches seven
It lay in the depth of its uncompacted lightness,
The clouds blew off from a high and frosty heaven;
And all woke earlier for the unaccustomed brightness
Of the winter dawning, the strange unheavenly glare:
The eye marvelled—marvelled at the dazzling whiteness;
The ear hearkened to the stillness of the solemn air;
No sound of wheel rumbling nor of foot falling,
And the busy morning cries came thin and spare.
Then boys I heard, as they went to school, calling,
They gathered up the crystal manna to freeze
Their tongues with tasting, their hands with snowballing;
Or rioted in a drift, plunging up to the knees;
Or peering up from under the white-mossed wonder,
“O look at the trees!” they cried, “O look at the trees!”
With lessened load a few carts creak and blunder,
Following along the white deserted way,
A country company long dispersed asunder:
When now already the sun, in pale display
Standing by Paul’s high dome, spread forth below
His sparkling beams, and awoke the stir of the day.
For now doors open, and war is waged with the snow;
And trains of sombre men, past tale of number,
Tread long brown paths, as toward their toil they go:
But even for them awhile no cares encumber
Their minds diverted; the daily word is unspoken,
The daily thoughts of labor and sorrow slumber
At the sight of the beauty that greets them, for the charm they have broken.

Winter Blue Jay
Sara Teasdale – 1884-1933


Crisply the bright snow whispered,
Crunching beneath our feet;
Behind us as we walked along the parkway,
Our shadows danced,
Fantastic shapes in vivid blue.
Across the lake the skaters
Flew to and fro,
With sharp turns weaving
A frail invisible net.
In ecstasy the earth
Drank the silver sunlight;
In ecstasy the skaters
Drank the wine of speed;
In ecstasy we laughed
Drinking the wine of love.
Had not the music of our joy
Sounded its highest note?
But no,
For suddenly, with lifted eyes you said,
“Oh look!”
There, on the black bough of a snow flecked maple,
Fearless and gay as our love,
A bluejay cocked his crest!
Oh who can tell the range of joy
Or set the bounds of beauty?

As You Like It, Act II, Scene VII [Blow, blow, thou winter wind]
William Shakespeare – 1564-1616


Lord Amiens, a musician, sings before Duke Senior’s company


Blow, blow, thou winter wind,
Thou art not so unkind
As man’s ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.

Freeze, freeze, thou bitter sky,
That does not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remembered not.
Heigh-ho! sing . . .

Winter : Anne Hunter : : Winter Poems : :

Anne Hunter (née Home) (1742 – 1821) : : Born March 17, 1742 Waterford – January 7 , 1821 London : : Known for Poetry , Blue Stockings : : Romantic poet and lyricist Anne Hunter was the daughter of the military surgeon Robert Home. She married the famous London surgeon John Hunter and they had four children, two of whom died in infancy. Their home was a center of literary and intellectual life, and they often hosted gatherings for leading public figures, including members of the Bluestockings group. : : She is remembered mostly for the texts to at least nine of Joseph Haydn’s 14 songs in English . Her early piece, “Adieu ye streams that softly glide,” was published in two songbooks, The Lark (1765) and The Charmer (1765). She collaborated with the composer Franz Joseph Haydn on several projects, contributing the lyrics for his Six Original Canzonettas (1794), some of the lyrics for his Second Set of Canzonettas (1795), and the words for two of his songs, “The Spirit’s Song” and “O Tuneful Voice.” : : Hunter began to publish her poetry anonymously in the 1790s, and later published two collections, Poems (1802) and The Sports of the Genii (1804), as Mrs. John Hunter. Many of her poems are ballads, odes, or songs exploring romantic and domestic themes. : :
Falling Tower ( Of Humanity ) Illustrative picture with metal wreaking Ball smashing in its centre.
“See from its centre bends the rifted tower,

Threat’ning the lowly vale with frowning pride, 6

O’er the scared flocks that seek its sheltering side, 7

A fearful ruin o’er their heads to pour.” 8 : : : : Ruined temple, falling bell tower, the concept of loss of faith.
Drop Tower Of Snow ! ! ! !
House being engulfed by the snow Blizzard.
Snow Storm : Aftermath.
A man walks through a snow blizzard past heavily damaged buildings in the old town of Iraq’s northern city Mosul on February 10, 2020. (Photo by Zaid via Getty images.
Winter snow storm.
Icicles Chain Across the vast landscape.

Winter
BY ANNE HUNTER
Behold the gloomy tyrant’s awful form
Binding the captive earth in icy chains; 2
His chilling breath sweeps o’er the watery plains,
Howls in the blast, and swells the rising storm. 4

See from its centre bends the rifted tower,
Threat’ning the lowly vale with frowning pride, 6
O’er the scared flocks that seek its sheltering side,
A fearful ruin o’er their heads to pour. 8

While to the cheerful hearth and social board 9
Content and ease repair, the sons of want 10
Receive from niggard fate their pittance scant; 11
And where some shed bleak covert may afford, 12
Wan poverty, amidst her meagre host 13
Casts round her haggard eyes, and shivers at the frost. 14

Anne Hunter’s ‘Winter’ is a short poem with two quatrains and one sestet. ( 4 + 4+ 6 = 14 lines ) The first two stanzas loosely follow the rhyming pattern of abba cddc , while the sestet is made up of full and half end rhymes that only partially correspond with one another.: : Winter is personified as a “gloomy tyrant” ( line 1 ) who with only his “chilling breath” can create vast storms that cover the “watery plains.” : It is with this power that he freezes the world every year, casting countless people’s lives ( the poorest among us ) miserable .: : : :

“Behold the gloomy tyrant’s awful form

Binding the captive earth in icy chains;

His chilling breath sweeps o’er the watery plains,

Howls in the blast, and swells the rising storm.” : : : : 1 ST Stanza : : lines 1 To 4 : :

The “awful” and “gloomy tyrant ” is so powerful , merciless , and dreadful that he can “Bind” the earth through the ‘downright force’ of his snowing and icy chains ( line 2 ), and lock down all the life on the planet, with “icy chains” at his will. He can create vast storms that cover the “watery plains.”( line 4 ) : “His chilling breath sweeps o’er the watery plains,”( line 3 ) “Howls the blast, and swells the rising storm.” ( line 4 ) Meaning , his roaring gust ( blowing strong current of air ) , and swells the rising” storm” : that is : ( rains , hails and snows hard and be very windy , often with thunder and lightning ) : : All these violent behaviour tyrannise the people living in the vast landscape. No one could give him such absolute power. Who is he to exercise such unyielding / stubborn power in a cruel way ? Because of his violent activities AT HIS WILL , he is indeed a ” gloomy tyrant”. : : : :

“See from its centre bends the rifted tower,

Threat’ning the lowly vale with frowning pride, 6

O’er the scared flocks that seek its sheltering side, 7

A fearful ruin o’er their heads to pour.” 8 : : Stanza 2 : : lines 5 To 8 : : : :

The “centre” of the storm that is washing over this landscape and to a “rifted tower.” ( line 5 ) : : Here , the “tower” represents ‘Humanity’ whose face becomes split or broken off. That is why it is called as ” RIFTED TOWER” : which is BENT and is said to be leaning with a “frowning pride.”( line 6 ) The curve of the buildings is evocative dis -pleasing / frown and “the scared flocks seek sheltering” ( line 7) below it : Meaning it has become a suitable “side” ( line 7 ) for the groups of animals like birds, sheeps and goats as well as the groups of desperate people ( in all together “flocks” ) of the landscape under the tyranny of this “winter storm”: All scared “flocks” : : “fearful ruin” is on the brink of / on the verge of “pour”ing “o’er their heads” ( line 8 ) : Meaning , the people are pouring out ( that is running / gathering to a sheltering place , in large numbers ) of “A fearful ruin” : that is , a devastation and destruction brought out by the tyrannical stormy winter. : : The “rifted tower”is being blown, and further weakened by the winds of “Winter” and is leaning over a “vale.” : : the bending in the tower is ” threat’ning the lowly vale” ( line 6 ) Meaning , there is no safety of the scared flocks gathering for a shelter to this side which itself is having a long depression in the surface of the land where it is standing and now threatening with its bending & leaning and can fall off anytime !? : : : :

” While to the cheerful hearth and social board 9

Content and ease repair, the sons of want 10

Receive from niggard fate their pittance scant; 11

And where some shed bleak covert may afford, 12

Wan poverty, amidst her meagre host 13

Casts round her haggard eyes, and shivers at the frost.” 14 : : : : Sestet of 6 lines : 9 To 14 : : Stanza 3 : : : :

A Word “social board” indicates well to do, and/ or Fortunate, Organised People, who in this poem, are shown gathered before the “cheerful hearth”( line 9 ), A ‘fire side’ where they sat and warmed themselves before the fire 🔥 amongst their family and friends. : : ” the sons of want” ( line 10 ) are the people, who are accountable to their physical circumstances, and to whom, the coming of winter, means an increase of suffering. They are the deficient ‘storm victims’ wanting shelter, food, courtesy and strength to go on with their living. Needing something that is absent or unavailable for them , in the devastating impacts of worsening situations. They do not have homes, wealth, or the ability to gain these things due to their circumstances. For these unfortunate people their Fate is “niggard fate” Meaning ‘unwilling to give or spend’ on them And only thing they “Receive from niggard fate their pittance scant” ( line 11 ) : Meaning they work all day for a mere pittance ; that is insufficient or an ‘inadequate payment’ often deliberately , which is “scant” : less than the correct , legal or full amount.: : : An ideation , the Poet / Speaker presents in line 12 , is “bleak”: “covert can afford” as a covering to Shelter which is in -hospitable and hopeless , but finds a way that “Wan poverty , amidst her meager host” : ( line 13 ) : wan poverty informs us their pale & sickly condition , lacking vitality from illness , and unhappiness , which “casts round her haggard eyes” ( line 14 ) : Meaning , her host , that is Shelter – Keeper is deficient or lacking in resources , and hence , scarcely meeting with supplying their needs or demands. The “haggard eyes”are suggestive of the care – worn , condition of very thin body and face , resultant from disease , hunger and cold. : : The last words about : : “Wan poverty” in the poem , “Winter” : ” and shivers in the frost.” ( line 14 ) : is ‘shaking as from the freezing cold.’ thrown forcefully by the “Winter” : : Do you call this Winter , ‘A Tyrant’ Or ‘The Seasonal Changes’ !? : : : : :

“Winter” By Anne Hunter , A Winter Poem Information Appreciation and poem Analysis Presented by V Jayaraj Pune India November 5 , 2022 : : કાર્તક સુદ બારસ , તુલસી વિવાહ : : : : : : : :

Sampoong Department Store collapse Seoul : S. Korea : On June 29, 1995, the Sampoong Department Store in Seoul, South Korea, collapsed due to a structural failure. The collapse killed 502 people and injured 937, making it the largest peacetime disaster in South Korean history: Sentences: Lee Joon, 10.5 years in prison (later reduced to 7.5 years)
Lee Han-sang, 7 years in prison.: :The original plan called for a large four-storey apartment complex. After work had already begun, owner Lee Joon, in the first of many ill-considered decisions, switched the project from a residential one to a commercial one, a conversion which necessitated the removal of support columns to make room for escalators. When the contractors balked at this, Lee exchanged them for a more obedient in-house crew.building of this size entirely as a department store went against zoning regulations, which Lee circumvented by ordering the addition of a skating rink on an originally unplanned-for fifth floor. Later ,he again changed his mind once again, turning it into a gallery of restaurants heated by a system of under-floor hot-water pipes, increasing the stress on the already overburdened columns remaining. The air-conditioning machinery was installed on top , wrongly . Tonnes of additional weight like 45 Tonnes unbearabl. And opened up cracks that widened each and every morning the air conditioners clicked on and vibrated to life over the next two years. Lee refused to evacuate the day’s unusually large and lucrative shopping crowd, and so in the store they remained at 5:52 pm, when the air-conditioning units fell through the roof and the support columns gave way, resulting in the deadliest building collapse since antiquity More than 500 people died in the Sampoong Department Store – not because of a gas explosion or a North Korean bomb (two early suspicions) – but because of sheer negligence in construction and maintenance of a building not yet six years old.the shameful strain, & reckless corner-cutting, bribery and irresponsibility had become endemic in a society desperate to develop. Loss of sensibility is more than an obstacle to the show of prosperity. : : An important lesson to other cities urbanising at such an impressive pace. Constructions become symbol of advancement of development & culture. But in wrong manners & following I’ll considered series of wrong decisions by authorities & technocrats. : : It was the deadliest non-deliberate modern building collapse until the 2013 Rana Plaza factory collapse in Bangladesh.
2013 Rana Plaza factory collapse : side view : on 24 April 2013 in the Savar Upazila of Dhaka District, Bangladesh, where an eight-story commercial building called Rana Plaza collapsed.a death toll of 1,134.[2] Approximately 2,500 injured people were rescued. owners ignored warnings to avoid using the building after cracks had appeared the day before. Garment workers were ordered to return the following day and the building collapsed during the morning rush-hour.was built on a filled-in pond which compromised structural integrity , Conversion from commercial use to industrial use, Addition of four floors above the original permit, use of substandard construction material (which led to an overload of the building structure aggravated by vibrations due to the generators and heavy industrialised machinery of garment factory, dubious business practices by Sohel Rana and dubious administrative practices are some direct reasons of cause of collapse.
Chinese workers search for victims in the rubble of the workers quarters of a bridge construction project which collapsed in a snowstorm in Zhengzhou in central China’s Henan province on November 14, 2009. At least 38 people have died in some of the worst snowstorms to hit northern China in decades, leaving up to one million people in need of some form of disaster assistance, state media reported. CHINA OUT AFP PHOTO/ via Getty images

Towers become Humanity ‘s faces to witness historical periods: Their faces are often found as broken off or split often alongside the God – acted accidents or many times man made tragedies or miscreant’s/ terrorist’s cruel activities. High Quality Most Famous World landmarks Statue of Liberty, Taj Mahal, Eiffel Tower, Leaning Tower, Big Ben, Parthenon, Egyptian Sphinx and Pyramids, Colosseum, Cathedral Sagrada Familia
Noida Twin Tower: Hugged Each Other And Cried”: Man Who Pressed Button To Raze Noida Towers
Two illegally constructed high-rise buildings in Noida were demolished on August 28 , 2022.. The 100-metre-high twin towers were brought down in seconds, creating a huge cloud of dust.The demolition was carried out using 3,700 kg of explosives..Over 5,000 people from Emerald Court and ATS Village societies were evacuated before the demolition of the twin towers.The demolition exercise took place under a ₹ 100 crore insurance policy. This should cover damage to adjacent buildings, if any. The premium and other costs have to be borne by Supertech. While the demolition project may cost upwards of ₹ 20 crore, the loss of the towers – skeletal as they were – is estimated at more than ₹ 50 crore.
Leaning Tower Of Pisa, Italy in 2022.
Leaning Tower Of Pissa, Italy & a cyclist bending on his fast cycling: illustrative picture.
A man leaps to his death from a fire and smoke filled Tower One of the World Trade Center September 11, 2001 in New York City after terrorists crashed two hijacked passenger planes into the twin towers. (Photo by Jose Jimenez/Primera Hora/Getty Images)
Freefall in the Hasenheide
15 May 2022, Berlin: The gondola of a freefall tower hurtles down at the May Days in Volkspark Hasenheide. (Shot with long exposure) Photo: Hauke Schröder/dpa-Zentralbild/dpa,(via Getty Images)
Tear-off of Church of Reconciliation near Berlin Wall
The tower of the Church of Reconciliation, which directly stands behind the Wall in East Berlin, is blown up on the 28th of January in 1985 . After the surrounding houses had already been removed, the tower followed the central aisle and fell victim to the construction of the wall. (Photo by Roland Holschneider/ via Getty Images)
Tarot , The Tower

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